{"id":5368,"date":"2026-09-03T09:43:48","date_gmt":"2026-09-03T07:43:48","guid":{"rendered":"https:\/\/duhovyrok.sk\/qys\/?p=5368"},"modified":"2026-09-03T09:44:11","modified_gmt":"2026-09-03T07:44:11","slug":"t-boy-on-grindr-ked-telo-nie-je-profilom","status":"publish","type":"post","link":"https:\/\/duhovyrok.sk\/qys\/t-boy-on-grindr-ked-telo-nie-je-profilom\/","title":{"rendered":"T-Boy on Grindr: ke\u010f telo nie je profilom"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Autor: Robert Pakan<\/strong> <strong>\/<\/strong> <strong>FOTO: Archive Gorki Teatr<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Text sme prv\u00fd raz publikovali v \u010d\u00edsle Leto 2026<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Berl\u00ednske divadlo Maxim Gorki Theater vzalo na javisko najzn\u00e1mej\u0161iu gay aplik\u00e1ciu sveta. Inscen\u00e1cia <\/em><strong><em>T-Boy on Grindr<\/em><\/strong><em> autora a performera Jo\u00e3a d\u2019Oreya je int\u00edmna v\u00fdpove\u010f mlad\u00e9ho transrodov\u00e9ho mu\u017ea, ktor\u00fd cez Grindr h\u013ead\u00e1 bl\u00edzkos\u0165 a zis\u0165uje, \u017ee mu\u017ei v aplik\u00e1cii vidia in\u00fa postavu, ne\u017e ak\u00fa vid\u00ed on s\u00e1m. V okt\u00f3bri 2026 sa tento titul predstav\u00ed na 14. ro\u010dn\u00edku festivalu Drama Queer.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Predstavte si, \u017ee m\u00e1te sedemn\u00e1s\u0165, otv\u00e1rate Grindr a h\u013ead\u00e1te to, \u010do v\u0161etci: kontakt, bl\u00edzkos\u0165, niekoho, kto v\u00e1s uvid\u00ed. Len\u017ee ste transrodov\u00fd mu\u017e a postupne zis\u0165ujete, \u017ee mu\u017ei v aplik\u00e1cii vidia in\u00fa postavu, ne\u017e ak\u00fa vid\u00edte vy s\u00e1m. Toto je v\u00fdchodisko inscen\u00e1cie <em>T-Boy on Grindr<\/em>, ktor\u00e1 vznikla v berl\u00ednskom Maxim Gorki Theater.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">T-Boy, dospievaj\u00faci hrdina hry, vstupuje do sveta, ktor\u00fd je pre\u0148ho z\u00e1rove\u0148 l\u00e1kav\u00fd aj n\u00e1ro\u010dn\u00fd. Cis gej kult\u00fara m\u00e1 svoje k\u00f3dy, svoje hierarchie t\u00fa\u017eby, svoje pravidl\u00e1, ktor\u00e9 nikto nezapisuje. Hlavn\u00fd hrdina T-Boy ich postupne de\u0161ifruje a&nbsp; st\u00e1va sa tak antropol\u00f3gom vlastn\u00e9ho \u017eivota. Pre svojich potenci\u00e1lnych partnerov je z\u00e1rove\u0148 projekciou, fant\u00e1ziou, niekedy feti\u0161om. M\u00e1lokedy t\u00fdm, k\u00fdm je s\u00e1m pre seba.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kladie si ot\u00e1zku, ktor\u00e1 je jadrom inscen\u00e1cie: Existuje \u010dist\u00e1 t\u00fa\u017eba, ktor\u00e1 funguje za hranicami pohlavia a sexu\u00e1lnej identity? Alebo je ka\u017ed\u00e1 t\u00fa\u017eba v\u017edy pozna\u010den\u00e1 kateg\u00f3riami, do ktor\u00fdch sme niekoho zaradili?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Autor a performer Jo\u00e3o d\u2019Orey rozohr\u00e1va t\u00fato situ\u00e1ciu ako kv\u00edr hrdinsk\u00fa cestu. T-Boy nie je obe\u0165ou ani eduka\u010dnou postavou, je niek\u00fdm, kto sa pohybuje, h\u013ead\u00e1, u\u010d\u00ed, pad\u00e1 a postupuje \u010falej. Inscen\u00e1cia ho sleduje cez stretnutia, rozhovory, sklamania aj momenty kontaktu, ktor\u00e9 funguj\u00fa. Z\u00e1rove\u0148 neuh\u00fdba pred t\u00fdm, \u010do trans* tel\u00e1 za\u017e\u00edvaj\u00fa v \u0161ir\u0161om kontexte, stigmatiz\u00e1ciou v spolo\u010dnosti, v&nbsp;politike \u010di v medic\u00edne. Nie je to v\u0161ak pre hru hlavn\u00e1 t\u00e9ma; je v nej pr\u00edtomn\u00e1 tak, ako je pr\u00edtomn\u00e1 v \u017eivote a v pozad\u00ed, v ozven\u00e1ch, v tom, \u010do nikto nepovedal, ale len si&nbsp; ktosi pomyslel.