{"id":2003,"date":"2018-10-04T10:12:06","date_gmt":"2018-10-04T08:12:06","guid":{"rendered":"https:\/\/qys.sk\/?p=2003"},"modified":"2021-03-18T09:10:44","modified_gmt":"2021-03-18T08:10:44","slug":"natalia-deakova-drama-queer-povazujem-za-velmi-dolezity-a-zasluzny-festival","status":"publish","type":"post","link":"https:\/\/duhovyrok.sk\/qys\/natalia-deakova-drama-queer-povazujem-za-velmi-dolezity-a-zasluzny-festival\/","title":{"rendered":"Nat\u00e1lia De\u00e1kov\u00e1: Drama queer pova\u017eujem za ve\u013emi d\u00f4le\u017eit\u00fd a z\u00e1slu\u017en\u00fd festival"},"content":{"rendered":"\n

Autor textu: Andrej Kuruc \/ Foto: Tereza Havlinkov\u00e1<\/strong><\/p>\n\n\n\n

Arch\u00edvny text sme prv\u00fd raz publikovali v \u010d\u00edsle Jese\u0148 2018<\/p><\/blockquote>\n\n\n\n

Nat\u00e1lia De\u00e1kov\u00e1 (37) je divadeln\u00e1 a\u00a0rozhlasov\u00e1 re\u017eis\u00e9rka. Narodila sa v\u00a0Bratislave a\u00a0divadeln\u00fa r\u00e9\u017eiu \u0161tudovala na pra\u017eskej DAMU. Bola umeleckou \u0161\u00e9fkou \u010cinohern\u00e9ho \u0161t\u00fadia v\u00a0\u00dast\u00ed nad Labem, re\u017e\u00edrovala v\u00a0divadle na Vinohradoch, rozhlasov\u00e9 hry v\u00a0\u010ceskom a\u00a0Slovenskom rozhlase. Spolupracuje s\u00a0divadlom Meetfactory a\u00a0od roku 2013 je umeleckou \u0161\u00e9fkou \u010dinohry Divadla J.K. Tyla v\u00a0Plzni. Minul\u00fd rok nav\u0161t\u00edvila festival\u00a0 Drama Queer z\u00a0predstaven\u00edm Pohlavn\u00ed \u017eivoty siamsk\u00fdch dvoj\u010dat a\u00a0tento rok privezie divadeln\u00fa inscen\u00e1ciu\u00a0 Talentovan\u00fd pan Ripley priamo z\u00a0plze\u0148sk\u00e9ho divadla.\u00a0\u00a0\u00a0<\/p>\n\n\n\n

Na divadeln\u00fd festival Drama Queer pr\u00eddete s inscen\u00e1ciou Talentovan\u00fd pan Ripley. Pre\u010do ste sa rozhodli z\u00fa\u010dastni\u0165 na divadelnom festivale,  ktor\u00fd je zameran\u00fd \u0161pecificky na spracovanie LGBTQ t\u00e9m v divadelnom umen\u00ed a LGBT autorov a autorky? <\/strong><\/p>\n\n\n\n

Drama queer pova\u017eujem za ve\u013emi d\u00f4le\u017eit\u00fd a z\u00e1slu\u017en\u00fd festival \u2013 ktor\u00fd je sn\u00e1\u010f jedin\u00fdm festivalom svojho druhu v strednej Eur\u00f3pe.  Z dia\u013eky som ho sledovala u\u017e v minul\u00fdch rokoch, vlani som tu hos\u0165ovala s in\u00fdm s\u00faborom a tak som, mysl\u00edm, celkom dobre obozn\u00e1men\u00e1 s jeho programom \u2013 a ten pova\u017eujem za ve\u013emi kvalitn\u00fd a zauj\u00edmav\u00fd nielen z h\u013eadiska LGBTQ t\u00e9m. Preto sme sa ani nijak nerozhodovali, ponuku sme prijali bez v\u00e1hania a s ve\u013ekou rados\u0165ou.<\/p>\n\n\n\n

