{"id":2287,"date":"2017-07-12T11:18:13","date_gmt":"2017-07-12T09:18:13","guid":{"rendered":"https:\/\/qys.sk\/?p=2287"},"modified":"2021-03-18T09:24:36","modified_gmt":"2021-03-18T08:24:36","slug":"vaclav-pucik-slovenske-media-o-nas-pisat-nechceli","status":"publish","type":"post","link":"https:\/\/duhovyrok.sk\/qys\/vaclav-pucik-slovenske-media-o-nas-pisat-nechceli\/","title":{"rendered":"V\u00e1clav P\u00fa\u010dik: Slovensk\u00e9 m\u00e9di\u00e1 o n\u00e1s p\u00edsa\u0165 nechceli"},"content":{"rendered":"\n

Text: Tom\u00e1\u0161 Kram\u00e1r \/ Foto: Karol Br\u00fcll<\/strong><\/p>\n\n\n\n

Arch\u00edvny text sme prv\u00fd raz publikovali v \u010d\u00edsle Leto 2017.<\/p><\/blockquote>\n\n\n\n

V\u00e1clav P\u00fa\u010dik je sk\u00fasen\u00fd herec, tane\u010dn\u00edk, choreograf, ale aj spev\u00e1k. Aktu\u00e1lne ho v\u0161ak najviac vy\u0165a\u017euje r\u00e9\u017eia inscen\u00e1ci\u00ed v kabaretnom divadle Red Cat Cabaret v Bratislave. Na jeho dosky priniesol vlani humorn\u00fa aj doj\u00edmav\u00fa inscen\u00e1ciu Som \u017eena, ktor\u00e1 sa zaober\u00e1 t\u00e9mou transrodov\u00fdch \u013eud\u00ed. V hlavnej \u00falohe sa v nej predstavila \u010desk\u00e1 here\u010dka Lucie Brychtov\u00e1, ktor\u00e1 tranz\u00edciou sama pre\u0161la.<\/p>\n\n\n\n

Ako a kedy vznikala inscen\u00e1cia Som \u017eena? <\/strong><\/p>\n\n\n\n

Inscen\u00e1cia mala premi\u00e9ru vlani v okt\u00f3bri v Bratislave. Predch\u00e1dzalo jej trojmesa\u010dn\u00e9 p\u00edsanie scen\u00e1ra a e\u0161te predt\u00fdm trojro\u010dn\u00e9 prehov\u00e1ranie hlavnej predstavite\u013eky Lucii Brychtovej, aby sme urobili hru o jej \u017eivote. Bol som presved\u010den\u00fd, \u017ee jej pr\u00edbeh na divadeln\u00e9 dosky patr\u00ed, ke\u010f\u017ee t\u00e9ma transsexuality na slovensk\u00fdch javisk\u00e1ch dovtedy uveden\u00e1 nebola. Ke\u010f si here\u010dka Lucia Siposov\u00e1 vlani v centre Bratislavy otvorila vlastn\u00fd kabaret, bolo rozhodnut\u00e9. Tabuizovan\u00e9 t\u00e9my toti\u017e do kabaretu patria. Luciu Brychtov\u00fa som i v\u010faka tomu presved\u010dil, aby sme jej \u017eivot upravili do divadelnej hry, a aby si v nej zahrala tituln\u00fa rolu. V pra\u017eskom N\u00e1rodn\u00edm divadle dnes toti\u017e pracuje ako \u0161epk\u00e1rka. A hoci pred zmenou pohlavia pracovala ako profesion\u00e1lny herec v Brne, po nej ju u\u017e na javisko ako \u017eenu nepustili. <\/p>\n\n\n\n

Narazili ste spolu s Luciou po\u010das pr\u00edprav na chv\u00edle, kedy ste o uveden\u00ed inscen\u00e1cie zapochybovali? <\/strong><\/p>\n\n\n\n

