{"id":3400,"date":"2022-04-30T10:23:45","date_gmt":"2022-04-30T08:23:45","guid":{"rendered":"https:\/\/duhovyrok.sk\/qys\/?p=3400"},"modified":"2022-04-30T10:24:45","modified_gmt":"2022-04-30T08:24:45","slug":"umelcovi-petrovi-mazalanovi-pomahalo-divadlo-v-coming-oute-zreziroval-dielo-s-nazvom-uz-staci","status":"publish","type":"post","link":"https:\/\/duhovyrok.sk\/qys\/umelcovi-petrovi-mazalanovi-pomahalo-divadlo-v-coming-oute-zreziroval-dielo-s-nazvom-uz-staci\/","title":{"rendered":"Umelcovi Petrovi Mazal\u00e1novi pom\u00e1halo divadlo v coming-oute. Zre\u017e\u00edroval dielo s n\u00e1zvom U\u017e sta\u010d\u00ed"},"content":{"rendered":"\n

Autor: Marek Hudec \/ Foto: Jakub Kov\u00e1\u010d<\/strong><\/p>\n\n\n\n

Spojil barokov\u00fa hudbu s t\u00e9mou h\u013eadania vlastnej identity. Novinka opern\u00e9ho spev\u00e1ka a re\u017eis\u00e9ra Petra Mazal\u00e1na s n\u00e1zvom U\u017e sta\u010d\u00ed \/ Ich habe genug<\/em> je v\u00fdnimo\u010dn\u00e1 v tom, \u017ee ju uv\u00e1dzaj\u00fa ve\u013ek\u00e9 divadeln\u00e9 in\u0161tit\u00facie. Z\u00e1rove\u0148 m\u00e1 v\u0161ak aj d\u00f4le\u017eit\u00fd osobn\u00fd rozmer.<\/strong><\/p>\n\n\n\n

Na p\u00f3diu sa stret\u00e1va nieko\u013eko \u010dast\u00ed osobnosti jedn\u00e9ho \u010dloveka. Komunikuj\u00fa navz\u00e1jom, sna\u017eia sa pochopi\u0165 vlastn\u00fa identitu. Pre\u010do mus\u00ed bojova\u0165 s\u00e1m so sebou len preto, \u017ee t\u00fa\u017ei po miluj\u00facom vz\u0165ahu s mu\u017eom? Opern\u00fd spev sa strieda s pohybov\u00fdm umen\u00edm, dial\u00f3gy s koncertom Bachovej hudby a modern\u00e9ho ambientu. Na z\u00e1ver sa pred hlavn\u00fdm hrdinom otvor\u00ed opona a umelec vych\u00e1dza k divadeln\u00e9mu h\u013eadisku.<\/p>\n\n\n\n

Inscen\u00e1cia U\u017e sta\u010d\u00ed \/ Ich habe genug <\/em>je autorsk\u00fdm dielom re\u017eis\u00e9ra a spev\u00e1ka Petra Mazal\u00e1na a m\u00e1 mimoriadne osobn\u00fd charakter. Hoci jej \u017eiv\u00fa premi\u00e9ru v \u0160t\u00e1tnom divadle Ko\u0161ice zmaril pandemick\u00fd lockdown, na jar sa vracia a jej repr\u00edzy sa u\u017e \u010doskoro objavia v Bratislave v Slovenskom n\u00e1rodnom divadle a koncom roka aj na festivale Drama Queer.<\/p>\n\n\n\n

Peter tento projekt vytvoril ako \u00favahu, \u0161t\u00fadiu jednej postavy, ktor\u00e1 z\u00e1rove\u0148 odzrkad\u013euje zlo\u017eit\u00e9 obdobie coming-outu, ktor\u00fdm si po\u010das pand\u00e9mie pre\u0161iel.<\/p>\n\n\n\n

