{"id":4251,"date":"2023-10-15T13:28:29","date_gmt":"2023-10-15T11:28:29","guid":{"rendered":"https:\/\/duhovyrok.sk\/qys\/?p=4251"},"modified":"2023-10-15T13:28:55","modified_gmt":"2023-10-15T11:28:55","slug":"su-cierne-vecerne-saty-rydzo-zenske-becka-mcfadden-skumaju-rodove-stereotypy-v-obleceni","status":"publish","type":"post","link":"https:\/\/duhovyrok.sk\/qys\/su-cierne-vecerne-saty-rydzo-zenske-becka-mcfadden-skumaju-rodove-stereotypy-v-obleceni\/","title":{"rendered":"S\u00fa \u010dierne ve\u010dern\u00e9 \u0161aty r\u00fddzo \u017eensk\u00e9? Becka McFadden sk\u00famaj\u00fa rodov\u00e9 stereotypy v oble\u010den\u00ed"},"content":{"rendered":"\n

Autor: Marek Hudec<\/strong> \/<\/strong> Fotografie: Drama Queer \/ Michaela \u0160kvr\u0148\u00e1kov\u00e1, Massimo Brani<\/strong><\/p>\n\n\n\n

Text sme prv\u00fd raz publikovali v \u010d\u00edsle Jese\u0148 2023.<\/em><\/p>\n\n\n\n

Smutn\u00e9, sexi, rebelantsk\u00e9 aj \u010darovn\u00e9. Takzvan\u00e9 mal\u00e9 \u010dierne ve\u010dern\u00e9 \u0161aty s\u00fa \u0161tandardom form\u00e1lneho oble\u010denia \u017eien na spolo\u010densk\u00fdch podujatiach a m\u00f4\u017eu v n\u00e1s vyvol\u00e1va\u0165 r\u00f4zne pocity.<\/p>\n\n\n\n

\u201e\u0164a\u017eko si predstavi\u0165 in\u00fd kus oble\u010denia, ktor\u00fd sa vn\u00edma ako r\u00fddzo \u017eensk\u00fd. Odkedy Coco Chanel predviedla ich s\u00fa\u010dasn\u00fa vari\u00e1ciu v 20. rokoch minul\u00e9ho storo\u010dia, z\u00edskali mnoho kult\u00farnych asoci\u00e1ci\u00ed podobne ako \u010dierna farba,\u201c vysvet\u013euj\u00fa britsko-\u010desk\u00e9 performerstvo Becka McFadden, pre\u010do si ich vybrali ako hlavn\u00fa t\u00e9mu svojho zauj\u00edmav\u00e9ho divadeln\u00e9ho diela Black Dress<\/em>.<\/p>\n\n\n\n

Prostredn\u00edctvom nieko\u013ek\u00fdch \u010diernych \u0161iat v predstaven\u00ed, ktor\u00e9 je performat\u00edvnou predn\u00e1\u0161kou, zd\u00f4raz\u0148uj\u00fa sp\u00f4soby, ak\u00fdm n\u00e1m odevy m\u00f4\u017eu diktova\u0165, ale aj b\u00fara\u0165 rodov\u00e9 predsudky a stereotypy. Tohto typu oble\u010denia maj\u00fa Becka v \u0161atn\u00edku najviac a z\u00e1rove\u0148 dok\u00e1zali n\u00e1js\u0165 mnoho odkazov na \u010dierne \u0161aty v umeleckom svete, napr\u00edklad v hudbe alebo v pr\u00edbehoch, ktor\u00e9 na p\u00f3diu aj spom\u00ednaj\u00fa.<\/p>\n\n\n\n

Black Dress<\/em> \u010doskoro uvid\u00edte v Bratislave na festivale Drama Queer a ned\u00e1vno dielo nominovali aj na prest\u00ed\u017enu \u010desk\u00fa divadeln\u00fa Cenu Th\u00e1lie. \u201ePo esteticko-tane\u010dnej str\u00e1nke je presne vybalansovan\u00e9, demon\u0161truje baletn\u00e9 aj contemporary prvky na technicky virtu\u00f3znej \u00farovni,\u201c p\u00ed\u0161e sa v laud\u00e1ciu.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Prehliadanie transrodovej identity je trend<\/strong><\/h4>\n\n\n\n

Okrem toho, \u017ee poukazuj\u00fa na stereotypy, Becka v inscen\u00e1cii citlivo hovoria aj o svojej ceste k prijatiu nebin\u00e1rnej rodovej identity. \u201e\u010casto sa c\u00edtime frustrovan\u00e9 alebo nepochopen\u00e9. M\u00e1me rady prehnan\u00fa viz\u00e1\u017e, napr\u00edklad trblietav\u00e9 nechty, a \u010dasto n\u00e1m vraveli, \u017ee p\u00f4sob\u00edme tak \u017eensky, \u017ee nem\u00f4\u017eeme by\u0165 nebin\u00e1rnou osobou. Vypo\u010duli sme si to viac ne\u017e raz \u2013 osobitne v akademick\u00fdch kruhoch. Vraj sp\u00f4sob, ako sa obliekame, m\u00f4\u017ee by\u0165 probl\u00e9mom, ke\u010f chceme p\u00f4sobi\u0165 seri\u00f3zne,\u201c vravia.<\/p>\n\n\n\n