Mysl\u00edte si \u017ee divadeln\u00e9 umenie by malo reflektova\u0165 aj tieto t\u00e9my, LGBT \u013eud\u00ed v nich a pre\u010do?<\/strong><\/p>\n\n\n\n

Samozrejme, \u017ee malo, tak ako in\u00e9 z\u00e1sadn\u00e9 t\u00e9my \u010dloveka a celej jeho komplikovanej existencie, ale osobne nem\u00e1m ve\u013emi rada, ak sa na ne pr\u00edli\u0161 tla\u010d\u00ed, nevid\u00edm v tom pr\u00edli\u0161 zmysel. LGBT \u013eudia s\u00fa s\u00fa\u010das\u0165ou spolo\u010dnosti rovnako ako \u013eudia \u201ev\u00e4\u010d\u0161inov\u00ed\u201c a tak by sa mali aj zobrazova\u0165. Divadlo z\u00e1padnej Eur\u00f3py u\u017e toto ako t\u00e9mu v\u00f4bec nerie\u0161i \u2013 preto\u017ee sa t\u00fdm u\u017e nijak nezaober\u00e1 spolo\u010dnos\u0165, je to norm\u00e1lne, be\u017en\u00e9 a vlastne u\u017e nezauj\u00edmav\u00e9. Samozrejme, na Slovensku a v strednej \u2013 tej katol\u00edckej \u2013 Eur\u00f3pe, je to inak. A pr\u00e1ve preto mi pr\u00edde d\u00f4le\u017eit\u00e9 sa LGBT z\u00e1le\u017eitos\u0165ami zaobera\u0165 bez zbyto\u010dn\u00e9ho akcentovania a krik\u013eavosti. Ale zaobera\u0165. <\/p>\n\n\n\n

Re\u017e\u00edrovali ste viacero inscen\u00e1ci\u00ed, ktor\u00e9 v jednej zo svojich l\u00ednii, reflektuj\u00fa t\u00e9mu sexu\u00e1lnej orient\u00e1cie v spolo\u010dnosti ako naposledy L\u00edniu kr\u00e1sy od Alana Hollinghursta. I\u0161lo dokonca o svetov\u00fa premi\u00e9ru dramatiz\u00e1cie knihy. \u010co v\u00e1s l\u00e1ka na tak\u00fdchto inscen\u00e1ci\u00e1ch? <\/strong><\/p>\n\n\n\n

\u00c1no, reflektuj\u00fa \u2013 ale nie je d\u00f4le\u017eit\u00e9, \u017ee ide o sexu\u00e1lnu orient\u00e1ciu, ale o inakos\u0165. V \u010cech\u00e1ch homosexualita na\u0161\u0165astie prest\u00e1va by\u0165 problematick\u00e1, coming-outy spolo\u010densky v\u00fdznamn\u00fdch osobnost\u00ed s\u00fa \u010d\u00edm \u010falej t\u00fdm be\u017enej\u0161ie a sn\u00e1\u010f to \u010dasom sp\u00f4sob\u00ed aj to, \u017ee sa nikto nebude nad inou ne\u017e heterosexu\u00e1lnou orient\u00e1ciou pozastavova\u0165. Ale inakos\u0165 ako tak\u00e1 je st\u00e1le probl\u00e9m, \u010di ide o in\u00fa kult\u00faru, in\u00fa vieru, in\u00fa farbu pleti. To je t\u00e9ma, ktor\u00e1 ma l\u00e1ka, preto\u017ee mi je aj osobne bl\u00edzka. Ako sa vyrovna\u0165 so spolo\u010dnos\u0165ou, ktor\u00e1 m\u00e1 in\u00e9 hodnoty ne\u017e ja? To je t\u00e9ma Nicka z L\u00ednie kr\u00e1sy, ale aj Ripleyho. Tak\u017ee jednoducho: l\u00e1ka ma sledova\u0165 psychologick\u00fd v\u00fdvoj postavy, ktor\u00e1 sa sna\u017e\u00ed, napriek svojej inakosti, sta\u0165 rovnocennou s\u00fa\u010das\u0165ou spolo\u010dnosti. <\/p>\n\n\n\n

