{"id":936,"date":"2018-07-19T10:42:52","date_gmt":"2018-07-19T08:42:52","guid":{"rendered":"http:\/\/qys.sk\/?p=936"},"modified":"2021-03-18T09:16:21","modified_gmt":"2021-03-18T08:16:21","slug":"autenticke-divadlo-cely-od-hlavy-po-paty","status":"publish","type":"post","link":"https:\/\/duhovyrok.sk\/qys\/autenticke-divadlo-cely-od-hlavy-po-paty\/","title":{"rendered":"Autentick\u00e9 divadlo: Cel\u00fd, od hlavy po p\u00e4ty"},"content":{"rendered":"<p><span style=\"font-weight: 400\">Ut\u00f3piou pre t\u00fato dobu by bol \u017eivot s vedom\u00edm celej \u013eudskej hist\u00f3rie. Od po\u010diatku na\u0161ej biologickej podstaty, od po\u010diatku na\u0161ej sapient\u00e1cie, odkladali by sme v\u0161etko \u010do sme vytvorili, ni\u010d by sme neni\u010dili a na ni\u010d nezabudli. Poznanie a porozumenie precedentn\u00fdch udalost\u00ed by prinieslo pokoru a nov\u00fa silu invencie. Takto by mohlo by\u0165 v\u0161etko prav\u00e9, skuto\u010dn\u00e9 \u00a0a pr\u00e1ve prebiehaj\u00face, autentick\u00e9. Ne\u017eijeme tak, zab\u00fadame a ni\u010d\u00edme, ale ost\u00e1va n\u00e1m divadlo, kde si m\u00f4\u017eeme vysk\u00fa\u0161a\u0165 r\u00f4zne podoby \u010dohoko\u013evek, \u010do sa stalo alebo stane. <\/span><\/p>\n<p><span style=\"font-weight: 400\">Dejiny m\u00f4\u017eeme rozdeli\u0165 pod\u013ea sp\u00f4sobu, \u0161t\u00fdlu a \u00fa\u010delu komunik\u00e1cie. V divadle jednotliv\u00e9 obdobia nezanikaj\u00fa, prehlbuj\u00fa sa jedno pri druhom, jedno v druhom, s tret\u00edm (d\u00f4le\u017eit\u00fd je konkr\u00e9tny autor, to \u010domu sa rozhodol venova\u0165 a akou formou svoju t\u00e9mu komunikuje). Performance a site specific divadlo maj\u00fa svoju epochu, pre ktor\u00fa sa hod\u00ed n\u00e1zov \u00a0\u201cUd\u011bl\u00e1me si to tady hezk\u00fd!\u201d. Site specific divadlo vznik\u00e1 na miestach, ktor\u00fdm vracia, odober\u00e1, alebo vytv\u00e1ra hodnotu. Performance t\u00fato hodnotu aktualizuje a potvrdzuje. Obidve usiluj\u00fa o jedine\u010dn\u00fd z\u00e1\u017eitok pre div\u00e1ka a pre svojich tvorcov v konkr\u00e9tnej poz\u00edci\u00ed, premyslen\u00fdm v\u00fdrazom. V divadle experimentu u\u017e nejde nutne o politick\u00fa referenciu, reflexiu, protestn\u00fa opoz\u00edciu, o samizdat, ale vyber\u00e1me si miesta, ktor\u00e9 nestoja v centre pozornosti pre ich charakteristiku, \u017ee sa tu nikdy ni\u010d \u201cd\u00f4le\u017eit\u00e9\u201d nestalo. Divadlo u\u017e neh\u013ead\u00e1 miesto na pre\u017eitie, ale miesto na znovuzrodenie, preto pova\u017eujem ka\u017ed\u00fd tak\u00fdto po\u010din za v\u00fdznamn\u00fa udalos\u0165. Ak\u00fdm sp\u00f4sobom prech\u00e1dza predstaven\u00edm div\u00e1k a ako sa pre\u0148ho stane d\u00f4veryhodn\u00fdm? <\/span><\/p>\n<p><span style=\"font-weight: 400\">Nikto nechce pokazi\u0165 \u201chru\u201d a tak div\u00e1k prijme svoju rolu, v domnienke, \u017ee tak posl\u00fa\u017ei najlep\u0161iemu mo\u017en\u00e9mu \u00fa\u010delu. Je mu jasn\u00e9, kedy je interakcia s n\u00edm \u017eiad\u00faca a kedy sa treba len d\u00edva\u0165. Predstavenie ,,Na \u010do by mi bolo toto\u201d bol jednor\u00e1zov\u00fd happening v priestoroch mestsk\u00e9ho domu ur\u010den\u00e9ho mlad\u00fdm rodin\u00e1m v n\u00fadzi na Budy\u0161inskej a \u010ceskej ulici (4.9.2017). Div\u00e1kov uviedli pred vstupnou br\u00e1nou dve diev\u010dat\u00e1, pon\u00fakli im f\u013ea\u0161e s vodou a odporu\u010dili im cestu, ktor\u00e1 ich zavedie na miesto kde sa usadia. Bez