{"id":1040,"date":"2021-10-12T12:23:13","date_gmt":"2021-10-12T10:23:13","guid":{"rendered":"https:\/\/duhovyrok.sk\/nomantinels\/?post_type=tribe_events&p=1040"},"modified":"2021-10-12T12:23:13","modified_gmt":"2021-10-12T10:23:13","slug":"drama-queer-festival-2021","status":"publish","type":"tribe_events","link":"https:\/\/duhovyrok.sk\/nomantinels\/event\/drama-queer-festival-2021\/","title":{"rendered":"Drama Queer Festival 2021"},"content":{"rendered":"
Pridajte sa k n\u00e1m a u\u017eite si tepl\u00fa divadeln\u00fa jese\u0148 aj v roku 2021!
\nDeviaty ro\u010dn\u00edk Drama Queer prinesie desa\u0165 predstaven\u00ed v podan\u00ed host\u00ed z \u010ceskej republiky, Belgicka, Po\u013eska a Slovenska.<\/div>\n
PREDPREDAJ:<\/strong>\u00a0https:\/\/tootoot.fm\/sk\/5d8b1a6c2a177a066832fdd3<\/a><\/div>\n
PROGRAM<\/strong>
\n23.10. 18:00 \/ Jozef Va\u013eo: COMING OUT @ P*AKT
\n24.10. 19:00 \/ mossoux_bonte: Alban @ A4
\n25.10. 19:00 \/ Micha\u0142 Przyby\u0142a, Dominik Wie\u0328cek: BROMANCE @ A4
\n26.10. 19:00 \/ Martin Talaga a spol.: PiNKBUS @ P*AKT
\n27.10. 19:00 \/ Divadlo Andreja Bagara \u2013 DOM @ \u0160t\u00fadio SND
\n29.10. 19:00 \/ Divadlo Petra Bezru\u010de \u2013 Transky, body, vte\u0159iny @ DPOH
\n29.10. 20:00 \/ DIVADLOX10: Otcovrah @ A4
\n30.10. 19:00 \/ Alexandra Bolfov\u00e1: MEDEA_is_missing @ A4
\n31.10. 18:00 \/ Claude Johann \u010cierny: F64.2 \u2013 P*AKT
\n1.11. 19:00 \/ Jaro Vi\u0148arsk\u00fd: ANIMALINSIDE @ A4
\n2.11. 19:00 \/ NOMANTINELS: Socializmus s teplou tv\u00e1rou @ P*AKT<\/div>\n
<\/div>\n
PRE\u010c\u00cdTAJ SI VIAC O PREDSTAVENIACH:<\/strong>
\n23.10. Jozef Va\u013eo: COMING OUT \u2013 P*AKT<\/strong><\/div>\n
S\u00f3lo predstavenie Jozefa Va\u013ea upriamuje pozornos\u0165 na \u201ecoming out\u201c vo svete futbalu, v ktorom v s\u00fa\u010dasnosti nem\u00e1me \u017eiadneho hraj\u00faceho homosexu\u00e1la po coming out-e a kde v celej hist\u00f3rii m\u00f4\u017eeme hovori\u0165 o 3 queer hr\u00e1\u010doch. Predstavenie hovor\u00ed o homof\u00f3bnej atmosf\u00e9re futbalov\u00fdch podujat\u00ed a celkovo sveta futbalu, kde si viac ako 70% fan\u00fa\u0161ikov ani neuvedomuje, \u017ee skanduje homof\u00f3bne pokriky. S touto problematikou pracuje predstavenie z opa\u010dnej strany. Ahoj som Jozef. Som homosexu\u00e1l a hanb\u00edm sa za to, \u017ee neskuto\u010dne zbo\u017e\u0148ujem futbal. Biz\u00e1r, ja viem. Presne ako sa hanbi\u0165, \u017ee ste gay, ak ste futbalista. Toto nie je jedin\u00fd biz\u00e1r. V predstaven\u00ed pracujem s Drag Lipsync \u010di s ideou kostolnej k\u00e1zne. Skrz t\u00fato bipolaritu chcem pouk\u00e1za\u0165, \u017ee m\u00f4\u017eete ma\u0165 r\u00e1d \u010doko\u013evek, m\u00f4\u017eete by\u0165 k\u00fdmko\u013evek a st\u00e1le m\u00f4\u017eete by\u0165 dobr\u00fdm futbalistom\u2026\u010dlovekom.<\/div>\n
Choreografia\/ performer \u2013 Jozef Va\u013eo
\nHudba \u2013 Balance (Veronika \u0160kutov\u00e1)
\nSc\u00e9nografia a sveteln\u00fd dizajn \u2013 Michaela Pavelkov\u00e1
\nSprievodn\u00fd text \u2013 Anna Polckov\u00e1
\nDramaturgia \u2013 Jaroslav Vi\u0148arsk\u00fd
\nProdukcia \u2013 SKOK!
