{"id":2000,"date":"2018-10-04T10:08:22","date_gmt":"2018-10-04T08:08:22","guid":{"rendered":"https:\/\/qys.sk\/?p=2000"},"modified":"2018-10-04T10:08:22","modified_gmt":"2018-10-04T08:08:22","slug":"klasika-optikou-rodovej-citlivosti-na-drama-queer-2018","status":"publish","type":"post","link":"https:\/\/duhovyrok.sk\/qys\/klasika-optikou-rodovej-citlivosti-na-drama-queer-2018\/","title":{"rendered":"Klasika optikou rodovej citlivosti na Drama Queer 2018"},"content":{"rendered":"\n<p><strong>Autor: Robert Pakan \/ Foto: Bra\u0148o Kone\u010dn\u00fd<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>Arch\u00edvny text sme prv\u00fd raz publikovali v \u010d\u00edsle Jese\u0148 2018<\/p><\/blockquote>\n\n\n\n<p>Divadeln\u00fd festival Drama Queer u\u017e \u0161es\u0165 rokov prin\u00e1\u0161a do slovensk\u00e9ho divadeln\u00e9ho prostredia doned\u00e1vna tabuizovan\u00e9 t\u00e9my t\u00fdkaj\u00face sa problematiky identity \u010dloveka s odli\u0161nou citovou a sexu\u00e1lnou orient\u00e1ciou od v\u00e4\u010d\u0161inovej. Okrem toho sa festival stal platformou pre inakos\u0165. Nie iba v zmysle definovania identity, ale aj platformou snahy\u00a0 b\u00farania stereotypov a predsudkov.\u00a0 Festival pripravuje ka\u017edoro\u010dne divadlo Nomantinels, ktor\u00e9 stoj\u00ed okrem in\u00e9ho za mnoh\u00fdmi autorsk\u00fdmi projektmi s rovnakou t\u00e9mou. Tohtoro\u010dn\u00fd 6. ro\u010dn\u00edk festivalu Drama Queer predstav\u00ed v hlavnom programe op\u00e4\u0165 nielen tematicky, ale aj form\u00e1lne v\u00fdnimo\u010dn\u00e9 inscen\u00e1cie z dom\u00e1ceho, ako aj \u010desk\u00e9ho prostredia.\u00a0<\/p>\n\n\n\n<p>Dramaturgia festivalu sa zameriava na mu\u017eov a mu\u017esk\u00e9 identity. V\u0161etk\u00fdmi inscen\u00e1ciami v hlavnom programe prenik\u00e1 do h\u013abok du\u0161e a&nbsp;tela mu\u017ea. Rodov\u00e1 identita mu\u017ea je spojen\u00e1 s v\u00e1\u0161\u0148ami, ktor\u00e9 div\u00e1ka a div\u00e1\u010dku prekvapia, \u017ee sa mnohokr\u00e1t vymykaj\u00fa z be\u017enej stereotypiz\u00e1cie. Mu\u017en\u00e9 je aj citliv\u00e9, mu\u017en\u00e9 je aj starostliv\u00e9, mu\u017en\u00e9 nemus\u00ed v\u017edy ohrozova\u0165 a obra\u0148ova\u0165, ob\u010das sa mu\u017enos\u0165 boj\u00ed a h\u013ead\u00ed na svet s hlbokou empatiou \u010di sentimentom. Pochopenie mu\u017eskej identity a jej jedine\u010dnosti sa sna\u017eili svojou umeleckou v\u00fdpove\u010fou predstavi\u0165 v\u0161etky pozvan\u00e9 divadeln\u00e9 s\u00fabory. Dlhoro\u010dnou amb\u00edciou dramaturgie festivalu je tie\u017e vst\u00fapi\u0165 do \u0161ir\u0161ieho medzin\u00e1rodn\u00e9ho kontextu, \u010do sa v tomto roku podarilo prostredn\u00edctvom hos\u0165uj\u00faceho tane\u010dn\u00e9ho \u010desko-nemeck\u00e9ho projektu Entropy.&nbsp; Na festivale m\u00f4\u017eete po\u010das \u0161iestich dn\u00ed vidie\u0165 \u0161es\u0165 inscen\u00e1cii \u2013 jeden nemecko-\u010desk\u00fd projekt, dve inscen\u00e1cie zo Slovenska a tri inscen\u00e1cie z \u010ceska. <strong>Po prv\u00fdkr\u00e1t sa tie\u017e divadeln\u00fd festival otv\u00e1ra v&nbsp;Slovenskom n\u00e1rodnom divadle.&nbsp;<\/strong><\/p>\n\n\n\n<p>V sobotu 20. okt\u00f3bra festival otvor\u00ed inscen\u00e1cia <strong>Portr\u00e9t Doriana G.