{"id":4031,"date":"2023-05-20T17:34:55","date_gmt":"2023-05-20T15:34:55","guid":{"rendered":"https:\/\/duhovyrok.sk\/qys\/?p=4031"},"modified":"2023-05-20T17:35:32","modified_gmt":"2023-05-20T15:35:32","slug":"v-znamom-sci-fi-horore-hraju-vyznamnu-ulohu-rastliny-reflektuju-queer-zivot","status":"publish","type":"post","link":"https:\/\/duhovyrok.sk\/qys\/v-znamom-sci-fi-horore-hraju-vyznamnu-ulohu-rastliny-reflektuju-queer-zivot\/","title":{"rendered":"V zn\u00e1mom sci-fi horore hraj\u00fa v\u00fdznamn\u00fa \u00falohu rastliny. Reflektuj\u00fa queer \u017eivot"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Autor: Richard L. Kram\u00e1r<\/strong> \/ <strong>FOTO: NETFLIX<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Text sme prv\u00fd raz publikovali v \u010d\u00edsle Jar 2023.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>ke\u010f mi moja ko\u017ea pripad\u00e1 ako bari\u00e9ra medzi<br>v\u0161etk\u00fdm ostatn\u00fdm vo vesm\u00edre a&nbsp;mnou<br>sna\u017e\u00edm sa spomen\u00fa\u0165 si<br>je dos\u0165 dobre mo\u017en\u00e9 \u017ee je medzi nami spojenie<br>ktor\u00e9 nevid\u00edm<br>nie\u010do pod povrchom<br>ponoren\u00e9<br>medzi burinou<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>FUNGUS, Narcissist Cookbook<\/em><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Film <em>Annihilation<\/em> (2018, re\u017e. Alex Garland) je v\u0161etko, len nie jednozna\u010dn\u00fd a&nbsp;uzavret\u00fd. Na webe \u010cSFD.sk je zaraden\u00fd do \u0161iestich \u017e\u00e1nrov\u00fdch kateg\u00f3ri\u00ed \u2013 dr\u00e1ma, sci-fi, horor, thriller, mysteri\u00f3zny a&nbsp;dobrodru\u017en\u00fd. Videoesejista Boring Keith t\u00fato sn\u00edmku analyzuje v&nbsp;kontexte body hororu a&nbsp;kozmick\u00e9ho hororu. Najsilnej\u0161ie so mnou v\u0161ak rezonuje jeho novovyn\u00e1jden\u00fd polo\u017eartovn\u00fd \u017e\u00e1nrov\u00fd term\u00edn \u201eZl\u00e9 Veci sa Dej\u00fa v&nbsp;Lese\u201c (<em>\u201e<\/em>Bad Stuff Happening in the Woods<em>\u201c<\/em>), ktor\u00fd pre potreby vlastnej anal\u00fdzy prevezmem a&nbsp;uprav\u00edm na \u201eQueer Veci sa Dej\u00fa v&nbsp;Lese\u201c.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Queer anarchistick\u00fd kolekt\u00edv Baedan definuje pojem queer ako \u201einherentn\u00fd rozklad, ktor\u00fd postihuje gender [\u2026]; nie t\u00e1 alebo on\u00e1 historicky ustanoven\u00e1 kateg\u00f3ria, ale v\u0161etky rozbiehav\u00e9 telesn\u00e9 a&nbsp;spiritu\u00e1lne prejavy, ktor\u00e9 sa vymykaj\u00fa svojim rol\u00e1m\u201c a inherentn\u00fd rozklad v&nbsp;priamej s\u00favislosti s&nbsp;divergentnou telesnos\u0165ou a&nbsp;spiritualitou sa nach\u00e1dza priamo v&nbsp;centre poetiky <em>Annihilation<\/em>. Narat\u00edv sleduje biologi\u010dku a&nbsp;arm\u00e1dnu veter\u00e1nku Lenu, ktor\u00e1 sa ako dobrovo\u013en\u00ed\u010dka prihl\u00e1si na