Jeden hudobn\u00edk ho kv\u00f4li Bachovi odmietol<\/strong><\/h5>\n\n\n\n

Prvou Petrovou my\u0161lienkou bolo reinterpretova\u0165 Bachovo dielo v s\u00favislosti s t\u00e9mou sexu\u00e1lnej orient\u00e1cie. Jeho kamar\u00e1tka a kolegy\u0148a, spev\u00e1\u010dka Eva \u0160u\u0161kov\u00e1, mu dala do pozornosti rom\u00e1n Hermanna Hesseho Demian<\/em> z roku 1919. Kniha je ak\u00fdmsi vn\u00fatorn\u00fdm rozhovorom \u010dloveka so svoj\u00edm n\u00e1protivkom. Hesse tu otv\u00e1ra t\u00fdmto takmer filozofick\u00fdm textom \u0161irok\u00fa \u0161k\u00e1lu interpret\u00e1cie.<\/p>\n\n\n\n

Peter videl u\u017e v prv\u00fdch stran\u00e1ch siln\u00e9 a priame s\u00favislosti s t\u00e9mou, o ktorej chcel s\u00e1m rozpr\u00e1va\u0165. U\u017e \u00favodn\u00e1 veta knihy je v tomto smere ve\u013eavravn\u00e1: \u201eNechcel som predsa ni\u010d, len pok\u00fasi\u0165 sa pre\u017e\u00edva\u0165 to, \u010do samo od seba zo m\u0148a chcelo von. Pre\u010do to bolo tak\u00e9 \u0165a\u017ek\u00e9?\u201c<\/p>\n\n\n\n

\u201eS ka\u017edou stranou sa mi zdalo viac a viac, \u017ee je s mojou t\u00e9mou kr\u00e1sne prepojen\u00e1. Navy\u0161e v nej Hesse pracuje aj s Bachovou hudbou,\u201c vrav\u00ed Peter. Zd\u00f4raz\u0148uje pritom, \u017ee sakr\u00e1lnym hudobn\u00fdm dielom spojen\u00fdm s t\u00e9mou, ktor\u00e1 je v na\u0161ich pomeroch kontroverzn\u00e1, nechcel nikoho dr\u00e1\u017edi\u0165 a inscen\u00e1ciu rozhodne nekoncipoval ako protest. \u201eNa druhej strane sa mi p\u00e1\u010di, ke\u010f je umenie smel\u00e9 a sp\u00e1ja netradi\u010dn\u00e9 veci,\u201c dod\u00e1va.<\/p>\n\n\n\n

Za d\u00f4le\u017eit\u00fd pova\u017euje aj n\u00e1zov svojho diela: U\u017e sta\u010d\u00ed \/ Ich habe genug<\/em>. \u201eZ nem\u010diny sa do angli\u010diny \u010dasto preklad\u00e1 v zmysle \u201asom naplnen\u00fd, u\u017e mi ni\u010d nech\u00fdba\u2018. \u010eal\u0161\u00eda konot\u00e1cia m\u00f4\u017ee by\u0165: \u201au\u017e sta\u010d\u00ed, mus\u00edm nie\u010do zmeni\u0165\u2018,\u201c vysvet\u013euje Peter, \u010do ho k tak\u00e9muto n\u00e1zvu in\u0161pirovalo.<\/p>\n\n\n\n

Svoju orient\u00e1ciu v\u00e4\u010d\u0161inu \u017eivota skr\u00fdval, hovori\u0165 o nej za\u010dal a\u017e ned\u00e1vno. \u201eBol to trochu samovydierac\u00ed proces. Sna\u017eil som sa v podstate ur\u00fdchli\u0165 svoj coming-out tvorbou,\u201c vrav\u00ed. \u201eS\u00e1m seba som u\u017e viac klama\u0165 nemohol. Ubli\u017eoval som si t\u00fdm. Vedel som, \u017ee okoliu nedl\u017e\u00edm \u017eiadne vysvetlenia, ke\u010f\u017ee do klamstva som nezatiahol okrem seba nikoho in\u00e9ho.\u201c<\/p>\n\n\n\n

Dlho sa nevedel stoto\u017eni\u0165 s vlastnou stereotypnou predstavou o komunite. Peter z\u00e1rove\u0148 u\u017e roky p\u00f4sob\u00ed v umeleckom svete a je mimoriadne v\u0161estrann\u00fd. Pracuje ako re\u017eis\u00e9r, sc\u00e9nograf, performer, a z\u00e1rove\u0148 u\u010d\u00ed architekt\u00faru na Fakulte architekt\u00fary a dizajnu STU a Divadelnej fakulte V\u0160MU. \u00da\u010dinkoval aj na viacer\u00fdch zahrani\u010dn\u00fdch opern\u00fdch sc\u00e9nach a zd\u00e1 sa mu, \u017ee by\u0165 gejom v tomto prostred\u00ed m\u00f4\u017ee by\u0165 aj privil\u00e9giom.<\/p>\n\n\n\n