Ak\u00e9 s\u00fa reakcie div\u00e1kov na inscen\u00e1cie, v ktor\u00fd s\u00fa tak\u00e9to v \u00favodzovk\u00e1ch kontroverzn\u00e9 postavy a t\u00e9my? <\/strong><\/p>\n\n\n\n

Inscen\u00e1cia, s ktorou sme minul\u00fd rok hos\u0165ovali na Drama queer, Pohlavn\u00e9 \u017eivoty siamskych dvoj\u010dat, sa hr\u00e1 v Prahe v Meetfactory a tam, napriek tomu, \u017ee je hlavn\u00e1 postava dos\u0165 radik\u00e1lna lesba, sa nad t\u00fdm nik nepozastavuje, div\u00e1ci v inscen\u00e1cii nach\u00e1dzaj\u00fa hlavne t\u00e9mu z\u00e1vislosti, o ktorej predov\u0161etk\u00fdm je. <\/p>\n\n\n\n

V Plzni, ktor\u00e1 je v podstate v\u00e4\u010d\u0161\u00edm malomestom, som sa stretla len s negat\u00edvnymi reakciami na jednu explicitn\u00fa sc\u00e9nu v L\u00ednii kr\u00e1sy, ktor\u00e1 nazna\u010duje sex dvoch gejov, ale so samotn\u00fdm spr\u00edtomnen\u00edm gej t\u00e9my na javisku nikdy. Ako geja sme pred \u010dasom vylo\u017eili aj postavu Scipia v Camusovom Caligulovi, bisexu\u00e1lom bol aj Hendrik Hofgen v Mannovom Mefistovi. Napriek tomu, \u017ee v Plzni je ve\u013emi konzervat\u00edvne publikum, tento v\u00fdklad im zjavne nevadil, pokia\u013e \u00e1no, tak maj\u00fa v\u0161eobecne probl\u00e9m sk\u00f4r s moderniz\u00e1ciou klasiky, ne\u017e s homosexualitou. <\/p>\n\n\n\n

\u010co sa t\u00fdka inscen\u00e1cie Talentovan\u00fd p\u00e1n Ripley, \u010do v\u00e1s zaujalo na nej pri re\u017e\u00edrovan\u00ed? Bola v\u00e1m v nie\u010dom bl\u00edzka? <\/strong><\/p>\n\n\n\n

Bolo toho viacero.\u00a0 Hlavn\u00e1 postava – napriek tomu, \u017ee je dos\u0165 pokriven\u00e1, pln\u00e1 frustr\u00e1ci\u00ed a\u00a0kr\u00edvd, autorka, ktor\u00e1 t\u00fato postavu stvorila a\u00a0predov\u0161etk\u00fdm prienik t\u00fdchto dvoch pers\u00f3n. Sama P. Highsmith nazvala Ripleyho svojim alteregom a\u00a0po\u010das cel\u00e9ho \u017eivota sa k\u00a0tejto postave vracala, nap\u00edsala o nej nieko\u013eko kn\u00edh, \u010dasto sa podpisovala ako Tom. Zaujalo ma, ako ma \u0161t\u00fadium o\u00a0jej osobe samo viedlo k\u00a0rozlu\u010dovaniu osobnosti Ripleyho. A\u00a0ke\u010f\u017ee ide o\u00a0\u010fal\u0161ieho vydedenca tejto spolo\u010dnosti, bola mi pochopite\u013ene aj ve\u013emi bl\u00edzka, aj ke\u010f vlastne dos\u0165 nesympatick\u00e1.\u00a0<\/p>\n\n\n\n

