{"id":2007,"date":"2026-06-29T14:54:34","date_gmt":"2026-06-29T12:54:34","guid":{"rendered":"https:\/\/duhovyrok.sk\/nomantinels\/?p=2007"},"modified":"2026-06-29T19:52:19","modified_gmt":"2026-06-29T17:52:19","slug":"nomantinels-pripravuje-novu-inscenaciu-tiene-lorcu","status":"publish","type":"post","link":"https:\/\/duhovyrok.sk\/nomantinels\/2026\/06\/29\/nomantinels-pripravuje-novu-inscenaciu-tiene-lorcu\/","title":{"rendered":"NOMANTINELS pripravuje nov\u00fa inscen\u00e1ciu Tiene Lorcu"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Divadeln\u00fd s\u00fabor NOMANTINELS pripravuje nov\u00fa autorsk\u00fa inscen\u00e1ciu <strong>Tiene Lorcu<\/strong>, ktor\u00fa pripravuje <strong>Andrej Kuruc<\/strong>, autor hry <strong>Socializmus s teplou tv\u00e1rou<\/strong>. Nov\u00fd dramatick\u00fd text prep\u00e1ja \u017eivot a tvorbu Federica Garc\u00edu Lorcu so s\u00fa\u010dasnou sk\u00fasenos\u0165ou queer \u013eud\u00ed na Slovensku.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Tiene Lorcu<\/em> vznikaj\u00fa ako viacvrstvov\u00e1 divadeln\u00e1 kol\u00e1\u017e, v ktorej sa historick\u00e9 obrazy zo \u0160panielska 30. rokov prel\u00ednaj\u00fa so sk\u00fa\u0161ob\u0148ou dne\u0161n\u00e9ho kult\u00farneho domu, politick\u00fdm tlakom, cenz\u00farou, rodinn\u00fdmi konfliktmi, hanbou, t\u00fa\u017ebou a z\u00e1pasom o slobodu tela aj jazyka.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Inscen\u00e1cia sleduje divadeln\u00fd s\u00fabor, ktor\u00fd pripravuje predstavenie o Lorcovi. Sk\u00fa\u0161obn\u00fd proces v\u0161ak postupne nar\u00fa\u0161a pr\u00edchod Marty, predstavite\u013eky lok\u00e1lnej moci a kontroly, ktor\u00e1 chce text \u201eo\u010disti\u0165\u201c od nahoty, bozkov, queer t\u00fa\u017eby a politickej ostrosti. To, \u010do sa spo\u010diatku jav\u00ed ako spor o podobu umeleck\u00e9ho diela, sa men\u00ed na konflikt o pravdu, strach, rodinu, vieru a pr\u00e1vo by\u0165 vidite\u013en\u00fd.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V centre s\u00fa\u010dasnej l\u00ednie stoja postavy Moona, Maxa, Hany, Tami a Marty. Moon hr\u00e1 Lorcu a cez jeho texty odkr\u00fdva vlastn\u00e9 sk\u00fasenosti so \u0161ikanou, t\u00fa\u017ebou a n\u00e1sil\u00edm. Max je mu\u017e pred svadbou, ktor\u00fd sa sna\u017e\u00ed naplni\u0165 o\u010dak\u00e1vania rodiny a obce, no sk\u00fa\u0161anie v \u0148om otv\u00e1ra potla\u010den\u00e9 spomienky, hanbu a ot\u00e1zku vlastnej identity. Hana ako re\u017eis\u00e9rka z\u00e1pas\u00ed s cenz\u00farou a strachom zo straty pr\u00e1ce. Tami, zdanlivo ved\u013eaj\u0161ia a starostliv\u00e1 postava, nesie vlastn\u00e9 vrstvy vy\u010derpania, traumy a ml\u010danliv\u00e9ho odporu. Marta sa st\u00e1va obrazom syst\u00e9mu, ktor\u00fd pod z\u00e1mienkou ochrany vytv\u00e1ra tlak, kontrolu a n\u00e1silie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Historick\u00e1 l\u00ednia inscen\u00e1cie sa dot\u00fdka Lorcovho detstva, jeho vz\u0165ahu k matke, priate\u013estv\u00e1m, po\u00e9zii, divadlu La Barraca, homoerotick\u00fdm sonetom, \u0161panielskej katol\u00edckej kult\u00fare, fa\u0161izmu a n\u00e1siln\u00e9mu uml\u010daniu b\u00e1snika. Text pracuje s mot\u00edvmi Lorcovej obraznosti: noc, krv, mesiac, telo, jazm\u00edn, hanba, v\u00fdstrel, obscuro. Pr\u00e1ve slovo <strong>obscuro<\/strong> sa st\u00e1va jedn\u00fdm z k\u013e\u00fa\u010dov inscen\u00e1cie: ozna\u010duje skryt\u00e9, telesn\u00e9, erotick\u00e9 a nevypovedan\u00e9 tajomstv\u00e1, ktor\u00e9 spolo\u010dnos\u0165 nechce vidie\u0165.