{"id":3738,"date":"2022-11-04T17:17:00","date_gmt":"2022-11-04T16:17:00","guid":{"rendered":"https:\/\/duhovyrok.sk\/qys\/?p=3738"},"modified":"2022-11-06T17:22:16","modified_gmt":"2022-11-06T16:22:16","slug":"jan-durina-cez-tvorbu-sa-snazim-v-sebe-najst-pokoj","status":"publish","type":"post","link":"https:\/\/duhovyrok.sk\/qys\/jan-durina-cez-tvorbu-sa-snazim-v-sebe-najst-pokoj\/","title":{"rendered":"Jan Durina: Cez tvorbu sa sna\u017e\u00edm v sebe n\u00e1js\u0165 pokoj"},"content":{"rendered":"\n

Autor: Kristi\u00e1n Lazar\u010d\u00edk<\/strong> \/ FOTO: Arch\u00edv Jana Durinu<\/strong><\/p>\n\n\n\n

Text sme prv\u00fd raz publikovali v \u010d\u00edsle Jese\u0148 2022.<\/em><\/p><\/blockquote>\n\n\n\n

Jan Durina<\/a> je slovensk\u00fd interdisciplin\u00e1rny umelec. Pracuje preva\u017ene s fotografiou, zvukom a hudbou, performance a textilom. Jeho vizu\u00e1lne a mnohokr\u00e1t a\u017e teatr\u00e1lne diela sk\u00famaj\u00fa svety fant\u00e1zie a vn\u00fatorn\u00e9ho pre\u017e\u00edvania. Reflektuj\u00fa a sprostredkov\u00e1vaj\u00fa osobn\u00fa sk\u00fasenos\u0165 s du\u0161evn\u00fdm zdrav\u00edm, spiritualitou, l\u00e1skou a queer identitou. V rokoch 2014 \u2013 2020 p\u00f4sobil v Berl\u00edne, v s\u00fa\u010dasnosti \u017eije v Prahe, kde sa venuje umeleck\u00e9mu v\u00fdskumu v r\u00e1mci doktorandsk\u00e9ho \u0161t\u00fadia na Akad\u00e9mii v\u00fdtvarn\u00fdch umen\u00ed. <\/p>\n\n\n\n

Okrem v\u00fdstavn\u00fdch aktiv\u00edt sa vy\u0161e desa\u0165 rokov s\u00fastre\u010fuje aj na produkciu elektronickej hudby. Jeho audiovizu\u00e1lny projekt For You Katrina v rokoch 2017 a 2018 predstavil na eur\u00f3pskom turn\u00e9 a zahral okrem in\u00e9ho na festivale Creepy Teepee \u010di v S\u00e4ule, \u010dasti legend\u00e1rneho berl\u00ednskeho klubu Berghain. <\/p>\n\n\n\n

Okrem umeleck\u00fdch, hudobn\u00fdch a kur\u00e1torsk\u00fdch projektov spolupracuje na performance projekte ROMEO & HELLION so slovenskou umelky\u0148ou Miriamou Kardo\u0161ovou. V roku 2019 sa stal finalistom Ceny Osk\u00e1ra \u010cepana a vydal debutov\u00fd album s aktu\u00e1lnym hudobn\u00fdm projektom Ephemeral Harms.<\/p>\n\n\n\n

\"\"
REdiscovering, fotografia, zo s\u00e9rie After You Left, 2017<\/figcaption><\/figure>\n\n\n\n

Jan, \u010d\u00edm to je, \u017ee \u0165a bav\u00ed robi\u0165 r\u00f4zne umeleck\u00e9 formy? <\/strong><\/p>\n\n\n\n

V umeleckom vyjadren\u00ed nevid\u00edm \u017eiadne hranice. Intermedi\u00e1lne a interdisciplin\u00e1rne presahy s\u00fa pre m\u0148a ve\u013emi d\u00f4le\u017eit\u00e9, neviem si predstavi\u0165 dlhodobo sa s\u00fastredi\u0165 len na jedno m\u00e9dium. C\u00edtil by som sa limitovan\u00fd a ohrani\u010den\u00fd. Je pre m\u0148a d\u00f4le\u017eit\u00e9, aby moja pr\u00e1ca in\u0161pirovala ostatn\u00fdch k tomu, aby sa neb\u00e1li experimentova\u0165, sk\u00fa\u0161a\u0165 nov\u00e9 veci a \u00eds\u0165 mimo vlastn\u00fa komfortn\u00fa z\u00f3nu. D\u00f4verova\u0165 svojim in\u0161tinktom a nestrachova\u0165 sa z o\u010dak\u00e1van\u00ed in\u00fdch. <\/p>\n\n\n\n