\"\"
Nat\u00e1lia De\u00e1kov\u00e1<\/figcaption><\/figure>\n\n\n\n

\u010co si mysl\u00edte o postaven\u00ed LGBT \u013eud\u00ed v s\u00fa\u010dasnej spolo\u010dnosti. \u017dije sa im lep\u0161ie v \u010cech\u00e1ch v porovnan\u00ed so Slovenskom? <\/strong><\/p>\n\n\n\n

V \u010cech\u00e1ch sa ur\u010dite gejom \u017eije lep\u0161ie \u2013 pravdepodobne to s\u00favis\u00ed s t\u00fdm, \u017ee to nie je krajina tak fat\u00e1lne ovplyvnen\u00e1 katol\u00edckou cirkvou ako Slovensko. S\u00edce u\u017e na Slovensku dlho ne\u017eijem, ale vid\u00edm, ako maj\u00fa mnoh\u00ed \u013eudia v mojom okol\u00ed, napriek k\u0155\u010dovitej snahe o toleranciu, probl\u00e9m plnohodnotne akceptova\u0165, \u017ee je niekto in\u00fd ne\u017e heterosexu\u00e1lny, \u017ee nezapad\u00e1 to klasick\u00e9ho obr\u00e1zku tradi\u010dnej rodiny. Zd\u00e1 sa mi, \u017ee toto hlboko zakorenen\u00e9 neprijatie homosexuality (a u\u017e v\u00f4bec nie transrodovosti) s\u00favis\u00ed s rovnako hlboko zakorenenou vierou v katol\u00edcky v\u00fdklad toho, \u010do je a \u010do nie je spr\u00e1vne. V \u010cech\u00e1ch, hlavne teda v Prahe, sa tento fakt u\u017e takmer nerie\u0161i, v mal\u00fdch mest\u00e1ch je t\u00e1 situ\u00e1cia asi in\u00e1, ale aj tam sa to, zd\u00e1 sa, postupne zlep\u0161uje. Aj v\u010faka spom\u00ednan\u00fdm coming outom verejne zn\u00e1mych osobnost\u00ed ako je  Aneta Langerov\u00e1, Jan Cina a v\u0161etk\u00fdm podobn\u00fdm, ktor\u00ed in\u0161piruj\u00fa mlad\u00fdch aj v t\u00fdch najv\u00e4\u010d\u0161\u00edch zapad\u00e1kovoch, aby sa nehanbili by\u0165 t\u00fdmi, k\u00fdm v skuto\u010dnosti s\u00fa. <\/p>\n","protected":false},"excerpt":{"rendered":"

Nat\u00e1lia De\u00e1kov\u00e1 (37) je divadeln\u00e1 a rozhlasov\u00e1 re\u017eis\u00e9rka. Narodila sa v Bratislave a divadeln\u00fa r\u00e9\u017eiu \u0161tudovala na pra\u017eskej DAMU. Bola umeleckou \u0161\u00e9fkou \u010cinohern\u00e9ho \u0161t\u00fadia v \u00dast\u00ed nad Labem, re\u017e\u00edrovala v divadle na Vinohradoch, rozhlasov\u00e9 hry v \u010ceskom a Slovenskom rozhlase. <\/p>\n","protected":false},"author":2,"featured_media":2004,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[256,6,10,259],"tags":[145,159,185],"class_list":["post-2003","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-divadlo","category-pribehy-lgbti-ludi","category-kultura","category-rozhovory","tag-queer-divadlo","tag-queer-kultura","tag-rozhovor"],"_links":{"self":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/2003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/comments?post=2003"}],"version-history":[{"count":1,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/2003\/revisions"}],"predecessor-version":[{"id":2597,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/2003\/revisions\/2597"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media\/2004"}],"wp:attachment":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media?parent=2003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/categories?post=2003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/tags?post=2003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}