Viackr\u00e1t si v minulosti povedal, \u017ee u\u017e sta\u010dilo a mal by sa so svojou inakos\u0165ou kone\u010dne zmieri\u0165. Najprv na konci strednej \u0161koly, potom na vysokej, no v\u017edy od toho c\u00favol. Odhodlal sa, a\u017e ke\u010f dosiahol 36 rokov. \u201eMo\u017eno som s prib\u00fadaj\u00facim vekom vn\u00edmal intenz\u00edvnej\u0161ie, \u017ee si u\u017e nechcem ubera\u0165 zo svojho \u017eivota, mo\u017eno to s\u00faviselo aj s t\u00fa\u017ebou po vz\u0165ahu. Povedal som si, \u017ee u\u017e nem\u00e1 cenu hanbi\u0165 sa a klama\u0165.\u201c<\/p>\n\n\n\n

Z\u00e1rove\u0148 sa mu zd\u00e1, \u017ee jeho bl\u00edzki kamar\u00e1ti, kamar\u00e1tky, spolupracovn\u00edci, spolupracovn\u00ed\u010dky ho u\u017e nato\u013eko poznaj\u00fa, \u017ee t\u00e1to nov\u00e1 inform\u00e1cia nezmenila ich postoj k nemu. Neza\u017eil ani \u017eiadnu negat\u00edvnu reakciu. \u201eZatia\u013e sa mi v \u017eivote po coming-oute ni\u010d v\u00fdrazne nezmenilo. Mo\u017eno aj preto, \u017ee v umeleck\u00fdch kruhoch je miera tolerancie k inakosti v\u00e4\u010d\u0161ia,\u201c mysl\u00ed si.<\/p>\n\n\n\n

\u201eZa\u017e\u00edval som situ\u00e1cie d\u00e1mskej n\u00e1klonnosti, ktor\u00e9 pre m\u0148a vytv\u00e1rali \u201enepr\u00edjemn\u00e9\u201c momenty. Oslobodzuj\u00face boli pre m\u0148a chv\u00edle, ke\u010f sa dok\u00e1zali dodato\u010dne niektor\u00e9 veci vysvetli\u0165 a prinieslo to do vz\u0165ahov uvo\u013enenie a \u00faprimnos\u0165.<\/p>\n\n\n\n

\u201eBol to trochu samovydierac\u00ed proces. Sna\u017eil som sa v podstate ur\u00fdchli\u0165 svoj coming-out tvorbou,\u201c vrav\u00ed. \u201eS\u00e1m seba som u\u017e viac klama\u0165 nemohol. Ubli\u017eoval som si t\u00fdm.“<\/p><\/blockquote>\n\n\n\n

N\u00e1zov m\u00f4\u017ee ma\u0165 r\u00f4zne v\u00fdklady<\/strong><\/p>\n\n\n\n

Na Slovensku m\u00e1me m\u00e1lo divadeln\u00fdch inscen\u00e1ci\u00ed, ktor\u00e9 by sa na ve\u013ek\u00fdch javisk\u00e1ch venovali \u017eivotu queer \u013eud\u00ed. Aj preto je v\u00fdnimo\u010dn\u00e9, \u017ee Petrovu inscen\u00e1ciu uv\u00e1dzaj\u00fa ve\u013ek\u00e9 in\u0161tit\u00facie, ako Slovensk\u00e9 n\u00e1rodn\u00e9 divadlo a \u0160t\u00e1tne divadlo Ko\u0161ice. Projekt si v\u0161ak z\u00e1rove\u0148 mana\u017euje s\u00e1m a vn\u00edma to ako v\u00fdzvu, ke\u010f\u017ee len \u00fa\u010dinkuj\u00facich je dokopy sedemn\u00e1s\u0165 a zladi\u0165 ich kalend\u00e1re b\u00fdva n\u00e1ro\u010dn\u00e9.<\/p>\n\n\n\n