<\/strong> v r\u00e9\u017eii Mari\u00e1na Amslera zo Slovensk\u00e9ho komorn\u00e9ho divadla Martin, ktor\u00e9 hos\u0165uje v \u0160t\u00fadiu Slovensk\u00e9ho n\u00e1rodn\u00e9ho divadla. Svetozn\u00e1my provokat\u00edvny rom\u00e1n \u00edrskeho dramatika Oscara Wilda, ktor\u00fd svojho \u010dasu spolo\u010dnos\u0165 ods\u00fadila za nemravn\u00fd a vulg\u00e1rny vzh\u013eadom na otvorene vykreslen\u00fa homosexu\u00e1lnu orient\u00e1ciu hrdinov, zdramatizoval re\u017eis\u00e9r inscen\u00e1cie Mari\u00e1n Amsler, pri\u010dom vych\u00e1dzal z necenz\u00farovej verzie rom\u00e1nu, ktor\u00e1 vy\u0161la len predned\u00e1vnom. Inscen\u00e1cia sa pok\u00fa\u0161a pozrie\u0165 na t\u00e9mu ve\u010dnej t\u00fa\u017eby po mladosti zo s\u00fa\u010dasn\u00e9ho poh\u013eadu. V pondelok, 22. okt\u00f3bra, festival pokra\u010duje autorskou performanciou <strong>Stop Fucking Smiling<\/strong> zoskupenia NUDE (re\u017eis\u00e9ra Tom\u00e1\u0161a Proch\u00e1zku a here\u010dky L\u00fddie Ondru\u0161ovej) vo ve\u013ekej s\u00e1le Novej Cvernovky. Tvorcovia sa pohybuj\u00fa na hranici tr\u00e1pnosti a pr\u00faseru, a to v\u0161etko kv\u00f4li extr\u00e9mnym em\u00f3ci\u00e1m, ako sami tvrdia. M\u00f4\u017eete sa te\u0161i\u0165 na trena\u017e\u00e9r nedokonal\u00e9ho sveta.&nbsp;<\/p>\n\n\n\n<p>V utorok, 23. okt\u00f3bra, sa slovensk\u00e9mu publiku predstav\u00ed p\u00f4vodom \u010desk\u00fd tane\u010dn\u00edk a choreograf Ji\u0159\u00ed Bartovec, ktor\u00fd nieko\u013eko rokov p\u00f4sob\u00ed u svetozn\u00e1mej nemeckej choreografky Sashy Walz v Berl\u00edne. V \u010desko-nemeckom tane\u010dnom s\u00f3le <strong>Entropy<\/strong><strong> <\/strong>sa<strong> <\/strong>choreograf J. Bartovec a s\u00fdrsky tane\u010dn\u00edk Medhat Aldaabal pok\u00fa\u0161aj\u00fa h\u013eada\u0165 svoju identitu. Priestor sa pre nich st\u00e1va klietkou vlastn\u00fdch mo\u017enost\u00ed a ich vytrvalosti v zahmlenom svete. Toto p\u00f4sobiv\u00e9 tane\u010dn\u00e9 dielo m\u00f4\u017eete vidie\u0165 v priestore pre s\u00fa\u010dasn\u00fa kult\u00faru a4. Na rovnakom mieste&nbsp; 24. okt\u00f3bra, pokra\u010duje festival \u010deskou inscen\u00e1ciou <strong>Talentovan\u00fd p\u00e1n Ripley<\/strong> Divadla J.K. Tyla z Plzne v r\u00e9\u017eii slovensko-\u010deskej re\u017eis\u00e9rky Nat\u00e1lie De\u00e1kovej. Psychologick\u00fd thriller o talentovanom a ve\u013emi ambici\u00f3znom mlad\u00edkovi, ktor\u00fd t\u00fa\u017ei po bohatstve a po uznan\u00ed, po tom, aby bol niek\u00fdm in\u00fdm a to za ak\u00fako\u013evek cenu, nadob\u00fada v dne\u0161nej konzumnej spolo\u010dnosti orientuj\u00facej sa na prest\u00ed\u017e, op\u00e4\u0165 aktu\u00e1lny rozmer. Vo \u0161tvrtok, 25. okt\u00f3bra prich\u00e1dza na festival kultov\u00e9 pra\u017esk\u00e9 zoskupenie Tygr v t\u00edsni z Prahy s inscen\u00e1ciou <strong>Syn\u00e1\u010dci <\/strong>v r\u00e9\u017eii Tom\u00e1\u0161a Lou\u017en\u00e9ho, ktor\u00fd je z\u00e1rove\u0148 aj autorom hry. Pr\u00edbeh o \u0161tyroch bud\u00facich spolo\u010densk\u00fdch elit\u00e1ch \u2013 mami\u010dkin\u00fdch syn\u00e1\u010dikov, ktor\u00ed sa stret\u00e1vaj\u00fa na spolo\u010dnej intern\u00e1tnej izbe, je in\u0161pirovan\u00e1 dielami Roberta Musila, Thomasa Bernharda a Reinera Maria Rilkeho. Inscen\u00e1cia, ktor\u00fa m\u00f4\u017eete vidie\u0165 v a4 sa&nbsp; zaober\u00e1 t\u00e9mou n\u00e1silia, \u013eudskej agresivity vznikaj\u00facej v d\u00f4sledku potla\u010dovanej sexuality medzi mlad\u00fdmi mu\u017emi.