{"id":4312,"date":"2023-11-07T16:41:20","date_gmt":"2023-11-07T15:41:20","guid":{"rendered":"https:\/\/duhovyrok.sk\/qys\/?p=4312"},"modified":"2023-11-07T16:41:43","modified_gmt":"2023-11-07T15:41:43","slug":"filmovy-festival-inakosti-zamilujte-sa-aj-vy-do-tepleho-hongkonskeho-filmu","status":"publish","type":"post","link":"https:\/\/duhovyrok.sk\/qys\/filmovy-festival-inakosti-zamilujte-sa-aj-vy-do-tepleho-hongkonskeho-filmu\/","title":{"rendered":"Filmov\u00fd festival inakosti: Zamilujte sa aj vy do tepl\u00e9ho hongkonsk\u00e9ho filmu"},"content":{"rendered":"\n

Autorka: Krist\u00edna Aschenbrennerov\u00e1<\/strong> \/ FOTO: FFi \/ Breaking Glass Pictures, Block Distribution<\/strong><\/p>\n\n\n\n

Text sme prv\u00fd raz publikovali v \u010d\u00edsle Jese\u0148 2023.<\/em><\/p>\n\n\n\n

Pred dvomi rokmi zaradil Filmov\u00fd festival inakosti<\/a> do svojho programu hongkonsk\u00fd film Suk Suk<\/em> (r. Ray Yeung, 2019) o vz\u0165ahu dvoch seniorov, ktor\u00ed svoju orient\u00e1ciu cel\u00fd \u017eivot tajilipred rodinami \u2013 najprv rodi\u010dmi, potom man\u017eelkami a de\u0165mi. V subt\u00edlnom pr\u00edbehu Ray Yeung otvoril siln\u00e9 a st\u00e1le d\u00f4le\u017eit\u00e9 t\u00e9my. Ods\u00fadil trad\u00edcie n\u00fatiace \u017ei\u0165 \u013eud\u00ed v utajen\u00ed zo strachu pred reakciami spolo\u010dnosti, vyzval na zoh\u013eadnenie \u0161pecifick\u00fdch potrieb, ale aj sexu\u00e1lneho \u017eivota LGBTQ+ seniorov a v neposlednom rade im venoval citliv\u00fd film.<\/p>\n\n\n\n

Tento november festival pon\u00fakne \u0161ir\u0161\u00ed poh\u013ead na jedine\u010dn\u00fa sc\u00e9nu Hongkongu a jej LGBTQ+ filmy. Hoci v\u010faka jeho 99-ro\u010dn\u00e9mu pren\u00e1jmu Spojen\u00e9mu kr\u00e1\u013eovstvu sa kult\u00fara a mentalita dnes osobitn\u00e9ho auton\u00f3mneho \u00fazemia vyv\u00edjala odli\u0161n\u00fdm smerom, ne\u017e tomu bolo v \u010c\u00edne, nieko\u013eko tis\u00edcro\u010d\u00ed pestovan\u00e9 trad\u00edcie ho v priv\u00e1tnej sf\u00e9re v\u00fdrazne pozna\u010dili. Koncept \u201etradi\u010dnej rodiny\u201c a povinnost\u00ed potomkov vo\u010di rodi\u010dom ostal viac-menej nepozna\u010den\u00fd. Navy\u0161e, na vz\u0165ah spolo\u010dnosti k LGBTQ+ \u013eu\u010fom mal negat\u00edvny dosah s\u00e1m britsk\u00fd pr\u00e1vny syst\u00e9m, ktor\u00fd vytrvalo kriminalizoval homosexu\u00e1lne vz\u0165ahy.<\/p>\n\n\n\n