\n\u2013\u2013\u2013<\/div>\n
24.10. mossoux_bonte: Alban \u2013 A4<\/strong>
\nRe\u017eis\u00e9r a dramatik Patrick Bont\u00e9 a tane\u010dn\u00ed\u010dka a choreografka Nicole Mossoux s\u00fa na sc\u00e9ne od roku 1985. Toto oce\u0148ovan\u00e9 belgick\u00e9 duo sa venuje performance na hraniciach tanca a divadla, \u0161pecializuje sa na \u201cobj\u00edmanie nepreb\u00e1dan\u00e9ho, dot\u00fdkanie podvedm\u00e9ho.\u201d Na festivale predstavia miniat\u00faru Alban.
\n\u2013\u2013\u2013<\/div>\n
25.10. Micha\u0142 Przyby\u0142a, Dominik Wie\u0328cek: BROMANCE \u2013 A4<\/strong><\/div>\n
Where are these men, the real ones?
\nApparently men should stay physically away from each other.
\nApparently, boys and men are not allowed to hold hands.
\nThey are advised not to gently hug or caress in public places.
\nIt\u2019s prohibited for two men to kiss while greeting.
\nMen should not show emotions and be in close, emotional and physical contacts with each other.
\nApparently, the demonstration of feelings by men should be relegated from public and private spaces.
\nApparently it is inappropriate.
\nIt\u2019s unmanly.
\nThe image of the performance \u201eBromance\u201c arose from interest in the discourse around the new concept of brotherhood. The idea formulated by Jane Ward and described in \u201eNot Gay. Sex between Straight White Man \u201e.
\nThe performance is an attempt to face the stereotype of a \u201ereal man\u201c in order to show many variants of masculinity. Consequently, crossing the boundaries of the stereotype and redefining male identity, seen in a broader aspect and not excluding behaviors diverging from the learned norm.
\nWe are looking for an answer to the question of how to give men an informal right to express affectionateness or sentimentality in a public space, without worrying about being accused of being ridiculous, or having to listen to critical remarks about unmanly behavior.
\nDuring the creative process of the performance, we returned to our experiences and memories. We dissected from the memory, discourse and observation, a movement piece related to touch, tenderness, but also expression of emotional closeness present between men in friendly relationships and then we subjected it to humanization.
\nWe collided various scenes with each other what allowed us to diagnose the male ways of creating emotional closeness and intimacy.
\nThe performers focus on situations where men disown certain gestures and behaviors in fear of both being excluded and exceeding the limits of normativity.
\nIs bromance, not characterized with something negative, possible in out society?<\/div>\n
Concept, directing, choreography and performance: Micha\u0142 Przyby\u0142a, Dominik Wie\u0328cek Music: Przemek Dego\u0301rski
\nDramatist: Anna Kro\u0301lica
\nBromance \u2013 Trailer:
\nhttps:\/\/www.youtube.com\/watch?v=pDRfNC7SJVQ<\/a>&
\n\u2013\u2013\u2013<\/div>\n
26.10. Martin Talaga a spol.: PiNKBUS \u2013 P*AKT<\/strong>
\nProjekt PiNKBUS pr\u030cedstavuje novou platformu, ktera\u0301 zas\u030ctit\u030cuje pr\u030cedevs\u030ci\u0301m mlade\u0301 queer ume\u030clce a pr\u030cina\u0301s\u030ci\u0301 do C\u030ceske\u0301 republiky novou tvu\u030arc\u030ci\u0301 vlnu.<\/div>\n
PiNKBUS navazuje na tradici praz\u030csky\u0301ch kabaretu\u030a a variet\u00e9 a okor\u030cenuje ji da\u0301vkou stoupaji\u0301ci\u0301ho trendu \u2013 drag queens. Tvu\u030arci reaguji\u0301 na silny\u0301 celosve\u030ctovy\u0301 na\u0301ru\u030ast drag kultury. Za\u0301jem o tento typ ume\u030cni\u0301 a performance nesmi\u0301rne\u030c vzrostl a rozs\u030ci\u0301r\u030cil se uz\u030c i za hranice LGBT komunity.
