{"id":2799,"date":"2021-06-12T06:54:00","date_gmt":"2021-06-12T04:54:00","guid":{"rendered":"https:\/\/duhovyrok.sk\/qys\/?p=2799"},"modified":"2021-11-21T13:44:18","modified_gmt":"2021-11-21T12:44:18","slug":"recenzia-socializmus-v-hre-andreja-kuruca-odhalil-svoju-teplu-tvar","status":"publish","type":"post","link":"https:\/\/duhovyrok.sk\/qys\/recenzia-socializmus-v-hre-andreja-kuruca-odhalil-svoju-teplu-tvar\/","title":{"rendered":"Socializmus v hre Andreja Kuruca odhalil svoju tepl\u00fa tv\u00e1r"},"content":{"rendered":"\n

Autorka textu: Dominika Chrastov\u00e1<\/strong> \/ Foto: \u013dubo\u0161 Kotl\u00e1r<\/strong><\/p>\n\n\n\n

Text sme prv\u00fd raz publikovali v \u010d\u00edsle Jar 2021<\/p>\n\n\n\n

Predstavte si, \u017ee neexistuj\u00fa soci\u00e1lne siete ani zoznamovacie aplik\u00e1cie. \u013dud\u00ed s rovnakou sexu\u00e1lnou orient\u00e1ciou n\u00e1jdete len v ur\u010dit\u00fdch podnikoch alebo na \u201etajn\u00fdch\u201c miestach. Rodina s vami nechce ma\u0165 ni\u010d spolo\u010dn\u00e9 a re\u017eim v\u00e1s poklad\u00e1 za hanbu spolo\u010dnosti. Ak sa o v\u00e1s dozvie verejn\u00e1 bezpe\u010dnos\u0165 (tak\u00fd bol dobov\u00fd n\u00e1zov pol\u00edcie), skon\u010d\u00edte v ru\u017eov\u00fdch zoznamoch a m\u00f4\u017eu v\u00e1s vydiera\u0165. Netradi\u010dn\u00e1 inscen\u00e1cia s\u00faboru Nomantinels <\/strong>Socializmus s teplou tv\u00e1rou<\/em><\/strong>, ktor\u00fa nap\u00edsal Andrej Kuruc a re\u017e\u00edroval Mari\u00e1n Amsler, kombinuje divadeln\u00e9 i filmov\u00e9 prvky, pomocou ktor\u00fdch zobrazuje \u017eivoty tepl\u00fdch \u013eud\u00ed za normaliz\u00e1cie.<\/strong><\/p>\n\n\n\n

\u201eOdmali\u010dka c\u00edtim, \u017ee som in\u00fd. Nerozumel som, \u010d\u00edm to je, mal som pocit, \u017ee som ur\u010dite jedin\u00fd na plan\u00e9te,\u201c zveruje sa mlad\u00fd mu\u017e podivn\u00e9mu triu, ktor\u00e9 stretne v hlavnom meste. U\u017e na prv\u00fd poh\u013ead vyzer\u00e1 ako nevinn\u00fd zasn\u00edvan\u00fd romantik. Jeho plach\u00e9 vystupovanie je v ostrom kontraste so sebavedom\u00fdmi prejavmi Zlatice, B\u00e1snika a Alex. To v\u0161ak nie s\u00fa ich prav\u00e9 men\u00e1, ale prez\u00fdvky, v\u010faka ktor\u00fdm ved\u00fa dvojit\u00fd \u017eivot.<\/p>\n\n\n\n

Na obrazovk\u00e1ch m\u00f4\u017eu p\u00f4sobi\u0165 ako vyfabulovan\u00e9 postavy s pridlh\u00fdmi, nostalgick\u00fdmi monol\u00f3gmi. Pritom ide o identity a spomienky ozajstn\u00fdch pam\u00e4tn\u00edkov, ktor\u00fdch autor hry vyspovedal. Ako aj zakomponoval do scen\u00e1ra, v minulom storo\u010d\u00ed homosexu\u00e1li be\u017ene vyh\u013ead\u00e1vali partnerky opa\u010dn\u00e9ho pohlavia, aby na nich okolie neukazovalo prstom. Sob\u00e1\u0161e predstavovali jednoduch\u0161ie, a mo\u017eno aj menej osamel\u00e9 rie\u0161enie. Pokia\u013e si niekto vybral in\u00fa cestu, musel r\u00e1ta\u0165 s oso\u010dovan\u00edm, \u010di dokonca vydieran\u00edm.<\/p>\n\n\n\n