&nbsp;<\/p>\n\n\n\n<p>Piatkov\u00fd ve\u010der, 26. okt\u00f3bra, sa festival presunie do \u0160t\u00fadia 12. Brnensk\u00e9 zoskupenie d\u00b4 epog nie je slovensk\u00e9mu div\u00e1kovi nezn\u00e1me. U\u017e nieko\u013ekokr\u00e1t hos\u0165ovalo v a4 \u2013 priestore s\u00fa\u010dasnej kult\u00fary, rovnako aj na festivale KioSK. Lucia Repa\u0161sk\u00e1, slovensko-\u010desk\u00e1 re\u017eis\u00e9rka, patr\u00ed medzi v\u00fdnimo\u010dn\u00e9 zjavy s\u00fa\u010dasn\u00e9ho divadla. Neboj\u00ed sa prekra\u010dova\u0165 hranice vn\u00edmania, komfortnej div\u00e1ckej z\u00f3ny, \u010d\u00edm \u010dastokr\u00e1t provokuje a vzbudzuje rozporupln\u00e9 reakcie. Na festivale Drama Queer sa predstav\u00ed s autorskou monodr\u00e1mou <strong>ICH BIN SOLO &#8211; OPERA FALSA E INTACTA. <\/strong>Pr\u00edbeh o priate\u013estve delf\u00edna a psa je metaforickou v\u00fdpove\u010fou o tolerancii a inakosti. Koncep\u010dn\u00e9 hromadenie kli\u0161e, tr\u00e1pnosti, g\u00fd\u010du a absurdity vytv\u00e1ra z&nbsp;tejto, na poh\u013ead roztomilej spevohry, humorn\u00fa, av\u0161ak krut\u00fa a sarkastick\u00fa v\u00fdpove\u010f o medzi\u013eudsk\u00fdch vz\u0165ahoch a sexualite.&nbsp;<\/p>\n\n\n\n<p>Dvojd\u0148ov\u00fd pohybov\u00fd workshop 25. a 26. okt\u00f3bra predch\u00e1dza v\u00fdnimo\u010dnej pohybovej perform\u00e1cii s n\u00e1zvom SOMA. Martin Talaga, talentovan\u00fd slovensk\u00fd tane\u010dn\u00edk a choreograf, prin\u00e1\u0161a do Bratislavy vizu\u00e1lno-pohybov\u00fa inscen\u00e1ciu, ktorej hlavn\u00fdm z\u00e1ujmom je \u013eudsk\u00e9 mu\u017esk\u00e9 telo. Projekt je in\u0161pirovan\u00fd v\u00fdtvarn\u00fdm umen\u00edm a ide\u00e1lom mu\u017eskej kr\u00e1sy naprie\u010d hist\u00f3riou, ktor\u00e1 je tu zobrazen\u00e1. Perform\u00e1cia putuje po \u010desk\u00fdch a slovensk\u00fdch gal\u00e9ri\u00e1ch a v\u00fdstavn\u00fdch priestoroch, pri\u010dom zaka\u017ed\u00fdm sa l\u00ed\u0161i.<\/p>\n\n\n\n<p>Festival z\u00edskal z\u00e1\u0161titu Prezidenta Slovenskej republiky Andreja Kisku. Je podporen\u00fd z verejn\u00fdch zdrojov Fondom na podporu umenia. Festival je podporen\u00fd Ministerstvom kult\u00fary Slovenskej republiky, Bratislavsk\u00fdm samospr\u00e1vnym krajom, Mestom Bratislava a \u010cesk\u00fdm centrom.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Divadeln\u00fd festival Drama Queer u\u017e \u0161es\u0165 rokov prin\u00e1\u0161a do slovensk\u00e9ho divadeln\u00e9ho prostredia doned\u00e1vna tabuizovan\u00e9 t\u00e9my t\u00fdkaj\u00face sa problematiky identity \u010dloveka s odli\u0161nou citovou a sexu\u00e1lnou orient\u00e1ciou od v\u00e4\u010d\u0161inovej. Okrem toho sa festival stal platformou pre inakos\u0165.<\/p>\n","protected":false},"author":7,"featured_media":2001,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,13],"tags":[47,145],"class_list":["post-2000","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultura","category-viditelnost","tag-drama-queer","tag-queer-divadlo"],"_links":{"self":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/2000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/comments?post=2000"}],"version-history":[{"count":0,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/posts\/2000\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media\/2001"}],"wp:attachment":[{"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/media?parent=2000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/categories?post=2000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/duhovyrok.sk\/qys\/wp-json\/wp\/v2\/tags?post=2000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}