\nTvu\u030arcu\u030am se be\u030chem te\u030cchto komponovany\u0301ch vec\u030ceru\u030a podar\u030cilo spojit underqroundovou queer sce\u0301nu a profesiona\u0301lni\u0301 etablovane\u0301 ume\u030clce a na jevis\u030cti se prostr\u030ci\u0301dala skutec\u030cne\u030c pestra\u0301 paleta um\u011blc\u016f ze vs\u030cech oboru\u030a.<\/div>\n
PiNKBUS otevi\u0301ra\u0301 diskuzi o nejaktua\u0301lne\u030cjs\u030ci\u0301ch te\u0301matech dnes\u030cni\u0301 spolec\u030cnosti jako jsou sexualita, nahota, svoboda, t\u011blesnost nebo kult kr\u00e1sy. Tvu\u030arci jsou pr\u030cesve\u030cdc\u030ceni o nezbytnosti budova\u0301ni\u0301 platformy pro queer ume\u030cleckou sce\u0301nu kaz\u030cdy\u0301m dnem vi\u0301ce a vi\u0301ce. Vytv\u00e1\u0159en\u00ed bezpe\u010dn\u00e9ho m\u00edsta, ktere\u0301 s\u030ci\u0301r\u030ci\u0301 osve\u030ctu a spojuje lidi je du\u030alez\u030cite\u030cjs\u030ci\u0301, nez\u030c kdykoliv pr\u030cedti\u0301m
\n\u2013\u2013\u2013<\/div>\n
27.10. Divadlo Andreja Bagara \u2013 DOM \u2013 \u0160t\u00fadio SND<\/strong>
\nDivadlo sa rozhodlo prinies\u0165 na reperto\u00e1r t\u00fato hru po viac ako 40. rokoch od prvej premi\u00e9ry sl\u00e1vnej inscen\u00e1cie Jozefa Bedn\u00e1rika, kde rolu Bernardy Alby stv\u00e1rnila \u017dofia Marti\u0161ov\u00e1. Tentokr\u00e1t sa here\u010dka predstav\u00ed v role M\u00e1rie Jozefy \u2013 matky Bernardy Alby. V \u017eiadnom pr\u00edpade nep\u00f4jde o snahu rekon\u0161truova\u0165 inscen\u00e1ciu, ale o nov\u00fd prepis tejto hry, ktor\u00fd priprav\u00ed Anna Saavedra, \u010desk\u00e1 autorka, ktorej texty u\u017e Mari\u00e1n Amsler inscenoval (Tajn\u00e1 zpr\u00e1va z planety matek, Faj\u010diarky a spasite\u013eky).
\nV hre Dom Bernardy Alby Lorca opisuje tyraniu jednej matky. Bernarda, \u010derstv\u00e1 vdova bohat\u00e9ho mu\u017ea a matka piatich dc\u00e9r, prik\u00e1\u017ee dr\u017ea\u0165 sm\u00fatok pod\u013ea trad\u00edcie osem rokov a efektne uv\u00e4zn\u00ed dc\u00e9ry v dome. Host\u00ed neprij\u00edma. Svoje dc\u00e9ry izoluje od okolit\u00e9ho sveta. Hra sa dejovo odohr\u00e1va vn\u00fatri izolovan\u00e9ho domu pln\u00e9ho \u017eien. Najstar\u0161ia z dc\u00e9r, Angustias, sa m\u00e1 vyda\u0165 za Pepeho. Po\u010das hry sa uk\u00e1\u017ee, \u017ee najmlad\u0161ia dc\u00e9ra Adela s Pepem sp\u00e1va. V tre\u0165om dejstve sa Adela s Pepem pok\u00fasia o \u00fatek, ale prichytia ich a Bernarda na Pepeho vystrel\u00ed. Adela v domnen\u00ed, \u017ee Pepe zomrel, p\u00e1cha samovra\u017edu. Anna Saavedra prid\u00e1va \u010fal\u0161iu postavu v dome, samotn\u00e9ho Lorcu, ktor\u00fd sa pri n\u00e1stupe Francovej nacistickej diktat\u00fary v \u0160panielsku ako homosexu\u00e1l a novin\u00e1r s liber\u00e1lnymi postojmi musel ukr\u00fdva\u0165.