Tento stav pretrv\u00e1val a\u017e do roku 1991, ke\u010f Legislat\u00edvna rada Hongkongu prijala z\u00e1kon o ich dekriminaliz\u00e1cii \u2013 pokia\u013e sa realizovali v s\u00fakrom\u00ed, medzi dospel\u00fdmi, konsenzu\u00e1lne a nie ako predmet obchodnej transakcie. Paradoxne, z\u00e1kon hovoril len o homosexu\u00e1lnych mu\u017eoch. Ignor\u00e1ciu existencie lesieb m\u00f4\u017eeme pokojne prip\u00edsa\u0165 v\u0161eobecnej ignor\u00e1cii \u017eien ako relevantnej \u010dasti spolo\u010dnosti. Pre zauj\u00edmavos\u0165, minim\u00e1lny vek pre relevantn\u00fd s\u00fahlas so sexu\u00e1lnym vz\u0165ahom pre heterosexu\u00e1lov bol ustanoven\u00fd na 16 rokov, pre homosexu\u00e1lnych mu\u017eov to bolo 21.<\/p>\n\n\n\n

Prekvapivo, viacer\u00e9 z nerovnost\u00ed \u2013 aspo\u0148 v trestnom z\u00e1kone \u2013 boli (ve\u013emi) postupne prelomen\u00e9 a\u017e po odovzdan\u00ed Hongkongu \u010c\u00edne. Hongkong v\u0161ak st\u00e1le nepozn\u00e1 man\u017eelstv\u00e1 p\u00e1rov rovnak\u00e9ho pohlavia, hoci re\u0161pektuje ich spolu\u017eitie a poskytuje ochranu napr\u00edklad t\u00fdran\u00e9mu partnerovi\/-ke. Aktu\u00e1lne n\u00e1lady v Hongkongu v\u0161ak rozhodne nepraj\u00fa ak\u00fdmko\u013evek rie\u0161eniam v prospech LGBTQ+ \u013eud\u00ed. A, samozrejme, st\u00e1le plat\u00ed, \u017ee z\u00e1kon je jedna vec, jeho realiz\u00e1cia a ment\u00e1lne nastavenie \u013eud\u00ed \u010fal\u0161ia.<\/p>\n\n\n\n

LGBTQ+ \u013eudia a ich pr\u00edbehy v\u0161ak nach\u00e1dzaj\u00fa pomerne siln\u00fa podporu vo filme. Od skratkovit\u00fdch zobrazen\u00ed \u010di schov\u00e1vania sa za tradi\u010dn\u00fa \u010d\u00ednsku operu (presne tak, \u201ez\u00e1padn\u00fd\u201c Monsieur Butterfly<\/em> s Jeremym Ironsom je ve\u013emi vhodn\u00e1 konot\u00e1cia) pre\u0161li v\u00fdrazn\u00fa cestu. Filmov\u00fd festival inakosti predstav\u00ed v \u0161peci\u00e1lnom fokuse realizovanom s finan\u010dnou podporou Hong Kong Economic and Trade Office v Berl\u00edne p\u00e4\u0165 z nich.<\/p>\n\n\n\n

Do sekcie Queer Hong Kong programeri festivalu zaradili LGBTQ filmy z posledn\u00fdch 25 rokov, vr\u00e1tane nesmrte\u013en\u00fdch gej a lesbick\u00fdch klas\u00edk \u0160\u0165astn\u00ed spolu<\/em>, r. Wong Kar-wai (1997) a Mot\u00fd\u013e<\/em>, r. Yan Yan Mak (2004).<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Otv\u00e1rac\u00edm filmom sekcie je nad\u010dasov\u00fd pr\u00edbeh dvoch milencov, ktor\u00ed sa rozhodli pred rutinou u\u017e nie ve\u013emi funk\u010dn\u00e9ho vz\u0165ahu ujs\u0165 do Argent\u00edny, s hereck\u00fdmi legendami Tonym Leung Chiu-wai a Lesliem Cheungom \u0160\u0165astn\u00ed spolu<\/em>. Miesto novej harm\u00f3nie Ho Po-Wing a Lai Yiu-Fai pokra\u010duj\u00fa v tanci \u0161kriepok, rozchodov, pokusov o udobrenie maren\u00fdch \u017eiarlivos\u0165ou. Citliv\u00e9 re\u017eijn\u00e9 vedenie Wonga Kar-waia a nekone\u010dne podmaniv\u00e9 z\u00e1bery Christophera Doyla pretv\u00e1raj\u00fa m\u00e1rnej l\u00e1sky snahu a sny naplnen\u00e9 na polovicu do nezabudnute\u013enej romance.<\/p>\n\n\n\n