Ur\u010dite \u00e1no. Lucia mi \u010dasto hovorila: \u201ePanebo\u017ee, oni bud\u00fa po mne h\u00e1dza\u0165 paradajky!\u201c Alebo: \u201eVa\u0161ko, mysl\u00ed\u0161 si, \u017ee to div\u00e1ci prijm\u00fa?\u201c Ale ja som sa neb\u00e1l. Veril som siln\u00e9mu pr\u00edbehu jej \u017eivota, vedel som, \u017ee pokia\u013e p\u00f4jdeme cestou \u00faprimnosti, nadh\u013eadu a vtipu, bez p\u00e1tosu a obhajoby, tak vyhr\u00e1me. <\/p>\n\n\n\n

Bolo treba niektor\u00e9 \u017eivotn\u00e9 situ\u00e1cie upravi\u0165 tak, aby fungovali aj v divadle alebo v\u0161etko to, \u010do je na javisku je vern\u00fd prepis reality? <\/strong><\/p>\n\n\n\n

Naj\u0165a\u017e\u0161ie bolo poda\u0165 niektor\u00e9 situ\u00e1cie v skratke. Nie je \u013eahk\u00e9 sp\u00edsa\u0165 \u0161tyridsa\u0165 rokov \u017eivota tak, aby z toho nebol stostranov\u00fd rom\u00e1n. Viedli sme preto nemilosrdn\u00fd boj s konkr\u00e9tnymi \u017eivotn\u00fdmi situ\u00e1ciami. Vedel som, \u017ee inscen\u00e1cia nesmie by\u0165 zd\u013ahav\u00e1, pou\u010dn\u00e1 ani melodramatick\u00e1, ale str\u00e1vite\u013en\u00e1 a vtipn\u00e1. Inak by ju div\u00e1k nemusel prija\u0165. Nechcel som \u017eiadnu avantgardu s mno\u017estvom symbolov, ale \u00faprimn\u00fd a svi\u017en\u00fd pr\u00edbeh transsexu\u00e1lnej here\u010dky. V\u0161etky situ\u00e1cie, ktor\u00e9 sa odohr\u00e1vaj\u00fa na javisku s\u00fa re\u00e1lne, ni\u010d sme si nevymysleli. Oproti realite sme si v\u0161ak dovolili jeden rozdiel. Zjednodu\u0161ili sme nieko\u013eko oper\u00e1ci\u00ed a pobytov v nemocnici na jeden javiskov\u00fd obraz. V skuto\u010dnosti toti\u017e f\u00e1za Luciinej fyzickej tranz\u00edcie trvala asi dva roky. <\/p>\n\n\n\n

Ako na inscen\u00e1ciu Som \u017eena reaguje publikum? M\u00e1 predsudky? <\/strong><\/p>\n\n\n\n

Dovol\u00edm si poveda\u0165, \u017ee div\u00e1ci s\u00fa \u0148ou dojat\u00ed a zasiahnut\u00ed. Z\u00e1rove\u0148 v nich vyvol\u00e1va mno\u017estvo ot\u00e1zok, na ktor\u00e9 sa chc\u00fa op\u00fdta\u0165. \u010ci je to v\u0161etko pravda, \u010di m\u00e1 priate\u013ea (pozn. redakcie: Lucia m\u00e1 u\u017e dva roky heterosexu\u00e1lneho partnera), a podobne. Jej pr\u00edbeh zasiahne v\u0161etk\u00fdch, aj zaryt\u00fdch kres\u0165anov aj tvrd\u00fdch heterosexu\u00e1lov. Len raz sa n\u00e1m stalo, \u017ee pri\u0161la snobsk\u00e1 bratislavsk\u00e1 pr\u00e1vnick\u00e1 smot\u00e1nka, ktor\u00e1 po\u010das predstavenia vykrikovala vulgarizmy. Museli sme ju vyhodi\u0165. Hoci je v kabarete ve\u013ea dovolen\u00e9 a my chceme, aby div\u00e1ci boli autentick\u00ed, tak vagabundov v h\u013eadisku rozhodne nestrp\u00edme. <\/p>\n\n\n\n