\nHra poukazuje na bigotn\u00e9 dodr\u017eiavania trad\u00edci\u00ed na \u0161panielskom vidieku, z toho vypl\u00fdvaj\u00facu tyraniu matky, ale otv\u00e1ra aj tabuizovan\u00fa t\u00e9mu sexuality \u010di t\u00e9mu spolo\u010densk\u00fdch noriem, predsudkov, strachu z klebiet a spolo\u010densk\u00e9ho ods\u00fadenia a zobrazuje n\u00e1stup fa\u0161izmu v \u0160panielsku 30. rokov.<\/div>\n
Autor: Anna Saavedra na mot\u00edvy hry F. G. Lorcu
\nR\u00e9\u017eia: Mari\u00e1n Amsler
\nKost\u00fdmy: Marija Havran
\nDramaturgia:Marie \u0160palov\u00e1, Magdal\u00e9na \u017diakov\u00e1
\nSc\u00e9na: Juraj Kuch\u00e1rek
\nHudba: Ivan Acher
\nPohybov\u00e1 spolupr\u00e1ca: Stanislava Vl\u010dekov\u00e1
\n\u2013\u2013\u2013<\/div>\n
29.10. Divadlo Petra Bezru\u010de \u2013 Transky, body, vte\u0159iny \u2013 DPOH<\/strong><\/div>\n
Za \u010das\u016f d\u00e1vn\u00fdch boh\u016f, hrdinn\u00fdch n\u00e1\u010deln\u00edk\u016f a psychopatick\u00fdch dikt\u00e1tor\u016f, neklidem zm\u00edtan\u00e1 zem\u011b zrodila hrdinku. Byla j\u00ed Zdena. Mocn\u00e1 princezna zocelen\u00e1 \u017e\u00e1rem olympi\u00e1d. Tretry, v\u00e1\u0161e\u0148, nebezpe\u010d\u00ed. Jej\u00ed odvaha zm\u011bn\u00ed sv\u011bt. Co na tom, \u017ee j\u00ed pod nosem ra\u0161\u00ed tmav\u00fd kn\u00edrek \u2013 hlavn\u011b kdy\u017e na b\u011b\u017eeck\u00e9 dr\u00e1ze trh\u00e1 rekordy. Brzy se stane mil\u00e1\u010dkem \u010ceskoslovenska a cel\u00e9ho atletick\u00e9ho sv\u011bta. Ale ti, kter\u00e9 nech\u00e1v\u00e1 za sebou, se za\u010dnou p\u00eddit po p\u0159\u00ed\u010din\u00e1ch jej\u00edho \u00fasp\u011bchu. Nov\u00e1 hra Tom\u00e1\u0161e Diani\u0161ky inspirovan\u00e1 skand\u00e1ln\u00edm osudem \u010deskoslovensk\u00e9 atletky, jej\u00ed\u017e sportovn\u00ed \u00fasp\u011bchy byly vymaz\u00e1ny z na\u0161\u00ed novodob\u00e9 historie.<\/div>\n
R\u00e9\u017eia: Tom\u00e1\u0161 Diani\u0161ka, Petra V\u0161elichov\u00e1
\nScen\u00e1r: Tom\u00e1\u0161 Diani\u0161ka
\nHraj\u00fa: Jakub Bur\u00fd\u0161ek, Pavla Gajdo\u0161\u00edkov\u00e1, Michal Sedl\u00e1\u010dek, Ond\u0159ej Brett, Vojt\u011bch Johan\u00edk<\/div>\n
Trailer:\u00a0https:\/\/www.youtube.com\/watch?v=iEGWUUH6JWM<\/a>
\n\u2013\u2013\u2013
\n29.10. DIVADLOX10: Otcovrah @ A4<\/strong><\/div>\n
Narcistn\u00ed alegorie s prvky absurdn\u00ed grotesky. Autorsk\u00e1 variace na p\u016fvodn\u00ed text A. Bronnena Vatermord jako jevi\u0161tn\u00ed obraz o hled\u00e1n\u00ed smyslu tradi\u010dn\u00ed rodiny daleko za bezpe\u010dn\u00fdm koncem d\u011bjin. Kde le\u017e\u00ed hranice mezi bezpodm\u00edne\u010dnou osobn\u00ed a tv\u016fr\u010d\u00ed svobodou a rodinn\u00fdmi pouty? A co se nach\u00e1z\u00ed za touto hranic\u00ed? Rodina jako \u00fato\u010di\u0161t\u011b, jako zdroj spole\u010densk\u00e9ho n\u00e1sil\u00ed, nebo jako oby\u010dejn\u00fd ekonomick\u00fd subjekt? Sc\u00e9nick\u00e9 hled\u00e1n\u00ed odpov\u011bdi na ot\u00e1zku, zda lze rodinu nahradit a \u010d\u00edm. Z\u00e1v\u011bre\u010dn\u00fd d\u00edl re\u017eis\u00e9rovy pomysln\u00e9 expresionistick\u00e9 trilogie. Nejosobn\u011bj\u0161\u00ed. Nejtemn\u011bj\u0161\u00ed.<\/div>\n