prieskumn\u00fa misiu za zdrojom z\u00e1hadn\u00e9ho, pr\u00edrodne-kozmicko-spiritu\u00e1lne-fantasticko-katastrofick\u00e9ho fenom\u00e9nu nazvan\u00e9ho \u201eTrblet\u201c (<em>\u201e<\/em>The Shimmer<em>\u201c<\/em>). Z\u00e1kladnou povahou tohto fenom\u00e9nu, ako t\u00edm vedk\u00fd\u0148 priebe\u017ene zis\u0165uje, je univerz\u00e1lna refrakcia \u2013 svetla, \u010dasu, r\u00e1diov\u00fdch v\u013an, hlasu, zvieracieho, rastlinn\u00e9ho i&nbsp;\u013eudsk\u00e9ho DNA a tak \u010falej.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V&nbsp;podm\u00e1\u010danom lese, od svojho vstupu na \u00fazemie Trbletu, str\u00e1caj\u00fa vedkyne takmer okam\u017eite orient\u00e1ciu v&nbsp;\u010dase a&nbsp;spojenie s&nbsp;vonkaj\u0161\u00edm svetom. V\u0161ade okolo seba objavuj\u00fa zmutovan\u00e9, transformovan\u00e9, naru\u0161en\u00e9 a&nbsp;zdvojen\u00e9 formy \u017eivota. Kvety r\u00f4znych druhov a&nbsp;farieb rast\u00face na jedinom \u00faponku, krokod\u00edla so \u017eralo\u010d\u00edmi zubami, rastliny rast\u00face pod\u013ea sch\u00e9my \u013eudsk\u00e9ho tela, jele\u0148a s&nbsp;rastlinami pu\u010diacimi priamo z&nbsp;paro\u017eia, m\u0155tve \u013eudsk\u00e9 telo rozlo\u017een\u00e9, kanibalizovan\u00e9 a&nbsp;var\u00edrovan\u00e9 mnohofarebn\u00fdmi hubami a&nbsp;li\u0161ajn\u00edkmi alebo obrovsk\u00e9ho \u010dierneho medve\u010fa s&nbsp;\u013eudskou lebkou uprostred tv\u00e1re, ktor\u00fd reve: \u201ePomoc, pros\u00edm, pom\u00f4\u017ete mi!\u201c hlasom jednej z&nbsp;vedk\u00fd\u0148, ktorej roztrhal hrdlo. Postupne sa tieto n\u00e1silne kreat\u00edvne zmeny za\u010d\u00ednaj\u00fa prejavova\u0165 i&nbsp;na \u010dlenk\u00e1ch v\u00fdpravy. Trblet rozober\u00e1, prestavuje a&nbsp;po\u017eiera ich otla\u010dky prstov, zlo\u017eenie krvi, pochody mysle \u2013 ni\u010d neponech\u00e1va na mieste.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Na v\u0161etk\u00fdch t\u00fdchto manifest\u00e1ci\u00e1ch Trbletu, akoko\u013evek desiv\u00fdmi sa javia, je \u010dosi fascinuj\u00faco opulentn\u00e9ho. Aj ke\u010f je produktom nekone\u010dn\u00fdch refrakci\u00ed nie\u010do, \u010do by sme be\u017ene ozna\u010dili za mon\u0161tru\u00f3zne, s\u00fa v\u017edy ist\u00fdm sp\u00f4sobom \u201eviac ne\u017e\u201c bezpe\u010dn\u00e9 a rozpoznate\u013en\u00e9 formy \u017eivota, z&nbsp;ktorej mon\u0161tru\u00f3zna vari\u00e1cia vych\u00e1dza. Trblet vo svojej absolutisticky nediskriminuj\u00facej tvorbe v\u00e4zieb a&nbsp;s\u00favislost\u00ed tam, kde normat\u00edvne nepatria, vytv\u00e1ra na postihnutom \u00fazem\u00ed extr\u00e9mnu pr\u00edrodn\u00fa hojnos\u0165, vymykaj\u00facu sa popisu a&nbsp;systematiz\u00e1cii. Z&nbsp;tejto novo a&nbsp;s\u00fastavne vznikaj\u00facej hojnosti priamo vypl\u00fdvaj\u00fa nov\u00e9, nesp\u00fatan\u00e9 sp\u00f4soby vn\u00edmania, us\u00favz\u0165a\u017e\u0148ovania a&nbsp;pozn\u00e1vania. Aj sama Lena, ktor\u00e1 poc\u00edtila pln\u00fa v\u00e1hu de\u0161trukt\u00edvneho potenci\u00e1lu Trbletu, jeho p\u00f4sobenie definuje nasledovne: \u201eOno to neni\u010dilo. V\u0161etko to len menilo. Vytv\u00e1ralo to nie\u010do nov\u00e9.