{"id":1128,"date":"2026-07-30T17:44:59","date_gmt":"2026-07-30T15:44:59","guid":{"rendered":"https:\/\/duhovyrok.sk\/drama-queer\/architektura-empatie\/"},"modified":"2026-07-30T22:21:38","modified_gmt":"2026-07-30T20:21:38","slug":"architektura-empatie","status":"publish","type":"page","link":"https:\/\/duhovyrok.sk\/drama-queer\/architektura-empatie\/","title":{"rendered":"Architekt\u00fara empatie"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Na plag\u00e1te 14. ro\u010dn\u00edka stoj\u00ed rovnica, ktor\u00e1 vyzer\u00e1 ako pozn\u00e1mka z projektovej dokument\u00e1cie: 4. stena = empatia.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0160tvrt\u00e1 stena je v divadelnom slovn\u00edku t\u00e1 pomyseln\u00e1 plocha medzi javiskom a h\u013eadiskom, ktor\u00e1 dovo\u013euje div\u00e1kovi pozera\u0165 sa a neby\u0165 viden\u00fd. Divadlo ju st\u00e1ro\u010dia buduje preto, aby ju mohlo v spr\u00e1vnej chv\u00edli zb\u00fara\u0165. Je to jedin\u00e1 stena na svete, ktor\u00e1 sl\u00fa\u017ei svojmu \u00fa\u010delu a\u017e vtedy, ke\u010f padne.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Presne tak funguje empatia. Nie je to m\u00e4kk\u00e1 hodnota ani dekor\u00e1cia na fas\u00e1de spolo\u010dnosti. Je to kon\u0161truk\u010dn\u00fd prvok \u2014 a v roku 2026 nosn\u00fd.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Pre\u010do u\u017e nesta\u010d\u00ed opravova\u0165<\/h2>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"600\" style=\"aspect-ratio: 600 \/ 600;\" width=\"600\" autoplay controls loop muted src=\"https:\/\/duhovyrok.sk\/drama-queer\/wp-content\/uploads\/sites\/4\/2026\/07\/DQ-14-Motion-1.mp4\" playsinline><\/video><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ro\u010dn\u00edk 2026 prich\u00e1dza v \u010dase, ktor\u00fd sociol\u00f3govia a kult\u00farni teoretici ozna\u010duj\u00fa term\u00ednom polykr\u00edza: obdobie, v ktorom sa simult\u00e1nne prel\u00ednaj\u00fa kr\u00edzy klimatick\u00e9, geopolitick\u00e9 a identit\u00e1rne. Nejde o sled samostatn\u00fdch probl\u00e9mov, ktor\u00e9 by sa dali rie\u0161i\u0165 po jednom. Ide o statiku celej budovy.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Z toho vypl\u00fdva nepohodln\u00e9 zistenie, ktor\u00e9 tvor\u00ed v\u00fdchodisko tohtoro\u010dnej dramaturgie: <strong>bezpe\u010dn\u00fd priestor a reprezent\u00e1cia men\u0161iny s\u00fa z\u00e1klady, nie stavba.<\/strong> Trin\u00e1s\u0165 rokov sme ich kl\u00e1dli a bolo to nevyhnutn\u00e9. Ot\u00e1zka roku 2026 v\u0161ak znie inak \u2014 \u010do na nich postav\u00edme, k\u00fdm je e\u0161te \u010das stava\u0165.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vyspravova\u0165 praskliny v star\u00fdch sten\u00e1ch u\u017e nesta\u010d\u00ed. Empatia nie je pamiatka, ktor\u00fa by bolo mo\u017en\u00e9 obnovi\u0165 do p\u00f4vodn\u00e9ho stavu. Je to stavba, ktor\u00fa treba navrhn\u00fa\u0165 odznova.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Od politiky identity k politike telesnosti<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Politika identity odpovedala na ot\u00e1zku \u201ekto som a ak\u00e9 m\u00e1m pr\u00e1vo&#8220;. Bola nutn\u00e1 a vybojovala ve\u013ea. No v \u010dase polykr\u00edzy sa ot\u00e1zka pos\u00fava. U\u017e nejde len o to, kto smie existova\u0165, ale za ak\u00fdch podmienok je v\u00f4bec mo\u017en\u00e9 \u017ei\u0165 v tele \u2014 vystavenom trhu, algoritmu, kl\u00edme, z\u00e1konu a poh\u013eadu, ktor\u00fd si ho privlast\u0148uje sk\u00f4r, ne\u017e ho stihne uvidie\u0165.