Arnolt Bronnen (1895) pat\u0159\u00ed mezi v\u00fdznamn\u00e9 p\u0159edstavitele meziv\u00e1le\u010dn\u00e9ho expresionismu. Divadeln\u00ed hrou Otcovrah (Vatermord, 1922) pojmenoval z\u00e1kladn\u00ed t\u00e9ma tohoto v\u00fdrazn\u00e9ho um\u011bleck\u00e9ho sm\u011bru, kter\u00fd tou\u017eil po napln\u011bn\u00ed radik\u00e1ln\u00ed um\u011bleck\u00e9 svobody. Bronnen podepsal v roce 1933 kontroverzn\u00ed nacistick\u00fd manifest schvaluj\u00edc\u00ed nastupuj\u00edc\u00ed hn\u011bdou diktaturu, b\u011bhem v\u00e1lky se ov\u0161em p\u0159idal ke komunistick\u00e9mu odboji.<\/div>\n
P\u0158EKLAD Jaroslav Achab Haidler
\n\u00daPRAVA, SC\u00c9NA A RE\u017dIE Ond\u0159ej \u0160tefa\u0148\u00e1k
\nASISTENT RE\u017dIE Marek Linhart
\nDRAMATURGIE A \u00daPRAVA Barbora Han\u010dilov\u00e1
\nSC\u00c9NA A KOST\u00ddMY Jana Hauskrechtov\u00e1
\nHUDBA Kry\u0161tof Blabla
\nHRAJ\u00cd Magdalena Kuntov\u00e1, Lucie Rozn\u011bt\u00ednsk\u00e1, Franti\u0161ek Bouzek, Vojt\u011bch Hrab\u00e1k, Jan Jankovsk\u00fd, V\u00e1clav Marhold
\n\u2013\u2013\u2013\u2013\u2013\u2013<\/div>\n
<\/div>\n
30.10. Alexandra Bolfov\u00e1: MEDEA_is_missing @ A4<\/strong><\/div>\n
Kdo je Medea dnes? \u017dena-cizinka. \u017dena-matka. Matka-samo\u017eivitelka. MEDEA_is_missing, ale mo\u017en\u00e1 jenom odjela na estetickou plastickou chirurgii a a\u017e se vr\u00e1t\u00ed, tak bude m\u00edt nov\u00fd um\u011bl\u00fd kozy. A nebo je\u0161t\u011b h\u016f\u0159, bude feministka.
\nSou\u010dasn\u00e9 se zd\u00e1 b\u00fdt sou\u010dasn\u00fdm, proto\u017ee archetypy jsou v\u011b\u010dn\u00e9 a v\u0161udyp\u0159\u00edtomn\u00e9 stejn\u011b jako dualita racia a nekontrolovateln\u00fdch emoc\u00ed. Mo\u017en\u00e1 je ale snaha j\u00edt cestou napln\u011bn\u00ed vlastn\u00edch ambic\u00ed p\u0159irozen\u011bj\u0161\u00ed ne\u017e mate\u0159sk\u00fd pud a p\u0159ekra\u010dov\u00e1n\u00ed hranic, zd\u00e1 se, bylo u\u017e tak\u00e9 nespo\u010detn\u011b. \u201eNE Z KA\u017dD\u00c9HO KUSU MASA SE D\u00c1 UD\u011aLAT \u010cLOV\u011aK.\u201c Je nemocn\u00e1 spole\u010dnost, \u010di jednotlivec? Kdo je skute\u010dn\u00e1 Medea, kam a pro\u010d zmizely d\u011bti a jak\u00fd je v\u00fdznam slova matka? Na\u0161e matky \u2013 va\u0161e matky. Ale kde je realita? Mohlo by b\u00fdt hor\u0161\u00ed u\u017e jen to, \u017ee by byl patriarch\u00e1t nahrazen matriarch\u00e1tem? A kam se vlastn\u011b pod\u011bla Medea? Sejdou se tak k oslav\u011b boha Dion\u00fdsa t\u0159i \u017eeny: Agam\u00e9da, Merop\u00e9, Glauk\u00e9 a za\u010dnou se \u0159e\u0161it. Jen\u017ee jak pracovat s fakin sisterhoodem, kdy\u017e ten je o\u010dividn\u011b \u00fapln\u011b v prdeli stejn\u011b jako demokracie? No jo, ty \u017eeny.