Osobitn\u00fa auru filmu s p\u00f4vodnou premi\u00e9rou na Festivale v Cannes dod\u00e1va Leslie Cheung, ktor\u00fd opakovane stv\u00e1r\u0148oval queer postavy, \u010di u\u017e i\u0161lo o kom\u00e9die s Anitou Mui (On je \u017eena, ona je mu\u017e<\/em> s pokra\u010dovan\u00edm Kto je \u017eena a kto mu\u017e?<\/em>, oba r. Peter Chan, 1994 a 1996), alebo o dr\u00e1my ako Zbohom, moja konkub\u00edna<\/em> (r. Chen Kaige, 1993). Herectvo v\u0161ak bola jeho druh\u00e1 kari\u00e9ra \u2013 Cheung patril k d\u00f4le\u017eit\u00fdm osobnostiam Cantopopu u\u017e od konca 70. rokov. Bol zriedkav\u00fdm zjavom \u2013 \u0161pekul\u00e1cie o svojej inakosti nikdy nepoprel, pr\u00e1ve naopak. V apr\u00edli 2003, tri roky po tom, ako bol ocenen\u00fd ako Najv\u00e4\u010d\u0161ia superstar \u00c1zie, sp\u00e1chal samovra\u017edu.<\/p>\n\n\n\n

Druh\u00fd celove\u010dern\u00fd film re\u017eis\u00e9rky Yan Yan Mak Mot\u00fd\u013e<\/em> (2004) je adapt\u00e1ciou rom\u00e1nu taiwanskej spisovate\u013eky Chen Hsueh Znamenie mot\u00fd\u013ea<\/em> (The Mark of the Butterfly), bol otv\u00e1rac\u00edm filmom Critics Week Ben\u00e1tskeho filmov\u00e9ho festivalu a doteraz patr\u00ed k v\u00fdrazn\u00fdm z\u00e1stupcom (op\u00e4\u0165 neprekvapivo) zriedkav\u00e9ho druhu lesbick\u00e9ho filmu v hongkonskej kinematografii. Flavia (Josie Ho) u\u010d\u00ed na strednej \u0161kole, vedie klasick\u00fd rodinn\u00fd \u017eivot s man\u017eelom a jednou dc\u00e9rou. Potom \u010do v supermarkete pom\u00f4\u017ee diev\u010dine (Tian Yuan) prichytenej pri kr\u00e1de\u017ei, sa jej \u017eivot prevr\u00e1ti naruby \u2013 teda, vr\u00e1ti sa do prastar\u00fdch ko\u013eaj\u00ed \u2013 a Flavia sa mus\u00ed rozhodn\u00fa\u0165, \u010di svoj \u017eivot venuje sama sebe, alebo bude zodpovednou ob\u010diankou, man\u017eelkou a matkou.<\/p>\n\n\n\n

Podobnej dileme \u010del\u00ed aj 51-ro\u010dn\u00fd man\u017eel a otec dvoch u\u017e dospel\u00fdch det\u00ed Tai-hung (Philip Keung) v celove\u010dernom debute Juna Li Tracey <\/em>(2018), filme o r\u00f4znych probl\u00e9moch a \u017eivotn\u00fdch dr\u00e1mach v rodine. Medzi man\u017eelstvo rodi\u010dov s oddelen\u00fdmi sp\u00e1l\u0148ami a dilemy potomkov o rozvode a umelom preru\u0161en\u00ed tehotenstva pre man\u017eelovu neveru Tracey<\/em> vklad\u00e1 Tai-hungov diskomfort z mu\u017esk\u00e9ho tela, \u010di jeho nie \u00faplne hetero orient\u00e1ciu. Cez sie\u0165 post\u00e1v debatuje d\u00f4sledky po\u017eiadavky na \u201enorm\u00e1lnos\u0165\u201c a ukazuje limity postoja \u201emoje telo patr\u00ed mne\u201c. Tracey<\/em> je raritne civiln\u00fdm zobrazen\u00edm transrodovosti v hongkonskom filme \u2013 mimo javiska a v\u00e1\u017ene.<\/p>\n\n\n\n