\u201c<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Trang Dang popisuje queer te\u00f3riu ekol\u00f3gie ako tak\u00fa, ktor\u00e1 \u201eregistruje a&nbsp;oslavuje n\u00e1sobenie odli\u0161nost\u00ed na mnoh\u00fdch \u0161k\u00e1lach a&nbsp;\u017eivot ako mon\u0161tru\u00f3zny, vyk\u013aben\u00fd, alebo divok\u00fd a&nbsp;nesp\u00fatan\u00fd\u201c. Queer existencia, divokos\u0165 a&nbsp;podivnos\u0165 s\u00fa pod\u013ea Jacka Halberstama \u201eabsenciou poriadku, entropickou silou chaosu, ktor\u00e1 spriada pr\u00edbehy o raste rastl\u00edn, mno\u017een\u00ed v\u00edrusov, dynamick\u00fdch syst\u00e9moch mimo\u013eudskej v\u00fdmeny\u201c. Ak aplikujeme tento r\u00e1mec na Trblet, je mo\u017en\u00e9 interpretova\u0165 ho ako hyperbolick\u00e9 zhmotnenie v\u0161emocnej queer ekologickej sily. To, \u017ee jeho v\u00fdtvory m\u00f4\u017eu by\u0165 nahliadan\u00e9 ako mon\u0161tru\u00f3zne, len pod\u010diarkuje, ak\u00fd vzdialen\u00fd je modus operandi Trbletu od zaveden\u00fdch predst\u00e1v o&nbsp;poriadku sveta.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lena svoje z\u00e1\u017eitky z Trbletu ako jedin\u00e1 pre\u017eiv\u0161ia z&nbsp;cel\u00e9ho t\u00edmu opisuje svojim vypo\u010d\u00favate\u013eom na tajnej vojenskej z\u00e1kladni ako snov\u00e9. Na n\u00e1vodn\u00fa ot\u00e1zku, \u010di nemysl\u00ed sk\u00f4r no\u010dn\u00fa moru ako sen, odpoved\u00e1: \u201eNie v\u017edycky. Niekedy to bolo n\u00e1dhern\u00e9.\u201c Div\u00e1cky vizu\u00e1lny z\u00e1\u017eitok z&nbsp;filmu toto Lenino svedectvo len podporuje. Les je pln\u00fd bohat\u00fdch farieb a&nbsp;tvarov, tu\u0161enia fantastick\u00e9ho, rozp\u00ednav\u00e9ho, pulzuj\u00faceho \u017eivota na ka\u017edom kroku, vzduch sa zachvieva v&nbsp;me\u0148av\u00fdch, d\u00fahov\u00fdch odleskoch. Svet v&nbsp;Trblete je absol\u00fatnym opakom statusu quo \u2013 v\u0161etko je v&nbsp;pohybe, v&nbsp;rozklade a&nbsp;z\u00e1rove\u0148 v&nbsp;rozpuku, ni\u010den\u00e9 a&nbsp;povst\u00e1vaj\u00face z&nbsp;vlastn\u00fdch fragmentov.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tieto procesy mo\u017eno nahliadnu\u0165 i&nbsp;prostredn\u00edctvom pojmu Timothyho Mortona \u201ebezbreh\u00e9 int\u00edmnosti\u201c (\u201eunfathomable intimacies\u201c). Morton tieto int\u00edmnosti popisuje ako \u201epote\u0161enia, ktor\u00e9 nie s\u00fa heteronormat\u00edvne, nie s\u00fa genit\u00e1lne, nes\u00fahlasia s predstavami o&nbsp;tom, kde telo kon\u010d\u00ed a&nbsp;kde za\u010d\u00edna\u201c. Trblet hranice jednotliv\u00e9ho tela neudr\u017eiava ako stabiln\u00fa kateg\u00f3riu, preto\u017ee ju zdanlivo nepozn\u00e1, alebo