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Amb\u00edciou 14. ro\u010dn\u00edka je preto posun k <strong>politike telesnosti a radik\u00e1lnej predstavivosti<\/strong>. Telo nie je ilustr\u00e1ciou t\u00e9my. Je argumentom, ktor\u00fd sa ned\u00e1 vyvr\u00e1ti\u0165 slovami. A predstavivos\u0165 nie je \u00fanik \u2014 je to jedin\u00fd n\u00e1stroj, ktor\u00fdm sa d\u00e1 navrhn\u00fa\u0165 nie\u010do, \u010do e\u0161te neexistuje.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Program preto netvor\u00ed zoznam hos\u0165uj\u00facich diel, ale kon\u0161trukciu. Dramaturgick\u00fa architekt\u00faru, ktor\u00e1 stoj\u00ed na troch nosn\u00fdch prvkoch.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Tri nosn\u00e9 prvky<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Pam\u00e4\u0165<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Ako n\u00e1stroj traumy i lie\u010denia. Queer minulos\u0165 nie je len z\u00e1znam kr\u00edvd \u2014 je to arch\u00edv odvahy, ktor\u00fd si treba privlastni\u0165, k\u00fdm ho niekto nezavrie. Pr\u00e1ve preto sa v programe objavuje gesto privlastnenia si cudzieho, \u010dasto uml\u010dan\u00e9ho hlasu, aby ceze\u0148 zaznela vlastn\u00e1 pravda. A rovnako pr\u00edbeh syna a matky, ktor\u00ed vyst\u00fapia z kruhu n\u00e1silia a ml\u010dania \u2014 a zistia, \u017ee emancip\u00e1cia m\u00e1 cenu, ktor\u00fa platia obaja.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Bud\u00facnos\u0165<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Ako priestor pre \u0161pekulat\u00edvnu fikciu a n\u00e1dej. Ot\u00e1zka sa pres\u00fava od boja za pr\u00e1va v pr\u00edtomnosti k tomu, \u010di v\u00f4bec existuje bud\u00facnos\u0165, do ktorej sa d\u00e1 vojs\u0165 spolo\u010dne. Nejde o optimizmus. Ide o schopnos\u0165 predstavi\u0165 si pokra\u010dovanie \u2014 a preru\u0161i\u0165 nekone\u010dn\u00e9 \u010dakanie na prijatie t\u00fdm, \u017ee namiesto neho pon\u00fakneme radik\u00e1lnu bl\u00edzkos\u0165.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Telo<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Ako prim\u00e1rne bojisko o slobodu. Telo v klube, kde sa v rytme techna ma\u017e\u00fa hranice medzi skuto\u010dnos\u0165ou a projekciou. Telo v aplik\u00e1cii, redukovan\u00e9 na vizu\u00e1lnu spotrebu, ktor\u00e9 si napriek tomu n\u00e1rokuje d\u00f4stojnos\u0165. Telo, ktor\u00e9 odmieta rolu obete a namiesto obhajoby buduje nov\u00fa mytol\u00f3giu.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Geografia, ktor\u00e1 nie je n\u00e1hodn\u00e1<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Obl\u00fak ro\u010dn\u00edka siaha od Slovenska a \u010ceskej republiky cez Bosnu a Hercegovinu a\u017e po Nemecko a N\u00f3rsko. S\u00fa to kult\u00farne priestory s hlboko odli\u0161nou historickou sk\u00fasenos\u0165ou s inakos\u0165ou \u2014 od povojnovej traumy cez postsocialistick\u00fa neistotu po seversk\u00fa prosperitu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sp\u00e1ja ich to ist\u00e9 \u00fasilie: redefinova\u0165 spolo\u010densk\u00e9 normy zvn\u00fatra, umen\u00edm, nie manifestom. A jedno praktick\u00e9 poznanie \u2014 \u017ee sloboda nie je stav, ale \u00fadr\u017eba.