Za\u010d\u00ednal som fotografiou, nesk\u00f4r m\u00f4j z\u00e1ujem prech\u00e1dzal k hudbe, zvuku, performancii, textilu alebo textu. Dnes je pre m\u0148a prirodzen\u00e9 v\u0161etky tieto sk\u00fasenosti sp\u00e1ja\u0165, pracova\u0165 na komplexnej\u0161\u00edch projektoch a vytv\u00e1ra\u0165 nov\u00e9 platformy pre kolekt\u00edvnu spolupr\u00e1cu.<\/p>\n\n\n\n

P\u00ed\u0161e\u0161 si texty s\u00e1m alebo s niek\u00fdm na nich spolupracuje\u0161?<\/strong><\/p>\n\n\n\n

Je to r\u00f4zne. Niektor\u00e9 texty, s ktor\u00fdmi pracujem, p\u00ed\u0161em s\u00e1m. Inokedy spolupracujem so spriatelen\u00fdmi liter\u00e1rnymi autormi a autorkami, alebo pracujem s apropri\u00e1ciou, prepo\u017ei\u010diavan\u00edm \u010dast\u00ed textov piesn\u00ed alebo b\u00e1sn\u00ed ob\u013e\u00faben\u00fdch umelcov a umelk\u00fd\u0148. S textom a slovom som v\u017edy t\u00fa\u017eil pracova\u0165. Dlho som sa nec\u00edtil komfortne v poz\u00edcii autora textu \u2013 mal som pocit, \u017ee je to nie\u010do mimo mojich intelektu\u00e1lnych schopnost\u00ed, \u017ee je to priam nie\u010do posv\u00e4tn\u00e9. Nie\u010do, \u010do si nem\u00f4\u017ee len tak hocikto osvoji\u0165. Mysl\u00edm ale, \u017ee to bolo iba strachom z ist\u00e9ho zlyhania, ktor\u00e9mu sa u\u010d\u00edm \u010deli\u0165, lebo nesmie ovl\u00e1da\u0165 m\u0148a a moju pr\u00e1cu. Dovoli\u0165 si zlyha\u0165 je vlastne nesmierne oslobodzuj\u00face.<\/p>\n\n\n\n

\"\"
Untitled, fotografia, zo s\u00e9rie Cute & Tragic, 2019<\/figcaption><\/figure>\n\n\n\n

Ktor\u00fdmi poetmi a poetkami si sa in\u0161piroval?<\/strong><\/p>\n\n\n\n

Ako t\u00edned\u017eer som miloval b\u00e1sne Sylvie Plath a Jacqua Pr\u00e9verta. Moment\u00e1lne je pre m\u0148a jedn\u00fdm z najd\u00f4le\u017eitej\u0161\u00edch autorov britsk\u00fd queer b\u00e1snik a spisovate\u013e Edward Field, autenticita a provokat\u00edvnos\u0165 jeho textov je fascinuj\u00faca. Milujem tie\u017e kanadsk\u00fa spisovate\u013eku Anne Carson. V poslednej dobe sa m\u00f4j z\u00e1ujem s\u00fastre\u010fuje hlavne na s\u00fa\u010dasn\u00fdch queer poetov a poetky, no ve\u013emi r\u00e1d sa v\u017edy vraciam napr\u00edklad k b\u00e1s\u0148am Langstona Hughesa alebo Jamesa Baldwina.<\/p>\n\n\n\n

Mala situ\u00e1cia po\u010das covidu vplyv na proces tvojej tvorby? S\u00faviselo to aj s nie\u010d\u00edm in\u00fdm okrem toho, \u017ee sa nemohli kona\u0165 v\u00fdstavy?<\/strong><\/p>\n\n\n\n