\u201eZvykneme sa c\u00edti\u0165 nepohodlne v \u0161at\u00e1ch, ktor\u00e9 neodr\u00e1\u017eaj\u00fa n\u00e1\u0161 vn\u00fatorn\u00fd pocit v dan\u00fd de\u0148. Sme zn\u00e1me t\u00fdm, \u017ee sa \u010dasto prezliekame alebo \u017ee si impulz\u00edvne kupujeme oble\u010denie, ke\u010f sme vonku a nem\u00f4\u017eeme sa vr\u00e1ti\u0165 domov, aby sme sa prezliekli.\u201c V predn\u00e1\u0161ke spom\u00ednaj\u00fa zn\u00e1mu \u010desk\u00fa transrodov\u00fa osobnos\u0165 surrealistick\u00e9ho maliarstva Toyen. Hoci malo Toyen fluidn\u00fd rodov\u00fd prejav a \u017eilo sk\u00f4r, ne\u017e sa za\u010dala pou\u017e\u00edva\u0165 s\u00fa\u010dasn\u00e1 terminol\u00f3gia na kv\u00edr a transrodov\u00e9 identity, akademick\u00e1 obec a \u0161irok\u00e1 verejnos\u0165 jej prisudzuje \u017eensk\u00fd rod.<\/p>\n\n\n\n

\u201eMus\u00edme by\u0165 opatrn\u00ed v pou\u017e\u00edvan\u00ed rodov\u00fdch z\u00e1men pri historick\u00fdch osobnostiach ako Toyen. Nep\u00e1\u010dilo sa n\u00e1m, ako \u010desk\u00e1 N\u00e1rodn\u00e1 gal\u00e9ria pou\u017eila v celej v\u00fdstave \u017eensk\u00fd rod, preto\u017ee ako preva\u017ene \u017eensky sa prezentuj\u00faca nebin\u00e1rna osoba (takzvan\u00e1 AFAB) sa tie\u017e \u010dasto stret\u00e1vame so znevidite\u013e\u0148ovan\u00edm a snahou o ignorovanie na\u0161ej identity \u2013 a \u00e1no, ob\u010das pr\u00e1ve \u013eu\u010fmi z kult\u00fary.\u201c<\/p>\n\n\n\n

Becka \u010falej dod\u00e1vaj\u00fa, \u017ee ke\u010f sa gal\u00e9ria rozhodla ignorova\u0165 skuto\u010dn\u00fd pr\u00edstup Toyen k rodovej identite, odradila in\u00fdch kv\u00edr \u013eud\u00ed, aby sa s nimi dok\u00e1zali identifikova\u0165. Prehliadanie kv\u00edr a transrodov\u00fdch ident\u00edt je pod\u013ea nej trend, ale odkazuj\u00fac na knihu Filipa Titlbacha Byli jsme tu v\u017edycky<\/em>, je to pod\u013ea nej len n\u00e1sledok historick\u00e9ho znevidite\u013e\u0148ovania, ktor\u00e9 sl\u00fa\u017eilo r\u00f4znym z\u00e1ujmom.<\/p>\n\n\n\n

\u201eSp\u00f4soby znevidite\u013e\u0148ovania m\u00f4\u017eu by\u0165 r\u00f4zne, napr\u00edklad ist\u00fd typ gaslightingu. Za\u017eili sme ho pri coming-outoch alebo ke\u010f si niekto pozrel na\u0161e dielo. Niektor\u00ed neregistruj\u00fa, \u017ee sa t\u00fdka nebin\u00e1rnej identity alebo ho ozna\u010duj\u00fa ako \u017eensk\u00e9 alebo feministick\u00e9, vtedy rozm\u00fd\u0161\u013eame, \u010di sme spr\u00e1vne komunikovali, \u010do sme zam\u00fd\u0161\u013eali. Hoci n\u00e1\u0161 te\u0161\u00ed, ke\u010f n\u00e1s poz\u00fdvaj\u00fa alebo zara\u010fuj\u00fa do feministick\u00fdch projektov a vid\u00edme ve\u013ea prepojen\u00ed medzi nimi a Black Dress<\/em>, v jadre sa vyst\u00fapenie venuje tomu, \u017ee sa neidentifikujeme ako \u017eena, respekt\u00edve poukazujeme na to, \u017ee nie je len jeden sp\u00f4sob, ako sa d\u00e1 \u017eenou identifikova\u0165.\u201c<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Kv\u00f4li brexitu sme si museli vybra\u0165 domov<\/strong><\/h4>\n\n\n\n