dozoru a bez naviga\u010dn\u00fdch symbolov, publikum spoznalo budovu, tak, ako ka\u017ed\u00fd z nich zvykne spozn\u00e1va\u0165 nov\u00e9 veci. \u00a0Niektor\u00ed sa vy\u0161li pozrie\u0165 von a vo\u0161li do sesterskej budovy. Priestorom pre obecenstvo boli dve trojposchodov\u00e9 budovy, s priechodom cez \u00e1trium. Pavla\u010de na ka\u017edom poschod\u00ed sme urobili h\u013eadiskom a \u00e1trium, do ktor\u00e9ho z nich vidno, javiskom. Dokopy budili dojem Colossea. Dole herci a hore div\u00e1ci, s mocou vl\u00e1dcu \u010do \u010dakaj\u00fa na hru. H\u013eadisko sa naplnilo rovnomerne, dom\u00e1ci si priniesli stoli\u010dky, \u201ccudz\u00ed\u201d st\u00e1li, zop\u00e1r det\u00ed sa opieralo o m\u00far v priestore javiska, aby si ich v\u0161etci v\u0161imli a hra sa za\u010dala. \u013dudia z flia\u0161 striekali vodu na tri \u0161\u0165astn\u00e9, utekaj\u00face diev\u010dat\u00e1 v \u00e1triu a nebolo im jasn\u00e9 kedy maj\u00fa presta\u0165 (niektor\u00ed striekali cel\u00e9 predstavenie). Striedavo bolo v obecenstve ticho a vrava. P\u00f4sobilo to, ako paraleln\u00e9, alebo dopl\u0148uj\u00face predstavenie, ako priama reflexia, reinterpret\u00e1cia hry, alebo okam\u017eit\u00e1 kritika. V proviz\u00f3rnom z\u00e1kulis\u00ed st\u00e1li mu\u017e, \u017eena a ich deti, n\u00e1jomn\u00edci domu, oble\u010den\u00ed v \u013dSNS tri\u010dk\u00e1ch a so zbra\u0148ami za opaskom. Pozerali na hercov, potom na predstavenie. Po\u010das gener\u00e1lok v dome, sme ich takto nevideli a ani po predstaven\u00ed. In\u00e1 n\u00e1jomn\u00ed\u010dka z domu po predstaven\u00ed za\u010dala robi\u0165 vlastn\u00e9 divadlo s tamoj\u0161\u00edmi de\u0165mi. Bol to \u017eiv\u00fd a \u010dlenit\u00fd obraz. <\/span><\/p>\n<p><span style=\"font-weight: 400\">Autentick\u00fdm sa predstavenie st\u00e1va, ke\u010f zapadne do chodu \u017eivota, ak je mo\u017enos\u0165 \u017ee ho napln\u00ed, ale nepreru\u0161\u00ed. Autenticita teda neexistuje ako objekt\u00edvna vlastnos\u0165 diela, ale iba ako jeho subjekt\u00edvne pochopenie. Ak by sme ale predsa chceli utopisticky vytvori\u0165 objekt\u00edvnu autenticitu, rozobrali a sp\u00edsali by sme pr\u00edbeh divadelnej hry rovnako ako ka\u017ed\u00e9ho herca a div\u00e1ka, udalost\u00ed, ktor\u00e9 predch\u00e1dzali podobe miesta diania, zahrali sa na Joyca a za\u010d\u00ednali v\u017edy odznova.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Site specific divadlo vznik\u00e1 na miestach, ktor\u00fdm vracia, odober\u00e1, alebo vytv\u00e1ra hodnotu. Performance t\u00fato hodnotu aktualizuje a potvrdzuje.<\/p>\n","protected":false},"author":2,"featured_media":938,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[256,10],"tags":[],"class_list":["post-936","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-divadlo","category-kultura"],"_links":{"self":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/comments?post=936"}],"version-history":[{"count":1,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/936\/revisions"}],"predecessor-version":[{"id":2615,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/936\/revisions\/2615"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media\/938"}],"wp:attachment":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media?parent=936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/categories?post=936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/tags?post=936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}