Pand\u00e9mia ovplyvnila \u017eivot, pr\u00e1cu a du\u0161evn\u00e9 zdravie ka\u017ed\u00e9ho \u010dloveka na tejto plan\u00e9te. Aj na m\u0148a mala samozrejme mnoh\u00e9 negat\u00edvne vplyvy, ale takisto aj mnoho pozit\u00edv. Jeden z najsmutnej\u0161\u00edch momentov v mojom \u017eivote a \u017eivote mojej rodiny bolo to, \u017ee kv\u00f4li covidu zomreli moji star\u00ed rodi\u010dia. Boli to n\u00e1dhern\u00ed \u013eudia a moji mentori. Na druhej strane mus\u00edm poveda\u0165, \u017ee obdobie lockdownu bolo pre m\u0148a v nie\u010dom vlastne ide\u00e1lne. C\u00edtil som pokoj. Vo svojej \u013eudskej podstate som introvert a vlastne dos\u0165 asoci\u00e1lny \u010dlovek. Lockdown bol pre m\u0148a akousi o\u010distou, mal som kone\u010dne potrebn\u00fd priestor s\u00fastredi\u0165 sa na selfcare<\/em>. Nemusel som by\u0165 kon\u0161tantne v strese, \u017ee sa niekde kon\u00e1 koncert, vernis\u00e1\u017e, stretnutie, na ktorom c\u00edtim, \u017ee mus\u00edm by\u0165, no nevl\u00e1dzem. Pracoval som v doma, v ateli\u00e9ri na svojich projektoch a myslel na \u013eud\u00ed, ktor\u00ed vo svojich \u017eivotoch nemaj\u00fa podobn\u00fa v\u00e1\u0161e\u0148, vy\u0161\u0161\u00ed zmysel. C\u00edtil som sa vo v\u00fdhode. <\/p>\n\n\n\n

\"\"
Romeo & Hellion (Jan Durina & Miriama Kardo\u0161ov\u00e1): Additional Feel, performance, A4 Bratislava, 2021<\/figcaption><\/figure>\n\n\n\n

Nevadili ti zru\u0161en\u00e9 v\u00fdstavy a akcie? <\/strong><\/p>\n\n\n\n

Popravde, ak\u00fdko\u013evek soci\u00e1lny kontakt dok\u00e1\u017ee pre m\u0148a by\u0165 ve\u013ekou z\u00e1\u0165a\u017eou. Som \u010dlovek, ktor\u00fd sa niekedy nez\u00fa\u010dastn\u00ed ani vlastnej vernis\u00e1\u017ee. Moja pr\u00e1ca je pre v\u0161etk\u00fdch, no ja nie. Tak\u017ee \u00faprimne, nie, nech\u00fdbalo mi to. Osobne teraz dos\u0165 trp\u00edm. Trp\u00edm t\u00fdm overloadom<\/em>, prehusten\u00edm v\u0161etk\u00fdch nov\u00fdch inform\u00e1ci\u00ed a \u013eud\u00ed, ktor\u00ed sa kon\u0161tantne za nie\u010d\u00edm nad\u0161ene \u017een\u00fa, a ja nest\u00edham. Nestihol som sa zatia\u013e preform\u00e1tova\u0165 sp\u00e4\u0165, nabra\u0165 nov\u00fa energiu, zobudi\u0165 sa z tohto cel\u00e9ho. <\/p>\n\n\n\n

Tvoja fotografia je na ob\u00e1lke knihy Andrewa McMillana \u2013 <\/strong>Telo \/ \u010das hier<\/em><\/strong>. Oslovuj\u00fa \u0165a jeho texty? \u010c\u00edm?<\/strong><\/p>\n\n\n\n