nepova\u017euje za u\u017eito\u010dn\u00fa. Strat\u00e9gia refrakcie vo svojom bezhrani\u010dnom zrkadlen\u00ed a&nbsp;n\u00e1soben\u00ed spochyb\u0148uje, vo vz\u0165ahu k&nbsp;telu, platnos\u0165 pojmov vn\u00fatri a&nbsp;vonku. T\u00fdm, \u017ee sa v&nbsp;Trblete \u017eiadna kombin\u00e1cia \u017eivotn\u00fdch foriem a&nbsp;ich jednotliv\u00fdch atrib\u00fatov nejav\u00ed by\u0165 nemo\u017en\u00e1, Trblet takisto decentralizuje \u010dloveka ako \u201ep\u00e1na\u201c \u010di \u201ev\u00fdkvet\u201c tvorstva, jeho normat\u00edvnu telesn\u00fa sch\u00e9mu a&nbsp;ak\u00fako\u013evek hierarchiu zalo\u017een\u00fa na konkr\u00e9tnych telesn\u00fdch znakoch.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ke\u010f\u017ee reprodukcia alebo priame spojenie s&nbsp;inou formou \u017eivota je v&nbsp;Trblete mo\u017en\u00e9 prostredn\u00edctvom \u013eubovo\u013en\u00e9ho mimopohlavn\u00e9ho telesn\u00e9ho aspektu, spochyb\u0148uje Trblet i&nbsp;d\u00f4raz na genit\u00e1lie v&nbsp;rozmno\u017eovan\u00ed aj&nbsp;v&nbsp;pote\u0161en\u00ed. V&nbsp;Trblete je potenci\u00e1lne v\u0161etko plodn\u00e9, v\u0161etko produkt\u00edvne. Rovnakou mierou je takisto v\u0161etko potenci\u00e1lne zhubn\u00e9 a&nbsp;rozkladn\u00e9. Trblet v\u0161ak kvalitat\u00edvne nerozli\u0161uje ani medzi t\u00fdmito dvoma kateg\u00f3riami tak, ako \u013eudia. Samotn\u00e1 krajina tu \u201eobcuje\u201c s&nbsp;\u010dlovekom sp\u00f4sobmi, ktor\u00e9 s\u00fa expanz\u00edvne, nevypo\u010d\u00edtate\u013en\u00e9 a&nbsp;mimo jeho kontroly, proti \u013eubovo\u013en\u00fdm iter\u00e1ci\u00e1m heterosexu\u00e1lnej reprodukcie a&nbsp;heteropatriarch\u00e1lnej autority nad ostatn\u00fdmi formami \u017eivota. \u010clovek, ktor\u00fd vst\u00fapi do Trbletu, bude nav\u017edy zmenen\u00fd a&nbsp;ukotven\u00fd v&nbsp;r\u00ed\u0161i divok\u00e9ho, divn\u00e9ho a&nbsp;queer.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Za n\u00e1hodn\u00fa rozhodne nepova\u017eujem skuto\u010dnos\u0165, \u017ee v&nbsp;transform\u00e1ci\u00e1ch \u013eud\u00ed v&nbsp;Trblete hraj\u00fa v\u00fdrazn\u00fa \u00falohu rastliny, a&nbsp;to predov\u0161etk\u00fdm rastliny kvitn\u00face. Pre udr\u017eanie cisheterosexu\u00e1lnej koncepcie \u013eudskej existencie je nutn\u00e9 dr\u017ea\u0165 si kvetiny \u201eod tela\u201c. \u013dudsk\u00e1 cisheterosexu\u00e1lna sexualita bola historicky s\u00fastavne mapovan\u00e1 na kvetiny, ktor\u00e9 zo svojej podstaty do tohto mustra nezapadali a&nbsp;v\u017edy nejak\u00fdm sp\u00f4sobom vy\u010dnievali. Snaha usporiada\u0165 a&nbsp;ut\u00ed\u0161i\u0165 komplexn\u00fa sexualitu kvet\u00edn pretrv\u00e1va dodnes, pr\u00e1ve tak ako snaha to ist\u00e9 u\u010dini\u0165 so&nbsp;\u017eenami \u010di queer osobami. \u201eKvety s\u00fa vyzdvihovan\u00e9 pre svoje estetick\u00e9 kvality, objektifikovan\u00e9 pre svoju vonkaj\u0161iu kr\u00e1su a