Kto vlastne tvor\u00ed be\u017en\u00e9 publikum? <\/strong><\/p>\n\n\n\n

Publikum kabaretu je tak\u00e9, ak\u00e9 maj\u00fa aj in\u00e9 divadl\u00e1 v Bratislave. My fungujeme osem mesiacov, od septembra 2016, pri\u010dom za tak\u00fa kr\u00e1tku dobu e\u0161te nie je mo\u017en\u00e9 vychova\u0165 si vlastn\u00e9 publikum. Mnoh\u00ed \u013eudia, ktor\u00ed k n\u00e1m prich\u00e1dzaj\u00fa ani nevedia, \u010do maj\u00fa vlastne \u010daka\u0165. Myslia si, \u017ee uvidia k\u00fazeln\u00edka, baletku alebo moletn\u00fa spev\u00e1\u010dku. Tak vyzeral telev\u00edzny kabaret zo sedemdesiatich rokov. My rob\u00edme kabaretn\u00e9 show, ktor\u00e9 maj\u00fa t\u00e9mu. Spolu s Luciou Siposovou sa sna\u017e\u00edme p\u00edsa\u0165 aktu\u00e1lne texty, \u013eahk\u00e9, pou\u010dn\u00e9, pikantn\u00e9, hrav\u00e9. Ideme nielen cez text, ale aj spev \u010di choreografie. Reakcie div\u00e1kov n\u00e1s ve\u013emi te\u0161ia. Vracaj\u00fa sa k n\u00e1m. Inscen\u00e1cia s transrodovou here\u010dkou bola pre \u0161\u00e9fov m\u00e9di\u00ed nekres\u0165ansk\u00e1\u2026 <\/p>\n\n\n\n

Som \u017eena u\u017e hos\u0165ovala aj v \u010cech\u00e1ch. Je \u010desk\u00e9 publikum in\u00e9? <\/strong><\/p>\n\n\n\n

Medzi \u010desk\u00fdm a slovensk\u00fdm publikom je priepastn\u00fd rozdiel. V Brne aj v Prahe boli predstavenia bezn\u00e1dejne vypredan\u00e9. Videlo n\u00e1s cez tis\u00edc \u013eud\u00ed. Ve\u013ek\u00fd rozdiel sme zaznamenali aj v reakcii m\u00e9di\u00ed. V \u010cech\u00e1ch sa i\u0161li o Luciu Brychtov\u00fa potrha\u0165. Niektor\u00e9 m\u00e9di\u00e1 sme museli odmietnu\u0165, preto\u017ee sa to za\u010dalo podoba\u0165 cirkusovej atrakcii. Naopak, v slovensk\u00fdch m\u00e9di\u00e1ch o n\u00e1s p\u00edsa\u0165 nechceli. Dokonca mi niektor\u00ed redaktori povedali, \u017ee maj\u00fa zak\u00e1zan\u00e9 uverej\u0148ova\u0165 tak\u00e9to t\u00e9my, vraj je to nekres\u0165ansk\u00e9 a nepre\u0161lo by to cez \u0161\u00e9fredaktora. K tomu nie je \u010do doda\u0165. \u010cesk\u00e9 publikum je nielen liber\u00e1lnej\u0161ie a vn\u00edmavej\u0161ie, ono najm\u00e4 miluje divadlo. U n\u00e1s na Slovensku ho pravidelne nav\u0161tevuj\u00fa len asi \u0161tyri percent\u00e1 popul\u00e1cie. <\/p>\n\n\n\n

\"\"
Karol Br\u00fcll<\/strong><\/figcaption><\/figure>\n\n\n\n

Divadlo Red Cat Cabaret rado odha\u013euje tabuizovan\u00e9 t\u00e9my. <\/strong><\/p>\n\n\n\n