\nTeda, no jo, ty matky.<\/div>\n
<\/div>\n
Autorsk\u00e1 inscenace velmi voln\u011b inspirovan\u00e1 knihou Christy Wolfov\u00e9 \u201eM\u00e9deia a jin\u00e9 hlasy\u201c.<\/div>\n
Tv\u016fr\u010d\u00ed t\u00fdm:
\nText: kolektiv
\nRe\u017eie: Alexandra Bolfov\u00e1
\nDramaturgie: Michal \u0160est\u00e1k, Martin Hodo\u0148
\nDramaturgick\u00e1 spolupr\u00e1ce: Marek Horo\u0161\u010d\u00e1k
\nSc\u00e9na a kost\u00fdmy: Karol\u00edna Srpkov\u00e1
\nLight design: Filip Obermajer
\nHudba: Martin Konvi\u010dka, Tereza Mare\u010dkov\u00e1
\nProdukce: Noemi Krausov\u00e1, Ladislav Hor\u00e1k, Veronika \u010cechm\u00e1nkov\u00e1, Klaudia Klembarov\u00e1
\nHraj\u00ed: Kl\u00e1ra Bulantov\u00e1, Karol\u00edna Va\u0148kov\u00e1, Dana Jacekov\u00e1, Michaela Efrati, Denisa
\nR\u016f\u017ekov\u00e1<\/div>\n
Inscenaci finan\u010dn\u011b podpo\u0159ilo Ministerstvo kultury \u010desk\u00e9 republiky, Statn\u00ed fond kultury a
\nMinisterstvo \u0161kolstv\u00ed, ml\u00e1de\u017ee a t\u011blov\u00fdchovy. Koproducenty inscenace jsou divadlo
\nVenu\u0161e ve \u0160vehlovce a DIFA JAMU. Projekt je sou\u010d\u00e1st\u00ed Specifick\u00e9ho v\u00fdzkumu na DIFA
\nJAMU.
\n\u2013\u2013\u2013<\/div>\n
31.10 Claude Johann \u010cierny: F64.2 \u2013 P*AKT<\/strong><\/div>\n
Performance upozor\u0148uje na situ\u00e1ciu, do ktorej sa mlad\u00fd transrodov\u00fd \u010dlovek na Slovensku dost\u00e1va v\u010faka absencii systematickej zdravotnej starostlivosti a pr\u00edslu\u0161nej legislat\u00edvy. Aktu\u00e1lna prax je zalo\u017een\u00e1 na stereotypnom uva\u017eovan\u00ed, diskriminuj\u00facom individu\u00e1lnom presved\u010den\u00ed a zastaralej medic\u00ednskej praxi zo 60. rokov minul\u00e9ho storo\u010dia. Katastrof\u00e1lne n\u00e1sledky na psychick\u00e9 (ale aj fyzick\u00e9) zdravie \u010dloveka s\u00fa be\u017enou realitou, ktor\u00fa na\u0161a spolo\u010dnos\u0165 akoby nechce vn\u00edma\u0165. V performance zaznej\u00fa autentick\u00e9 v\u00fdpovede mlad\u00fdch transrodov\u00fdch \u013eud\u00ed, ktor\u00ed maj\u00fa odvahu sa ozva\u0165.