redukovan\u00e9 na svoju reproduk\u010dn\u00fa funkciu, \u010do je jasne feminizovan\u00e1 poz\u00edcia. Z\u00e1rove\u0148 s\u00fa vn\u00edman\u00e9 ako performuj\u00face nad r\u00e1mec tejto \u00falohy, s\u00fa pr\u00edli\u0161 ok\u00e1zal\u00e9 a&nbsp;melodramatick\u00e9 a ich kr\u00e1sa je vn\u00edman\u00e1 ako forma podvodu a triku. Okrem zjavnej anal\u00f3gie so \u017eenami v patriarch\u00e1te m\u00e1 t\u00e1to ned\u00f4vera na z\u00e1klade vn\u00edmanej neautentickosti a \u013eahkomyse\u013enosti aj rezonanciu s queer poz\u00edciou,\u201c p\u00ed\u0161e o&nbsp;kvetin\u00e1ch Caspar Heinemann.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vz\u00e1jomn\u00e9, doslovn\u00e9, telesn\u00e9, nemetaforick\u00e9 prerastanie \u013eud\u00ed a&nbsp;rastl\u00edn v&nbsp;Trblete tak vo filme amplifikuje queer poz\u00edciu oboch veli\u010d\u00edn \u2013 kvet\u00edn i&nbsp;\u010dloveka. V&nbsp;s\u00fa\u010dasnej politickej kl\u00edme je tak\u00e9to nebezpe\u010dn\u00e9 stelesnenie na druh\u00fa nesmierne posil\u0148uj\u00face. Na queer \u013eud\u00ed aj na kvetiny je vyv\u00edjan\u00fd tlak prezentova\u0165 zo seba iba to ne\u0161kodn\u00e9 a&nbsp;prijate\u013en\u00e9,&nbsp;vmesti\u0165 sa do \u00fazkych defin\u00edci\u00ed a&nbsp;pravidiel \u201ecivilizovan\u00fdch\u201c a mocn\u00fdch. V&nbsp;<em>Annihilation<\/em>, v&nbsp;parafr\u00e1ze Caspara Heinemanna, sa po\u00e9zia st\u00e1va jazykom pre\u017eitia v&nbsp;hojnosti a&nbsp;kvetnatos\u0165 sa st\u00e1va zbra\u0148ou. V\u0161etko, \u010do je \u201epr\u00edli\u0161\u201c, kladie odpor vo\u010di falo\u0161n\u00e9mu nedostatku a repres\u00edvnym taxon\u00f3mi\u00e1m a&nbsp;vytv\u00e1ra priestor pre politiku hojnosti, mo\u017enost\u00ed a&nbsp;mno\u017eenia mimo nastaven\u00fdch lim\u00edt existuj\u00faceho.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Fyzi\u010dka Josie sa v&nbsp;jednom momente dobrovo\u013ene odd\u00e1 mut\u00e1ci\u00ed s a&nbsp;do rastlinnej podoby. Potom \u010do je svedkom zl\u00fa\u010denia lebky a&nbsp;posledn\u00fdch v\u00fdkrikov svojej kolegyne Cass s&nbsp;tv\u00e1rou a&nbsp;revom \u010dierneho medve\u010fa, kon\u0161tatuje k Lene: \u201ePredstav si, \u017ee by si umierala vystra\u0161en\u00e1 a v bolestiach a&nbsp;bola by to jedin\u00e1 \u010das\u0165 teba, ktor\u00e1 pre\u017eije.\u201c Splynutie Josie s&nbsp;rastlinou a&nbsp;ich queer rastlinno-\u013eudsk\u00e9 stelesnenie je vo filme situovan\u00e9 ako oslobodzuj\u00face gesto a akt\u00edvny boj proti tak\u00e9muto osudu. Smr\u0165 ega, centraliz\u00e1cia mo\u017enosti objavi\u0165 nov\u00e9 pote\u0161enia a&nbsp;vykro\u010denie v&nbsp;\u00fastrety \u00faplnej a nepredv\u00eddate\u013enej transform\u00e1cii.