Naopak, 30 rokov Adonisa<\/em> od re\u017eis\u00e9ra Scuda (2017) sa o subt\u00edlnos\u0165 ani len nepok\u00fa\u0161a. Kr\u00e1sni a \u010dasto hol\u00ed mu\u017ei, sex, BDSM, ale i n\u00e1silie v \u00fachvatn\u00fdch aran\u017em\u00e1noch s\u00fa p\u00f4\u017eitkom pre o\u010di v pr\u00edbehu o naivnom rojkovi t\u00fa\u017eiacom po hviezdnej kari\u00e9re a negat\u00edvnych d\u00f4sledkoch snov na \u017eivot a zdravie, ale aj o pred\u00e1torskej povahe umeleck\u00fdch povolan\u00ed. Scud je sk\u00fasen\u00fd re\u017eis\u00e9r nekone\u010dnej invencie, ved\u00faci svoje filmy nepredv\u00eddate\u013en\u00fdmi smermi. 30 rokov Adonisa<\/em> je dekadentn\u00fd a podmaniv\u00fd film, ktor\u00fd nezaprie re\u017eis\u00e9rovu slabos\u0165 pre Piera Paola Pasoliniho, Petera Greenawaya \u010di Pedra Almod\u00f3vara. A kr\u00e1snych mu\u017eov.<\/p>\n\n\n\n

Nezvy\u010dajn\u00fd queer vz\u0165ah prin\u00e1\u0161a celove\u010dern\u00fd debut Ne\u013e\u00fab ma<\/em>, r. Gilitte Leung (2011). Aggie a Dennis s\u00fa kamar\u00e1ti odnepam\u00e4ti. Ke\u010f sa nas\u0165ahuj\u00fa do spolo\u010dn\u00e9ho bytu, je len logick\u00e9, \u017ee si rodi\u010dia a star\u00ed rodi\u010dia za\u010dn\u00fa robi\u0165 n\u00e1deje. Len\u017ee Dennis je tepl\u00fd a Aggie tak trochu tie\u017e. Ke\u010f\u017ee mal\u00e1 kopa p\u00fdta viac, t\u00e1to queer romanca pon\u00faka paletu najm\u00e4 gej post\u00e1v a ich probl\u00e9mov, fluiditu a mal\u00fd film vo filme.<\/p>\n\n\n\n

Pr\u00ed\u010fte 22. \u2013 28. novembra na Filmov\u00fd festival inakosti a nechajte sa unies\u0165 nielen hongkonsk\u00fdmi filmami.<\/p>\n","protected":false},"excerpt":{"rendered":"

Autorka: Krist\u00edna Aschenbrennerov\u00e1 \/ FOTO: FFi \/ Breaking Glass Pictures, Block Distribution Text sme prv\u00fd raz publikovali v \u010d\u00edsle Jese\u0148 2023. Pred dvomi rokmi zaradil Filmov\u00fd festival inakosti do svojho programu hongkonsk\u00fd film Suk Suk (r. Ray Yeung, 2019) o vz\u0165ahu dvoch seniorov, ktor\u00ed svoju orient\u00e1ciu cel\u00fd \u017eivot tajilipred rodinami \u2013 najprv rodi\u010dmi, potom man\u017eelkami a de\u0165mi. …<\/a><\/p>\n","protected":false},"author":15,"featured_media":4313,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[254,10],"tags":[55,56,266,282],"class_list":["post-4312","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-kultura","tag-film","tag-filmovy-festival-inakosti","tag-from-qys","tag-tipy"],"_links":{"self":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/4312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/comments?post=4312"}],"version-history":[{"count":3,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/4312\/revisions"}],"predecessor-version":[{"id":4343,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/4312\/revisions\/4343"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media\/4313"}],"wp:attachment":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media?parent=4312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/categories?post=4312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/tags?post=4312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}