\n\u2013\u2013\u2013<\/div>\n
1.11. Jaro Vi\u0148arsk\u00fd: ANIMALINSIDE \u2013 A4<\/strong><\/div>\n
Fyzick\u00e9 predstavenie na mot\u00edvy rovnomennej knihy ma\u010farsk\u00e9ho spisovate\u013ea L\u00e1szla Kr\u00e1sznahorkaia a nemeck\u00e9ho maliara Maxa Neumanna \/duet<\/div>\n
Suita pr\u00edbehov podobn\u00fdch b\u00e1sniam a prerozpr\u00e1van\u00fdch postavou, ktor\u00e1 \u2013 ako sa zd\u00e1 \u2013 dok\u00e1\u017ee roz\u0161\u00edri\u0165 rozmer seba samej v \u010dase a priestore. T\u00fdm sa drasticky pos\u00fava jej vz\u0165ah k materi\u00e1lnemu svetu, je vet\u0161ia ne\u017e v\u0161etky veci, zachyten\u00e1 v nap\u00e4tom momente. Je tu v\u0161ak aj trpite\u013esk\u00fd, d\u00e9monick\u00fd vz\u0165ah k \u013eu\u010fom, ktor\u00fd dod\u00e1va pos\u00favaj\u00facej sa osi tejto postavy psychologick\u00fa vrstvu.<\/div>\n
ANIMALINSIDE je zobrazen\u00edm porozumenia dvoch \u013eud\u00ed, ktor\u00ed zdie\u013eaj\u00fa akcept\u00e1ciu moci v sebe sam\u00fdch, moci silnej\u0161ej ne\u017e skrotenie, ktor\u00e9mu sa musia podrobi\u0165. Je to viera v t\u00fato hlb\u0161iu moc, temn\u00e1 m\u00e1gia v hre sublim\u00e1cie. V jadre je to viera v schopnos\u0165 tela hovori\u0165 skuto\u010dn\u00fdm jazykom.<\/div>\n
<\/div>\n
Idea, choreografia, r\u00e9\u017eia a performing JARO VI\u0147ARSK\u00dd
\nv spolupr\u00e1ci<\/div>\n
Performer MAREK MEN\u0160\u00cdK
\nSveteln\u00fd dizajn TOM\u00c1\u0160 MOR\u00c1VEK
\nAutorsk\u00e1 hudba JAN BURIAN
\nZvuk MILAN SLAMA
\nKost\u00fdmov\u00fd dizajn\u00e9r MARTIN KRATOCHV\u00cdL
\nPreklady textov do sloven\u010diny z anglick\u00e9ho prekladu DANA G\u00c1LOV\u00c1
\nNahovoren\u00fd text a hlas HENRIETTA RAB a MATTHEW ROGERS
\nProduk\u010dn\u00e1, mana\u017e\u00e9rka KATAR\u00cdNA \u010eURICOV\u00c1<\/div>\n
PRODUKCIA
\nSKOK! o.z.<\/div>\n
KOPRODUKCIA
\nZ\u00e1hrada \u2013 Centrum pre nez\u00e1visl\u00fa kult\u00faru (Bansk\u00e1 Bystrica, Slovensko), Stanica \u017dilina-Z\u00e1rie\u010die, Divadlo Archa<\/div>\n
S FINAN\u010cNOU PODPOROU
\nMinisterstvo kult\u00fary Slovenskej republiky, Nad\u00e1cia Tatra Banky, Mesto Bansk\u00e1 Bystrica
\n\u2013\u2013\u2013<\/div>\n
2.11. NOMANTINELS: Socializmus s teplou tv\u00e1rou \u2013 P*AKT<\/strong><\/div>\n
Socialistick\u00fd \u010dlovek nie je homosexu\u00e1l. Je tabu! Hru nap\u00edsal Andrej Kuruc a re\u017e\u00edroval Mari\u00e1n Amsler. Rozpr\u00e1va o tom, ako sa \u017eilo queer \u013eu\u010fom za socializmu. V stredu 15.9.2021 o 20:00 v nov\u00fdch priestoroch divadla vo Zv\u00e1ra\u010d\u00e1ku na Pionierskej 17.
\nOdohr\u00e1va sa v 80. rokoch po\u010das normaliz\u00e1cie. Mlad\u00fd mu\u017e pr\u00edde do hlavn\u00e9ho mesta s t\u00fa\u017ebou vylie\u010di\u0165 sa z homosexuality. Na ulici stret\u00e1va podivn\u00fa skupinku, ktor\u00e1 je in\u00e1 a nezapad\u00e1 do \u0161ed\u00e9ho priemeru socializmu. Ide o Alex, ktor\u00e1 ma tajn\u00fa milenku, Zlaticu a B\u00e1snika, ktor\u00ed spolu \u017eij\u00fa. Postupne sa zoznamuje s miestami a sp\u00f4sobmi, ako t\u00edto nevidite\u013en\u00ed a neexistuj\u00faci \u013eudia pre\u017e\u00edvaj\u00fa.
\nVylie\u010di ho socialistick\u00e9 zdravotn\u00edctvo? Rozvr\u00e1tia sa tradi\u010dn\u00e9 man\u017eelstv\u00e1? Chyt\u00ed ho \u0160TB do svojej pasce ru\u017eov\u00fdch zoznamov?
\nInscen\u00e1cia vznikla aj na podklade rozhovorov pam\u00e4tn\u00edkov a pam\u00e4tn\u00ed\u010dok z LGBTI+ komunity, za \u010do im zo srdca \u010fakujeme. Na tvorbe a zrealizovan\u00ed divadlo NOMANTINELS spolupracovalo s divadlom DPM.