Ve\u013emi obdivujem sp\u00f4sob, ak\u00fdm Andrew p\u00ed\u0161e. Jeho slov\u00e1 s\u00fa \u00faprimn\u00e9, priam \u017eivelne \u00faprimn\u00e9, ne\u017en\u00e9 a kr\u00e1sne smutn\u00e9. Je ve\u013emi d\u00f4le\u017eit\u00e9, \u017ee na Slovensku vy\u0161la kniha queer autora, ktor\u00e1 sk\u00fama queer l\u00e1sku a zranite\u013enos\u0165, v preklade talentovan\u00e9ho Michala Talla. Jednozna\u010dne ju ka\u017ed\u00e9mu odpor\u00fa\u010dam. Tieto b\u00e1sne maj\u00fa potenci\u00e1l zasiahnu\u0165 a pohladi\u0165 ka\u017ed\u00e9ho. Nie s\u00fa ni\u010d\u00edm exkluz\u00edvne, rozpr\u00e1vaj\u00fa o pocitoch, ktor\u00e9 v\u0161etci pozn\u00e1me.<\/p>\n\n\n\n

Ak\u00fdm sp\u00f4sobom pracuje\u0161 na novom projekte, v\u00fdstave? Premysl\u00ed\u0161 si dopredu, o \u010dom to bude, alebo t\u00e1 idea vznik\u00e1 postupne v procese tvorby?<\/strong><\/p>\n\n\n\n

Pracujem kontinu\u00e1lne, st\u00e1le. Asi nezdravo ve\u013ea. Moja pr\u00e1ca je cel\u00fd m\u00f4j \u017eivot. Pracujem na r\u00f4znych projektoch v rovnakom \u010dase a nesk\u00f4r prem\u00fd\u0161\u013eam, ako to cel\u00e9 \u010falej uchopi\u0165, navigova\u0165. V\u00e4\u010d\u0161inou ma oslov\u00ed nejak\u00e1 in\u0161tit\u00facia so z\u00e1ujmom urobi\u0165 mi v\u00fdstavu \u2013 vtedy za\u010d\u00ednam cel\u00fa vec sklada\u0165 dokopy konzistentnej\u0161ie. Cel\u00fd proces m\u00e1 v\u00fdskumn\u00fd a meditat\u00edvny charakter \u2013 je pre m\u0148a d\u00f4le\u017eit\u00e9, aby ma to pos\u00favalo \u010falej, aby som siahal po nov\u00fdch t\u00e9mach, ktor\u00e9 ma prived\u00fa k nov\u00fdm inform\u00e1ci\u00e1m, a z\u00e1rove\u0148 aby som dok\u00e1zal n\u00e1js\u0165 pokoj v sebe prostredn\u00edctvom toho, \u010do rob\u00edm.<\/p>\n\n\n\n

Venuje\u0161 sa aj t\u00e9me toxickej maskulinity. Je maskulinita v\u017edy toxick\u00e1? Existuje aj zdrav\u00fd druh maskulinity? Je pod\u013ea teba rovnako toxick\u00e9, ak mu\u017e prive\u013emi d\u00e1va najavo svoju maskulinitu a ke\u010f jej d\u00e1va najavo prim\u00e1lo a je zo\u017een\u0161ten\u00fd?<\/strong><\/p>\n\n\n\n

Za\u010dnem od konca. V\u00f4bec nerie\u0161im, \u010di je niekto zo\u017een\u0161ten\u00fd, pr\u00edli\u0161 mu\u017en\u00fd, tak\u00fd \u010di onak\u00fd. Ka\u017ed\u00fd je in\u00fd a svojsk\u00fd a vo svojej podstate kr\u00e1sny. Rod celo\u017eivotne vn\u00edmam ako spektrum a pova\u017eujem za d\u00f4le\u017eit\u00e9 spochyb\u0148ova\u0165 a b\u00fara\u0165 koncept binarity, ktor\u00fd u\u017e d\u00e1vno ned\u00e1va zmysel. Vo svojej pr\u00e1ci \u010dasto spracov\u00e1vam t\u00e9my politiky identity. Prem\u00fd\u0161\u013eanie o rodovej identite je celkom prirodzene s\u00fa\u010das\u0165ou praxe sn\u00e1\u010f ka\u017ed\u00e9ho queer umelca\/umelkyne. Ve\u013eakr\u00e1t mi bola polo\u017een\u00e1 ot\u00e1zka, \u010do je to vlastne toxick\u00e1 maskulinita a kedy je toxick\u00e1. Neviem, \u010di viem na t\u00fato ot\u00e1zku odpoveda\u0165 tak, aby sme sa vo\u0161li do p\u00e1r riadkov. Ale c\u00edtim, \u017ee t\u00e1 toxicita, ako ka\u017ed\u00e1 in\u00e1, pravdepodobne pramen\u00ed z nespracovanej bolesti, traumy, zlomenosti. Nie je pre ka\u017ed\u00e9ho \u013eahk\u00e9 uvedomi\u0165 si, \u017ee pr\u00e1ve zranite\u013enos\u0165 m\u00f4\u017ee by\u0165 na\u0161ou najv\u00e4\u010d\u0161ou silou. Poch\u00e1dzame z r\u00f4znych prostred\u00ed a od detstva n\u00e1m boli v\u0161tepovan\u00e9 r\u00f4zne \u201epravdy\u201c. Mus\u00edme sa mnoh\u00e9 nau\u010den\u00e9 odu\u010di\u0165. <\/p>\n\n\n\n