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Tiene Lorcu<\/em> nie s\u00fa \u017eivotopisnou hrou v tradi\u010dnom zmysle. S\u00fa sk\u00f4r sc\u00e9nickou esejou, queer ritu\u00e1lom a politickou tragikom\u00e9diou o tom, \u010do sa stane, ke\u010f sa b\u00e1snikova smr\u0165 za\u010dne oz\u00fdva\u0165 v dne\u0161nej sk\u00fa\u0161obni. Inscen\u00e1cia sa p\u00fdta, kto m\u00e1 pr\u00e1vo rozhodova\u0165 o tom, ktor\u00e9 tel\u00e1 s\u00fa prijate\u013en\u00e9, ktor\u00e9 slov\u00e1 m\u00f4\u017eu zaznie\u0165 verejne a ak\u00fa cenu platia \u013eudia za to, \u017ee sa cel\u00fd \u017eivot u\u010dia by\u0165 nevidite\u013en\u00fd.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pripravovan\u00fd text pracuje s princ\u00edpom divadla v divadle, \u017eivou kamerou, zborov\u00fdmi hlasmi, dokument\u00e1rnymi fragmentmi, groteskou, intimitou a obrazmi kolekt\u00edvnej hanby. V jednom priestore sa stret\u00e1va Lorcova Granada, slovensk\u00fd kultur\u00e1k, \u0161kolsk\u00e9 \u0161atne, kostol, svadba, kaviare\u0148, cruisingov\u00e1 noc aj javisko, na ktorom sa rozhoduje, \u010di predstavenie bude \u201eslu\u0161n\u00e9\u201c, alebo pravdivo autentick\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pr\u00edprava inscen\u00e1cie je aktu\u00e1lne vo f\u00e1ze dramaturgick\u00e9ho a textov\u00e9ho v\u00fdvoja.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Tiene Lorcu<\/strong> bud\u00fa inscen\u00e1ciou o b\u00e1snikovi, ktor\u00e9ho nezabili iba preto, \u017ee p\u00edsal. Zabili ho preto, \u017ee bol \u010ditate\u013en\u00fd. A o \u013eu\u010foch, ktor\u00ed aj dnes z\u00e1pasia o mo\u017enos\u0165 presta\u0165 sa skr\u00fdva\u0165.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dramatick\u00fd text vznikol s verejnou podporou formou \u0161tipendia z Fondu na podporu umenia.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Divadeln\u00fd s\u00fabor NOMANTINELS pripravuje nov\u00fa autorsk\u00fa inscen\u00e1ciu Tiene Lorcu, ktor\u00fa pripravuje Andrej Kuruc, autor hry Socializmus s teplou tv\u00e1rou. Nov\u00fd dramatick\u00fd text prep\u00e1ja \u017eivot a tvorbu Federica Garc\u00edu Lorcu so <a href=\"https:\/\/duhovyrok.sk\/nomantinels\/2026\/06\/29\/nomantinels-pripravuje-novu-inscenaciu-tiene-lorcu\/\" class=\"more-link\">&#8230;<\/a><\/p>\n","protected":false},"author":9,"featured_media":2009,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,2],"tags":[42],"class_list":["post-2007","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nezaradene","category-repertoar","tag-from-nomantinels"],"_links":{"self":[{"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/posts\/2007","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/comments?post=2007"}],"version-history":[{"count":2,"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/posts\/2007\/revisions"}],"predecessor-version":[{"id":2012,"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/posts\/2007\/revisions\/2012"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/media\/2009"}],"wp:attachment":[{"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/media?parent=2007"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/categories?post=2007"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/duhovyrok.sk\/nomantinels\/wp-json\/wp\/v2\/tags?post=2007"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}