Si \u201ejemn\u00fd\u201c? Cho\u010f za kadern\u00edka<\/strong><\/p>\n\n\n\n

\u201eSocialistick\u00fd \u010dlovek nie je homosexu\u00e1l!\u201c viackr\u00e1t zd\u00f4raz\u0148uje Alex (Michaela Fech) po\u010das pr\u00edpitkov. Zlatica ju prez\u00fdva aj \u201emajite\u013eka \u017eien a ich klitorisov\u201c. Alex vy\u0161tudovala hist\u00f3riu a chv\u00ed\u013eu pracovala na akad\u00e9mii vied, no nakoniec tam skon\u010dila ako upratova\u010dka z\u00e1chodov. Hoci na prv\u00fd poh\u013ead vyzer\u00e1, \u017ee sa jej ni\u010d len tak nedotkne, tr\u00e1pi sa pre l\u00e1sku k vydatej \u017eene a sestra jej navy\u0161e vy\u010d\u00edta smr\u0165 matky a silou-mocou dohadzuje potenci\u00e1lnych partnerov.<\/p>\n\n\n\n

B\u00e1snik (\u013dubo\u0161 Jan\u00e1k) mal v \u0161kole v\u017edy sam\u00e9 jednotky, no ke\u010f\u017ee bol \u201ejemn\u00fd\u201c, presved\u010dili ho, nech ide za kadern\u00edka. Pr\u00e1ca ho bavila, a\u017e k\u00fdm sa neroz\u0161\u00edrilo po meste, \u017ee ho videli vych\u00e1dza\u0165 z bytu z\u00e1kazn\u00edka \u2013 vych\u00fdren\u00e9ho geja. Rodina sa ho v momente zriekla a s pr\u00e1zdnymi vreckami odi\u0161iel. V Bratislave spoznal Zlaticu, postavu, ktor\u00e1 v\u0161etk\u00fdch sp\u00e1ja.<\/p>\n\n\n\n

Meno vzbudzuje dojem, \u017ee ide o \u017eenu, pritom je to prez\u00fdvka geja, stv\u00e1rnen\u00e9ho Petrom Tilaj\u010d\u00edkom. S mu\u017emi m\u00e1 mno\u017estvo sk\u00fasenost\u00ed, v\u00e4\u010d\u0161inou ho v\u0161ak len vyu\u017eili a napokon skon\u010dil s\u00e1m v bez\u00fate\u0161nej gars\u00f3nke. Prich\u00fdlil teda aspo\u0148 B\u00e1snika, ktor\u00fd sa do Zlatice zamiloval. No ten ho pre peniaze posiela robi\u0165 prostit\u00fata. Ke\u010f stretne geja, ktor\u00fd je o\u010dividne v hlavnom meste nov\u00e1\u010dikom, nazve ho Vidie\u010dan a spolu s Alex a B\u00e1snikom ho za\u010dn\u00fa pri\u00fa\u010da\u0165, ako to za socializmu v teplej komunite chod\u00ed.<\/p>\n\n\n\n

Gejovia boli aj medzi e\u0161teb\u00e1kmi<\/strong><\/p>\n\n\n\n

Sk\u00fasenosti v\u0161ak nie s\u00fa v\u0161etko. V prv\u00fdch min\u00fatach hry sa m\u00f4\u017ee zda\u0165, \u017ee Vidie\u010dan je straten\u00fd, no v skuto\u010dnosti m\u00f4\u017eeme za straten\u00e9 pova\u017eova\u0165 v\u0161etky ostatn\u00e9 postavy \u2013 ka\u017ed\u00e1 sa nach\u00e1dza vo vlastnej ne\u0161\u0165astnej situ\u00e1cii. \u017divoty im komplikuje najm\u00e4 verejn\u00e1 bezpe\u010dnos\u0165, ktor\u00e1 si inform\u00e1cie o tepl\u00fdch \u013eu\u010foch spisuje do takzvan\u00fdch ru\u017eov\u00fdch zoznamov.<\/p>\n\n\n\n

Pr\u00edbeh obzvl\u00e1\u0161\u0165 zamot\u00e1va \u017eenat\u00fd e\u0161teb\u00e1k Biely (Tom\u00e1\u0161 Pokorn\u00fd), ktor\u00fd sa, mimochodom, n\u00e1padne podob\u00e1 na Johna Travoltu z Pom\u00e1dy. Nielen\u017ee vydiera Zlaticu, ale s\u00e1m je gej. Jeho pr\u00e1ca, re\u017eim aj n\u00e1zory v spolo\u010dnosti viedli u\u0148ho k internalizovanej homof\u00f3bii. O gejoch sa vyjadruje ako o chor\u00fdch a odporn\u00fdch \u013eu\u010foch, pritom pri sexe s man\u017eelkou mysl\u00ed na Vidie\u010dana a dotyky, ktor\u00e9 si vymie\u0148ali v kaviarni Luxor.<\/p>\n\n\n\n