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hudba, pohyb, telo. Inscen\u00e1cia je viac ne\u017e len text. Re\u017e\u00edroval ju Malaya Stern Takeda, pod tvorbu hudby sa podp\u00edsali Ralph Heidel a s\u00e1m Jo\u00e3o d\u2019Orey, za choreografiu je zodpovedn\u00fd Steven Fast a dramaturgiu m\u00e1 na starosti Murat Dikenci. Spolo\u010dne vytvorili inscen\u00e1ciu, ktor\u00e1 funguje s\u00fa\u010dasne ako int\u00edmna spove\u010f aj fyzick\u00e9 dianie. Telo na javisku tu nie je len objektom rozpr\u00e1vania, ale akt\u00edvnym partnerom hudby a pohybu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">D\u00f4le\u017eit\u00e9 je, \u017ee inscen\u00e1cia nevznik\u00e1 ako esej cudzieho pozorovate\u013ea. Pre d\u2019Oreya transrodov\u00e1 postava nie je aleg\u00f3riou ani \u201et\u00e9mou t\u00fd\u017ed\u0148a\u201c. Nie ka\u017ed\u00e9 slovo je jeho \u017eivotopisom, ale tomu, \u010do hr\u00e1, rozumie z prvej ruky. Vidno to v ka\u017edom pohybe, v ka\u017edom slove, v ka\u017edej pauze. Predstavenie malo premi\u00e9ru po\u010das Queer Week v Maxim Gorki Theater v j\u00fani 2025 a odvtedy si z\u00edskava medzin\u00e1rodn\u00fa pozornos\u0165.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V okt\u00f3bri 2026 sa <em>T-Boy on Grindr<\/em> predstav\u00ed na 14. ro\u010dn\u00edku festivalu Drama Queer. Inscen\u00e1cia nepotrebuje vysvet\u013eova\u0165, \u201ekto s\u00fa trans \u013eudia\u201c alebo \u201eako funguje Grindr\u201c . A v tej jednoduchosti sa odohr\u00e1va cel\u00e1 jej n\u00e1ro\u010dnos\u0165. Nie je to predstavenie pre \u00fazku skupinu zasv\u00e4ten\u00fdch: je to hra o tom, k\u00fdm sme schopn\u00ed by\u0165 pre druh\u00fdch a koho dok\u00e1\u017eeme naozaj vidie\u0165, ke\u010f sa pozer\u00e1me.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Autor: Robert Pakan \/ FOTO: Archive Gorki Teatr Text sme prv\u00fd raz publikovali v \u010d\u00edsle Leto 2026 Berl\u00ednske divadlo Maxim Gorki Theater vzalo na javisko najzn\u00e1mej\u0161iu gay aplik\u00e1ciu sveta. Inscen\u00e1cia T-Boy on Grindr autora a performera Jo\u00e3a d\u2019Oreya je int\u00edmna v\u00fdpove\u010f mlad\u00e9ho transrodov\u00e9ho mu\u017ea, ktor\u00fd cez Grindr h\u013ead\u00e1 bl\u00edzkos\u0165 a zis\u0165uje, \u017ee mu\u017ei v aplik\u00e1cii <a href=\"https:\/\/duhovyrok.sk\/qys\/t-boy-on-grindr-ked-telo-nie-je-profilom\/\" class=\"more-link\">&#8230;<\/a><\/p>\n","protected":false},"author":7,"featured_media":5394,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[256,10],"tags":[43,266,159,176,715],"class_list":["post-5368","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-divadlo","category-kultura","tag-divadlo","tag-from-qys","tag-queer-kultura","tag-recenzia","tag-t-boy-on-grindr"],"_links":{"self":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/5368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/comments?post=5368"}],"version-history":[{"count":2,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/5368\/revisions"}],"predecessor-version":[{"id":5451,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/5368\/revisions\/5451"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media\/5394"}],"wp:attachment":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media?parent=5368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/categories?post=5368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/tags?post=5368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}