\u201eN\u00e1rodn\u00e9 divadlo potrebuje svoju dramaturgiu vysklada\u0165 tak, aby bola s\u00e1la pln\u00e1 slovensk\u00fdch div\u00e1kov a div\u00e1\u010dok. Citliv\u00e9 a marginalizovan\u00e9 t\u00e9my s\u00fa preto v reperto\u00e1ri zast\u00fapen\u00e9 o nie\u010do menej.\u201c<\/p>\n\n\n\n

Dielo U\u017e sta\u010d\u00ed \/ Ich habe genug<\/em> napriek t\u00e9me zatia\u013e nikde neodmietli. Stalo sa v\u0161ak, \u017ee ke\u010f Peter ned\u00e1vno h\u013eadal n\u00e1hradu za jedn\u00e9ho z hudobn\u00edkov, stretol sa s d\u00f4razn\u00fdm odmietnut\u00edm. \u201eAlternantovi sa nep\u00e1\u010dilo spojenie Bacha s touto t\u00e9mou, zdalo sa mu to zneva\u017euj\u00face, a\u017e vulg\u00e1rne, \u010do ma prekvapilo.\u201c<\/p>\n\n\n\n

Projekt bude ma\u0165 dve pokra\u010dovania. Na letn\u00fdch predstaveniach v SND Bachovu hudbu doplnia diela Arnolda Sch\u00f6nberga, a teda barokov\u00e1 hudba sa spoj\u00ed s modernou. Z\u00e1rove\u0148 Peter chyst\u00e1 nahr\u00e1vku piesn\u00ed Franza Schuberta s n\u00e1zvom Das war ich<\/em> (n\u00e1zov pod\u013ea jednej zo Schubertov\u00fdch piesn\u00ed), ktor\u00e9 ho sprev\u00e1dzali od za\u010diatku jeho vok\u00e1lnych \u0161t\u00fadi\u00ed a\u017e po coming-out. Ako umelec d\u00f4verne pozn\u00e1 to zn\u00e1me kli\u0161\u00e9, \u017ee z okamihov tr\u00e1penia vz\u00edde v umen\u00ed nie\u010do hlbok\u00e9.<\/p>\n\n\n\n

V inscen\u00e1cii okrem Petra \u00fa\u010dinkuj\u00fa Jana O\u013ehov\u00e1, Richard Autner \u010di tane\u010dn\u00fd performer Yuri Korec.<\/p>\n","protected":false},"excerpt":{"rendered":"

Autor: Marek Hudec \/ Foto: Jakub Kov\u00e1\u010d Spojil barokov\u00fa hudbu s t\u00e9mou h\u013eadania vlastnej identity. Novinka opern\u00e9ho spev\u00e1ka a re\u017eis\u00e9ra Petra Mazal\u00e1na s n\u00e1zvom U\u017e sta\u010d\u00ed \/ Ich habe genug je v\u00fdnimo\u010dn\u00e1 v tom, \u017ee ju uv\u00e1dzaj\u00fa ve\u013ek\u00e9 divadeln\u00e9 in\u0161tit\u00facie. Z\u00e1rove\u0148 m\u00e1 v\u0161ak aj d\u00f4le\u017eit\u00fd osobn\u00fd rozmer. Na p\u00f3diu sa stret\u00e1va nieko\u013eko \u010dast\u00ed osobnosti jedn\u00e9ho …<\/a><\/p>\n","protected":false},"author":10,"featured_media":3401,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[256,4,10,259],"tags":[37,266,77,358,138,145,159,185],"class_list":["post-3400","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-divadlo","category-praca","category-kultura","category-rozhovory","tag-coming-out","tag-from-qys","tag-identita","tag-peter-mazalan","tag-pribeh","tag-queer-divadlo","tag-queer-kultura","tag-rozhovor"],"_links":{"self":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/3400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/comments?post=3400"}],"version-history":[{"count":2,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/3400\/revisions"}],"predecessor-version":[{"id":3453,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/3400\/revisions\/3453"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media\/3401"}],"wp:attachment":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media?parent=3400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/categories?post=3400"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/tags?post=3400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}