Pr\u00e1ve on zavedie Vidie\u010dana aj na takzvan\u00e9 z\u00e1chodky, kde sa mu\u017ei stret\u00e1vaj\u00fa s jasn\u00fdm cie\u013eom. Tu by hra na divadeln\u00fdch dosk\u00e1ch narazila na zna\u010dn\u00e9 limity v preveden\u00ed sc\u00e9ny. Za pandemick\u00fdch podmienok sa v\u0161ak tvorcovia \u0161ikovne vyna\u0161li a dobov\u00e9 priestory Novej Cvernovky v spojen\u00ed s kreat\u00edvnou kamerovou pr\u00e1cou v\u0165ahuj\u00fa div\u00e1kov do deja e\u0161te hlb\u0161ie.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Opakom l\u00e1sky je nez\u00e1ujem<\/strong><\/p>\n\n\n\n

Averz\u00edvna terapia. Diagn\u00f3za 302 \u2013 homosexualita mu\u017esk\u00e1. To s\u00fa pojmy, ktor\u00e9 podveden\u00fd Vidie\u010dan poc\u00edti aj na vlastnej ko\u017ei. \u201eNen\u00e1vid\u00edm svoje telo. Nen\u00e1vid\u00edm svoje perverzn\u00e9 my\u0161lienky. To, \u010do rob\u00edm, je chor\u00e9. Som nemravn\u00fd a zvrhl\u00fd,\u201c opakuje na pr\u00edkaz doktora. Z liekov mu je zle a z \u201elie\u010denia\u201c nespozn\u00e1va svojich kamar\u00e1tov a st\u00e1le zvracia. K\u00fdm sa pred\u00e1vkuje, zis\u0165ujeme, \u017ee doktorova man\u017eelka sp\u00e1va s Alex a sestri\u010dkin man\u017eel nie je nikto in\u00fd ako pr\u00e1ve e\u0161teb\u00e1k \u201eTravolta\u201c.<\/p>\n\n\n\n

Autor v\u0161etky postavy navz\u00e1jom pozoruhodne prepojil, a do pr\u00edbehu sa tak \u201ezmestilo\u201c viac t\u00e9m, ktor\u00e9 koncom socialistick\u00e9ho re\u017eimu rezonovali. Ako pr\u00edklad m\u00f4\u017ee posl\u00fa\u017ei\u0165 aj za\u010d\u00ednaj\u00face povedomie o AIDS. Hra sa z\u00e1rove\u0148 neboj\u00ed explicitnosti \u2013 nah\u00e9 alebo \u010diasto\u010dne obna\u017een\u00e9 uvid\u00edme v priebehu dvoch hod\u00edn azda v\u0161etky postavy. Tvorcovia pracovali aj s farbou sc\u00e9n. Niektor\u00e9 zmenili na \u010diernobiele, \u010do vystihlo atmosf\u00e9ru normaliz\u00e1cie, in\u00e9 h\u00fdrili farbami podobne ako r\u00f4znorod\u00e9 sexu\u00e1lne orient\u00e1cie a rodov\u00e9 identity.<\/p>\n\n\n\n

Pr\u00edbeh vrchol\u00ed na Zlaticinej p\u00e1rty, kam pr\u00edde aj Vidie\u010dan po \u00fateku z nemocnice. Vesel\u00e9 spevy v\u0161ak preru\u0161\u00ed z\u00e1sah verejnej bezpe\u010dnosti. Trblietky vystrieda krv na vypo\u010d\u00favan\u00ed. B\u00e1snik u\u017e nezvl\u00e1dne psychick\u00fd n\u00e1tlak. \u201eOpakom l\u00e1sky nie je nen\u00e1vis\u0165, ale absol\u00fatny nez\u00e1ujem,\u201c kon\u0161tatuje zlomene Zlatica. Hoci o\u0148ho u\u017e nik z rodiny nest\u00e1l, on ju bol ochotn\u00fd chr\u00e1ni\u0165 aj za cenu don\u00e1\u0161ania na svojich zn\u00e1mych.<\/p>\n\n\n\n