\u0160tuduje\u0161 inform\u00e1cie z literat\u00fary, internetu? Alebo si aj ty s\u00e1m t\u00fdm experimentom, cez ktor\u00fd to v\u0161etko prech\u00e1dza?<\/strong><\/p>\n\n\n\n

Je to ve\u013emi r\u00f4zne. Sna\u017e\u00edm sa \u010d\u00edta\u0165 teoretick\u00e9 knihy \u2013 \u010do sa t\u00fdka queer a feministickej te\u00f3rie alebo kni\u017eky o psychol\u00f3gii a du\u0161evnom zdrav\u00ed, blogy, po\u010d\u00favam podcasty a podobne. Hlavn\u00e1 je hudba. T\u00e1 je pre m\u0148a nekone\u010dn\u00fdm zdrojom in\u0161pir\u00e1cie. Pova\u017eujem ju za najvzne\u0161enej\u0161iu formu umenia. Mysl\u00edm, \u017ee by som rad\u0161ej oslepol, ne\u017e ohluchol. Takisto ma in\u0161piruj\u00fa moji bl\u00edzki priatelia a na\u0161e hlbok\u00e9 rozhovory. A vn\u00fatorn\u00fd svet, ten je samozrejme v\u0161adepr\u00edtomn\u00fd a v\u0161ade pretekaj\u00faci. <\/p>\n\n\n\n

\"\"
V\u00fdstava Racing Thoughts v Taba\u010dka Gallery, Ko\u0161ice, 2022 (spolupr\u00e1ca s Dominikou Morav\u010d\u00edkovou) Foto: Tibor Czit\u00f3<\/figcaption><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Autor: Kristi\u00e1n Lazar\u010d\u00edk \/ FOTO: Arch\u00edv Jana Durinu Text sme prv\u00fd raz publikovali v \u010d\u00edsle Jese\u0148 2022. Jan Durina je slovensk\u00fd interdisciplin\u00e1rny umelec. Pracuje preva\u017ene s fotografiou, zvukom a hudbou, performance a textilom. Jeho vizu\u00e1lne a mnohokr\u00e1t a\u017e teatr\u00e1lne diela sk\u00famaj\u00fa svety fant\u00e1zie a vn\u00fatorn\u00e9ho pre\u017e\u00edvania. Reflektuj\u00fa a sprostredkov\u00e1vaj\u00fa osobn\u00fa sk\u00fasenos\u0165 s du\u0161evn\u00fdm zdrav\u00edm, spiritualitou, …<\/a><\/p>\n","protected":false},"author":21,"featured_media":3778,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,6,259,258],"tags":[58,266,418,428,185,383,419],"class_list":["post-3738","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-praca","category-pribehy-lgbti-ludi","category-rozhovory","category-vizualne-umenie","tag-fotograf","tag-from-qys","tag-jan-durina","tag-jesen-2022","tag-rozhovor","tag-umelec","tag-vizualne-umenie"],"_links":{"self":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/3738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/comments?post=3738"}],"version-history":[{"count":4,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/3738\/revisions"}],"predecessor-version":[{"id":3789,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/3738\/revisions\/3789"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media\/3778"}],"wp:attachment":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media?parent=3738"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/categories?post=3738"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/tags?post=3738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}