\nVznik inscen\u00e1cie je tie\u017e s\u00fa\u010das\u0165ou v\u00e4\u010d\u0161ieho medzin\u00e1rodn\u00e9 projektu o dejin\u00e1ch queer \u013eud\u00ed Removal of Queer Curtain v r\u00e1mci kraj\u00edn Slovensko, \u010cesk\u00e1 republika, Ma\u010farsko a Srbsko, kde bude hra vzh\u013eadom na podobnos\u0165 sk\u00fasenost\u00ed zo \u017eivota v socializme tie\u017e prezentovan\u00e1.
\nAutor: Andrej Kuruc
\nR\u00e9\u017eia: Mari\u00e1n Amsler
\nHraj\u00fa: Jakub \u0160vec, Peter Tilaj\u010d\u00edk, Edita Kopri\u0161evi\u0107 Borsov\u00e1\/ Michaela Fech, \u013dubo\u0161 Jan\u00e1k, Lenka Libjakov\u00e1, Tom\u00e1\u0161 Pokorn\u00fd
\nSc\u00e9na a kost\u00fdmy: Al\u017ebeta Kutliakov\u00e1
\nFotografie a design: \u013dubo\u0161 Kotl\u00e1r
\nLightdesign: Boris Adam\u010d\u00edk
\nProdukcia: Katar\u00edna Markov\u00e1, Andrej Kuruc, R\u00f3bert Pakan
\nTechnick\u00e9 zabezpe\u010denie: Boris Adam\u010d\u00edk, Dominik Janovsk\u00fd, Martin Hodo\u0148<\/div>\n
Inscen\u00e1cia je pr\u00edstupn\u00e1 od 16 rokov.
\nRepr\u00edzu inscen\u00e1cie finan\u010dne podporil ako hlavn\u00fd partner Fond na podporu umenia.
\nInscen\u00e1cia vznikla tie\u017e v\u010faka podpore Ministerstvo kult\u00fary SR, Vi\u0161egradsk\u00e9 granty z Medzin\u00e1rodn\u00e9ho vi\u0161egradsk\u00e9ho fondu (Visegrad fund), Program Eur\u00f3py pre ob\u010danov Eur\u00f3pskej \u00fanie (European for Citizens Fund of Programme), Nad\u00e1cia mesta Bratislavy.
\n\u2013\u2013\u2013
\nFestival Drama Queer z verejn\u00fdch zdrojov podporil\u00a0Fond na podporu umenia<\/strong><\/a>.
\nFestival \u010falej podporili\u00a0Nad\u00e1cia mesta Bratislavy<\/strong><\/a>\u00a0a\u00a0Ministerstvo kult\u00fary SR<\/strong><\/a>.
\n\u2014
\nHlavn\u00ed partneri:\u00a0Fond na podporu umenia<\/strong><\/a>,\u00a0Ministerstvo kult\u00fary SR<\/strong><\/a>,\u00a0Nad\u00e1cia mesta Bratislavy<\/strong><\/a>
\n\u2013
\nPartneri:\u00a0P*AKT<\/strong>,\u00a0SND<\/strong><\/a>,\u00a0A4 priestor s\u00fa\u010dasnej kult\u00fary<\/strong><\/a>,\u00a0DPOH<\/strong><\/a>,\u00a0WBI<\/strong>
\n\u2013
\nHlavn\u00ed medi\u00e1lni partneri:\u00a0Denn\u00edk N<\/strong><\/a>,\u00a0RTVS: R\u00e1dio FM<\/strong><\/a>
\nMedialn\u00ed partneri:\u00a0Swine Daily<\/strong><\/a>,\u00a0Citylife<\/strong><\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Pridajte sa k n\u00e1m a u\u017eite si tepl\u00fa divadeln\u00fa jese\u0148 aj v roku 2021! Deviaty ro\u010dn\u00edk Drama Queer prinesie desa\u0165 predstaven\u00ed v podan\u00ed host\u00ed z \u010ceskej republiky, Belgicka, Po\u013eska a …<\/a><\/p>\n","protected":false},"author":9,"featured_media":1041,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[29,30,28],"tribe_events_cat":[],"class_list":["post-1040","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-divadlo","tag-festival-drama-queer","tag-queer-divadlo"],"_links":{"self":[{"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/tribe_events\/1040","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/comments?post=1040"}],"version-history":[{"count":1,"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/tribe_events\/1040\/revisions"}],"predecessor-version":[{"id":1042,"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/tribe_events\/1040\/revisions\/1042"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/media\/1041"}],"wp:attachment":[{"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/media?parent=1040"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/tags?post=1040"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/tribe_events_cat?post=1040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}