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">\u00b10,000 \u00b7 sc\u00e9na<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">V architektonick\u00fdch v\u00fdkresoch ozna\u010duje k\u00f3ta \u00b10,000 vz\u0165a\u017en\u00fa \u00farove\u0148, od ktorej sa meria cel\u00e1 stavba. V\u0161etko ostatn\u00e9 je nad \u0148ou alebo pod \u0148ou. Na plag\u00e1te tohtoro\u010dn\u00e9ho festivalu je touto \u00farov\u0148ou <strong>sc\u00e9na<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Je to presn\u00e9. Divadlo nie je nadstavbou spolo\u010denskej diskusie ani jej ozdobn\u00fdm podla\u017e\u00edm. Je to rovina, na ktorej sa meria, \u010do si spolo\u010dnos\u0165 dovol\u00ed uvidie\u0165. Ak sa nie\u010do d\u00e1 odohra\u0165 pred \u013eu\u010fmi v jednej s\u00e1le, d\u00e1 sa to aj vyslovi\u0165 na ulici. A naopak \u2014 \u010do zmizne z javiska, mizne aj zo slovn\u00edka.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">\u010co staviame<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Nestaviame m\u00fary. Staviame priestor, do ktor\u00e9ho sa d\u00e1 vojs\u0165 \u2014 a ktor\u00fd m\u00e1 dvere na oboch stran\u00e1ch. Festival preto netvoria len inscen\u00e1cie, ale aj diskusie, ktor\u00e9 otv\u00e1raj\u00fa dial\u00f3g namiesto konfront\u00e1cie, a rezidencie, ktor\u00e9 chr\u00e1nia slobodu v tvorbe.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Umenie je jedn\u00fdm z m\u00e1la jazykov, ktor\u00fd dok\u00e1\u017ee prekona\u0165 polariz\u00e1ciu, lebo ne\u017eiada s\u00fahlas \u2014 \u017eiada pozornos\u0165. Pon\u00faka sk\u00fasenos\u0165: mo\u017enos\u0165 vidie\u0165 svet o\u010dami niekoho in\u00e9ho a vr\u00e1ti\u0165 sa k sebe s v\u00e4\u010d\u0161\u00edm porozumen\u00edm.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>14. ro\u010dn\u00edk Drama Queer \u00b7 od 18. okt\u00f3bra 2026 \u00b7 Bratislava<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Na plag\u00e1te 14. ro\u010dn\u00edka stoj\u00ed rovnica, ktor\u00e1 vyzer\u00e1 ako pozn\u00e1mka z projektovej dokument\u00e1cie: 4. stena = empatia. \u0160tvrt\u00e1 stena je v divadelnom slovn\u00edku t\u00e1 pomyseln\u00e1 plocha medzi javiskom a h\u013eadiskom, ktor\u00e1 dovo\u013euje div\u00e1kovi pozera\u0165 sa a neby\u0165 viden\u00fd. Divadlo ju st\u00e1ro\u010dia buduje preto, aby ju mohlo v spr\u00e1vnej chv\u00edli zb\u00fara\u0165. Je to jedin\u00e1 stena na <a href=\"https:\/\/duhovyrok.sk\/drama-queer\/architektura-empatie\/\" class=\"more-link\">&#8230;<\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1128","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/duhovyrok.sk\/drama-queer\/wp-json\/wp\/v2\/pages\/1128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/duhovyrok.sk\/drama-queer\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/duhovyrok.sk\/drama-queer\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/drama-queer\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/duhovyrok.sk\/drama-queer\/wp-json\/wp\/v2\/comments?post=1128"}],"version-history":[{"count":6,"href":"https:\/\/duhovyrok.sk\/drama-queer\/wp-json\/wp\/v2\/pages\/1128\/revisions"}],"predecessor-version":[{"id":1144,"href":"https:\/\/duhovyrok.sk\/drama-queer\/wp-json\/wp\/v2\/pages\/1128\/revisions\/1144"}],"wp:attachment":[{"href":"https:\/\/duhovyrok.sk\/drama-queer\/wp-json\/wp\/v2\/media?parent=1128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}