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Annihilation (2018) - Official Trailer - Paramount Pictures\" width=\"1778\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/89OP78l9oF0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>Annihilation<\/em> opakovane prezentuje divokos\u0165 a&nbsp;divnos\u0165 ako transformat\u00edvne a&nbsp;revolu\u010dn\u00e9 sily. Nesna\u017e\u00ed sa ich tlmi\u0165, \u010dini\u0165 \u010ditate\u013en\u00fdmi alebo \u013e\u00fabiv\u00fdmi. Naopak, podporuje ich v\u00e1hu, drsnos\u0165 a&nbsp;ich temnotu, ktor\u00e9 stavia proti toxickej pozitivite a&nbsp;narat\u00edvam progresu, okolo ktor\u00fdch sa to\u010dia mantry neoliber\u00e1lnej spolo\u010dnosti. <em>Annihilation<\/em> n\u00e1s vedie vidie\u0165 kr\u00e1su a&nbsp;potencialitu v&nbsp;s\u00fastavnej zmene, divnosti, divokosti a&nbsp;\u201ekv\u00edren\u00ed\u201c reality a&nbsp;hr\u00f4zu v&nbsp;normativite, stabilite a&nbsp;nehybnosti. Ako p\u00ed\u0161e Trang Dang: \u201eDivokos\u0165 [\u2026] je sila, s ktorou \u017eijeme, a sp\u00f4sob bytia, ktor\u00fd organizujeme mimo existencie. Ak n\u00e1m m\u00e1 divokos\u0165 nie\u010do poveda\u0165, je to toto: rozoberte svet, ktor\u00fd ob\u00fdvate, rozoberte jeho neodbytn\u00fa oddanos\u0165 rovnakosti.\u201c<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Autor: Richard L. Kram\u00e1r \/ FOTO: NETFLIX Text sme prv\u00fd raz publikovali v \u010d\u00edsle Jar 2023. ke\u010f mi moja ko\u017ea pripad\u00e1 ako bari\u00e9ra medziv\u0161etk\u00fdm ostatn\u00fdm vo vesm\u00edre a&nbsp;mnousna\u017e\u00edm sa spomen\u00fa\u0165 sije dos\u0165 dobre mo\u017en\u00e9 \u017ee je medzi nami spojeniektor\u00e9 nevid\u00edmnie\u010do pod povrchomponoren\u00e9medzi burinou Film Annihilation (2018, re\u017e. Alex Garland) je v\u0161etko, len nie jednozna\u010dn\u00fd a&nbsp;uzavret\u00fd. <a href=\"https:\/\/duhovyrok.sk\/qys\/v-znamom-sci-fi-horore-hraju-vyznamnu-ulohu-rastliny-reflektuju-queer-zivot\/\" class=\"more-link\">&#8230;<\/a><\/p>\n","protected":false},"author":21,"featured_media":4061,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[254,10],"tags":[266,493,146,159,492],"class_list":["post-4031","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-kultura","tag-from-qys","tag-horor","tag-queer-film","tag-queer-kultura","tag-sci-fi"],"_links":{"self":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/4031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/comments?post=4031"}],"version-history":[{"count":3,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/4031\/revisions"}],"predecessor-version":[{"id":4099,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/4031\/revisions\/4099"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media\/4061"}],"wp:attachment":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media?parent=4031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/categories?post=4031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/tags?post=4031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}