Becka nes\u00fa bremeno cel\u00e9ho vyst\u00fapenia na p\u00f3diu osamote. Ako performerka ho pre\u017e\u00edvaj\u00fa r\u00f4zne, Black Dress<\/em> \u010dasto pri\u0165ahuje kv\u00edr obecenstvo a \u010d\u00edm lep\u0161ie mu vie porozumie\u0165, t\u00fdm je z\u00e1\u017eitok aj pre nich z\u00e1bavnej\u0161\u00ed a interakt\u00edvnej\u0161\u00ed. \u0164a\u017e\u0161ie sa im vystupuje pred tich\u00fdm publikom, no vn\u00edmaj\u00fa, \u017ee aj to je sp\u00f4sob, ako si dielo vychutna\u0165.<\/p>\n\n\n\n

\u201eHoci je obsah vyst\u00fapenia hlboko osobn\u00fd, rozm\u00fd\u0161\u013eame o \u0148om ve\u013emi dlho a dok\u00e1zali sme ho hlb\u0161ie pochopi\u0165 medzi rokmi 2018 a 2020. M\u00e1me preto od t\u00e9my dostato\u010dn\u00fd odstup a vieme ju vyu\u017ei\u0165 s odstupom a pocitom bezpe\u010dia. Pomohlo n\u00e1m aj to, \u017ee sme ho odsk\u00fa\u0161ali cez mnoh\u00e9 partnerstv\u00e1 a rezidencie. C\u00edtime sa preto na javisku bezpe\u010dne a s\u00fastredene nez\u00e1visle od energie z publika.\u201c <\/p>\n\n\n\n

S n\u00e1padom t\u00e9mu spracova\u0165 ako performat\u00edvnu predn\u00e1\u0161ku pri\u0161iel Beckin spolupracovn\u00edk Daniel Somerville, ktor\u00fd sa venuje okrem umenia aj vzdel\u00e1vaniu. K dielu pritom pristupovali viac ako k performancii, scen\u00e1r vytvorili a\u017e potom, \u010do si prerozpr\u00e1vali pr\u00edbehy viacer\u00fdch \u0161iat. Becka sa v tom \u010dase in\u0161pirovali aj kv\u00edr teoretick\u00fdmi pr\u00e1cami, obsahom na soci\u00e1lnych sie\u0165ach, knihou Pleasure Activism<\/em> od adrienne maree brown \u010di pr\u00e1cou americk\u00e9ho spisovate\u013estva a performat\u00edvneho umelectva Alok Vaid-Menon.<\/p>\n\n\n\n

Hoci Becka \u017eili desa\u0165 rokov v Lond\u00fdne, dnes p\u00f4sobia hlavne v Prahe. \u201eLond\u00fdn zostane s\u00fa\u010das\u0165ou n\u00e1s a na\u0161ej pr\u00e1ce, ale pred zhruba piatimi rokmi sme si museli vybra\u0165 na\u0161e p\u00f4sobisko predt\u00fdm, ne\u017e by sme stratili eur\u00f3pske ob\u010dianstvo, v\u010faka, brexit. Vybrali sme si Prahu, a hoci sme skeptick\u00e9 ku konceptu domova, ak je domovom miesto, kde sa c\u00edtime najpr\u00edjemnej\u0161ie, Praha je k nemu najbli\u017e\u0161ie.\u201c<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

Autor: Marek Hudec \/ Fotografie: Drama Queer \/ Michaela \u0160kvr\u0148\u00e1kov\u00e1, Massimo Brani Text sme prv\u00fd raz publikovali v \u010d\u00edsle Jese\u0148 2023. Smutn\u00e9, sexi, rebelantsk\u00e9 aj \u010darovn\u00e9. Takzvan\u00e9 mal\u00e9 \u010dierne ve\u010dern\u00e9 \u0161aty s\u00fa \u0161tandardom form\u00e1lneho oble\u010denia \u017eien na spolo\u010densk\u00fdch podujatiach a m\u00f4\u017eu v n\u00e1s vyvol\u00e1va\u0165 r\u00f4zne pocity. \u201e\u0164a\u017eko si predstavi\u0165 in\u00fd kus oble\u010denia, ktor\u00fd sa vn\u00edma …<\/a><\/p>\n","protected":false},"author":10,"featured_media":4252,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[256,10,258],"tags":[43,47,525,266,159,212],"class_list":["post-4251","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-divadlo","category-kultura","category-vizualne-umenie","tag-divadlo","tag-drama-queer","tag-festival-drama-queer","tag-from-qys","tag-queer-kultura","tag-transrodovost"],"_links":{"self":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/4251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/comments?post=4251"}],"version-history":[{"count":3,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/4251\/revisions"}],"predecessor-version":[{"id":4258,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/4251\/revisions\/4258"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media\/4252"}],"wp:attachment":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media?parent=4251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/categories?post=4251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/tags?post=4251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}