Bo\u017ee, odpus\u0165 \u201eb\u00e1snikom\u201c<\/strong><\/p>\n\n\n\n

Z\u00e1ver hry Socializmus s teplou tv\u00e1rou<\/em> prinesie happyend azda len Alex, \u010do je pr\u00edjemn\u00e1 zmena oproti seri\u00e1lom, v ktor\u00fdch lesbick\u00e9 postavy \u010dasto umieraj\u00fa. \u017denat\u00fd e\u0161teb\u00e1k na\u010falej potl\u00e1\u010da, k\u00fdm je, hoci prizn\u00e1va: \u201eTo, \u010do pre\u017e\u00edvam s mu\u017eom, je nie\u010do \u00faplne in\u00e9 ako to, \u010do pre\u017e\u00edvam so svojou \u017eenou.\u201c A Vidie\u010dan? Ten zost\u00e1va vern\u00fd svojim hodnot\u00e1m, i ke\u010f u\u017e vytriezvel z naivn\u00fdch ide\u00e1lov. Pochopil toti\u017e, \u017ee sa ned\u00e1 vylie\u010di\u0165 z nie\u010doho, \u010do nikdy nebolo chorobou.<\/p>\n\n\n\n

Keby i\u0161lo o typick\u00fa divadeln\u00fa hru, premi\u00e9ru by uzavrela tradi\u010dn\u00e1 kla\u0148a\u010dka \u2013 a v tomto pr\u00edpade aj zasl\u00fa\u017een\u00e9 standing ovation. Div\u00e1kov v pohodl\u00ed domova v\u0161ak namiesto toho \u010dakala e\u0161te posledn\u00e1 sc\u00e9na, ktor\u00e1 zav\u0155\u0161ila dvojhodinov\u00e9 striedanie em\u00f3ci\u00ed doj\u00edmav\u00fdm preveden\u00edm skladby Roba Grigorova Pocta Majakovsk\u00e9mu<\/em> v podan\u00ed \u013dubo\u0161a Jan\u00e1ka \u2013 B\u00e1snika.<\/p>\n\n\n\n

Text piesne v kontexte tejto hry nenechal chladn\u00fdmi ani brav\u00farnych hercov stv\u00e1r\u0148uj\u00facich re\u00e1lne spomienky tepl\u00fdch \u013eud\u00ed, s ktor\u00fdmi sa socializmus nemaznal. Okrem nich v\u0161ak existovali aj stovky \u010fal\u0161\u00edch, ktor\u00ed boli n\u00faten\u00ed svoju identitu a l\u00e1sku skr\u00fdva\u0165 a\u017e do konca. Pr\u00e1ve na nich si m\u00f4\u017eeme spomen\u00fa\u0165 pri ver\u0161och: \u201eAch, pane, nezatra\u0165 du\u0161e rebelov. Aj ke\u010f ti mo\u017eno v nebi robia krik, na zemi ich to \u0161tvalo, bolelo.\u201c<\/p>\n\n\n\n

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Co-funded by the Europe for Citizens Programme of the European Union.<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n<\/div><\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Autorka textu: Dominika Chrastov\u00e1 \/ Foto: \u013dubo\u0161 Kotl\u00e1r Text sme prv\u00fd raz publikovali v \u010d\u00edsle Jar 2021 Predstavte si, \u017ee neexistuj\u00fa soci\u00e1lne siete ani zoznamovacie aplik\u00e1cie. \u013dud\u00ed s rovnakou sexu\u00e1lnou orient\u00e1ciou n\u00e1jdete len v ur\u010dit\u00fdch podnikoch alebo na \u201etajn\u00fdch\u201c miestach. Rodina s vami nechce ma\u0165 ni\u010d spolo\u010dn\u00e9 a re\u017eim v\u00e1s poklad\u00e1 za hanbu spolo\u010dnosti. Ak sa o v\u00e1s dozvie verejn\u00e1 …<\/a><\/p>\n","protected":false},"author":9,"featured_media":2862,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[256,6,9,10],"tags":[266,321,104,122,145,176,194],"class_list":["post-2799","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-divadlo","category-pribehy-lgbti-ludi","category-queer-historia","category-kultura","tag-from-qys","tag-historia-lgbt","tag-loading-love","tag-nomantinels-divadlo","tag-queer-divadlo","tag-recenzia","tag-socializmus-s-teplou-tvarou"],"_links":{"self":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/2799","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/comments?post=2799"}],"version-history":[{"count":6,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/2799\/revisions"}],"predecessor-version":[{"id":3131,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/2799\/revisions\/3131"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media\/2862"}],"wp:attachment":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media?parent=2799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/categories?post=2799"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/tags?post=2799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}