Ur\u010dite \u00e1no, ale mus\u00edme na to \u00eds\u0165 opatrne. Nem\u00f4\u017eeme naraz prinies\u0165 do kabaretu v\u0161etko to, o \u010dom by sme chceli hra\u0165. Mus\u00edme to d\u00e1vkova\u0165 pomaly, nen\u00e1padne zabali\u0165 pikantn\u00e9 t\u00e9my do umelecko-komer\u010dn\u00e9ho z\u00e1voja. \u010co v\u0161etko u v\u00e1s div\u00e1k za\u017eije? Napr\u00edklad v inscen\u00e1cii An\u010da Pag\u00e1\u010dov\u00e1 and Other Dirty Stories rie\u0161ime sex \u2013 r\u00f4zne formy heterosexu\u00e1lnych vz\u0165ahov. Vie sa o nich, ale nehovor\u00ed sa o nich ani v man\u017eelskej sp\u00e1lni. \u013dudia sa na hre u n\u00e1s bavia, reaguj\u00fa, no mali sme aj reakcie typu, \u017ee je to u\u017e za hranicou. Paradoxne tak reaguj\u00fa man\u017eelsk\u00e9 p\u00e1ry. Ako keby sa pred sebou hanbili poodhali\u0165 svoju fant\u00e1ziu. V Multicolor show zase rie\u0161ime t\u00e9mu imigrantov. Vtipne, s nadh\u013eadom, trefne. V\u00fdsledkom je standing ovations a \u013eudia, ktor\u00ed so slzami na tv\u00e1ri spolu s nami spievaj\u00fa fin\u00e1lnu piese\u0148. Vtedy m\u00e1me pocit, \u017ee sme div\u00e1kov po\u013eud\u0161tili. A mysl\u00edm si, \u017ee oni to vn\u00edmaj\u00fa rovnako. Odtabuizova\u0165 sa d\u00e1 v\u0161etko, len je to dlh\u00e1 cesta a treba to robi\u0165 vkusne, esteticky, ale najm\u00e4 \u00faprimne. <\/p>\n\n\n\n

A ak\u00e9 netradi\u010dn\u00e9 t\u00e9my pl\u00e1nujete najbli\u017e\u0161ie? <\/strong><\/p>\n\n\n\n

Na bud\u00facu sez\u00f3nu chyst\u00e1me inscen\u00e1ciu o strete sadomasochizmu s ortodoxnou vierou. A ak sa to podar\u00ed, radi by sme spracovali aj t\u00e9mu kanibalizmu. Okrem toho by sme chceli v r\u00e1mci reperto\u00e1ru nadviaza\u0165 aj na \u010fal\u0161\u00ed skuto\u010dn\u00fd pr\u00edbeh. Tento kr\u00e1t p\u00f4jde o \u017eivot jednej slovenskej bordelmam\u00e1, v ktorom bud\u00fa spomenut\u00e9 i mnoh\u00e9 v\u00fdznamn\u00e9 osobnosti verejn\u00e9ho \u017eivota!<\/p>\n","protected":false},"excerpt":{"rendered":"

V\u00e1clav P\u00fa\u010dik je sk\u00fasen\u00fd herec, tane\u010dn\u00edk, choreograf, ale aj spev\u00e1k. Aktu\u00e1lne ho v\u0161ak najviac vy\u0165a\u017euje r\u00e9\u017eia inscen\u00e1ci\u00ed v kabaretnom divadle Red Cat Cabaret v Bratislave. Na jeho dosky priniesol vlani humorn\u00fa aj doj\u00edmav\u00fa inscen\u00e1ciu Som \u017eena, ktor\u00e1 sa zaober\u00e1 t\u00e9mou transrodov\u00fdch \u013eud\u00ed. <\/p>\n","protected":false},"author":2,"featured_media":2288,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,10,259,13],"tags":[145,159,185,211,212,216],"class_list":["post-2287","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pribehy-lgbti-ludi","category-kultura","category-rozhovory","category-viditelnost","tag-queer-divadlo","tag-queer-kultura","tag-rozhovor","tag-trans","tag-transrodovost","tag-vaclav-pucik"],"_links":{"self":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/2287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/comments?post=2287"}],"version-history":[{"count":1,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/2287\/revisions"}],"predecessor-version":[{"id":2644,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/2287\/revisions\/2644"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media\/2288"}],"wp:attachment":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media?parent=2287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/categories?post=2287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/tags?post=2287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}